Titles
Showing 9,881-9,900 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 9881 | 90874DA8-2289-4E5D-B548-79B4676CA09D | X205010 | Quicksilver | 'Quicksilver' refers to the shifting, mercurial sense of pulse that occurs in much of the piece, and to the sometimes brilliant passagework. A concise, compact one-movement work, it has two principal sections. The first is slow and lyrical with a freely imitative mid section. The second, longer section is generally fast, and exhibits a variety of active passages. Premiered December 9, 1989 at the University of Louisville by members of the Louisville Orchestra with faculty of the School of Music. | Brass Quintet | |
| 9882 | 908A97D3-65E9-441D-B0FD-1F6B0DE23859 | S406CB | Rowdy Dance | (not set) | Concert Band | |
| 9883 | 908C286B-A47F-4D6E-BBA6-D46A09CA2C45 | R00492 | August Diary | Harp, String Orchestra | ||
| 9884 | 908F99BF-0399-4826-BE9D-5E850284579D | X560016 | Gozaar: Calligraphy no. 5 for Guitar | Featured on Lily Afshar's "Virtuoso Guitar DVD" (2008). Also available for violin or viola. | Guitar Solo | |
| 9885 | 9090CEAD-7A3C-402E-9C59-AA7A90F1CAF9 | X511047 | Mixed Metaphors | Mixed Metaphors was composed during travels between Stock's native Pittsburgh and Rio de Janero, Brazil. Each of the four movements, though sylistically distinct, explore polyrhythmic concepts found in various Latin musical idioms. (2011) ca. 15'. | Violin, Piano | |
| 9886 | 9091cb77-9e39-11f0-a418-0022482c9682 | A136602 | Roi Malgre Lui, Le: Danse Slave | LE ROI MALGRÉ LUI (THE RELUCTANT KING) is a comic opera by Emmanuel Chabrier (1841-1894), based on a 1836 vaudeville play by Virginie Ancelot. The stage work depicts the brief reign of Henri, Duke of Anjou, as the King of Poland, and his subsequent efforts to flee the country. The opera premiered on May 18, 1887 at the Opéra-Comique in Paris. Despite its relatively tepid success, Maurice Ravel enthusiastically declared that he would have preferred to be credited for writing it than Wagner’s Ring cycle. Although it has rarely been revived, two excerpts from the opera have appeared in concert halls and recordings, the FÊTE POLONAISE in Act 2, and the DANSE SLAVE in Act 3 which is presented in this Kalmus edition. Instrumentation: 2(both d. Picc).2.2.2: 2.2.3.0: Timp.Perc(2-3): Str (9.8.7.6.5 in set). An arrangement for salon/theater orchestra by Otto Langey is also available from the publisher. | 2(both d. Picc).2.2.2: 2.2.3.0: Timp.Perc(2-3): Str (9.8.7.6.5 in set) | |
| 9887 | 909229e5-9e3a-11f0-a418-0022482c9682 | A808502 | Macbeth: Prelude | Written for the Teatro della Pergola in Florence, and premiering on March 14 1847, MACBETH was Verdi's tenth opera and the first genuine masterpiece of his career. Adamant about creating an opera "unlike any other," it met with immediate success, though it struck Italian audiences as an oddity due to its lack of a great love affair as part of the plot. Seeking to do something musically different, Verdi wrote to librettist Francesco Piave, "If we cannot make it a masterpiece, let us at least do something out of the ordinary." The opera breaks many of the rules common in the framework of Italian opera, favoring a more fluid, cohesively unfolding music drama in, as Verdi later admitted, his own attempt at the Wagnerian "fusion of music and drama." Almost twenty years after the premiere, interest in a French version for a Paris premiere drove Verdi to revise and expand the opera. This version, with substantial changes and additions to the music and libretto both, premiered in Paris on April 19 1865, and the Italian translation of this remains the preferred version for modern performances, although often MacBeth's death scene from the first version replaces the revised last act. Truly a great opera, and a favorite of Verdi himself, the opera has not shared the success of the composer's other works, but this is not due to any deficiency in the music, which captivates the listener from the beginning to the end. Instrumentation: 1+Picc.2.2.2: 4.2.3+BTbn.0: Timp.Perc(1): Hp: Str (9.8.7.6.5 in set). | 1+1(Picc).2.2.2: 4.2.3+1(BTbn).0: Timp.Perc(1): Hp: Str (9.8.7.6.5 in set) | |
| 9888 | 909A6C3A-2C34-4C9A-BE21-3FA4ABE343C8 | M281091 | Five Pieces, Op. 75 | Sibelius's "tree cycle" is one of the finest examples of the composer's sensitivity. The popularity of the opus speaks for itself. Pieces: 1. When the Rowan Blossoms 2. The Solitary Pine 3. The Aspen 4. The Birch 5. The Spruce | Solo Piano | |
| 9889 | 909C6F2F-528B-4C15-B49A-08C5AD3A6074 | R13 | Trombone Trouble | (not set) | Full Orchestra | |
| 9890 | 909CA869-9093-4247-9793-70780F20C0D9 | SS463 | Rondo | Rondo by Alexander Von Kreisler is the perfect vehicle for recital or contest for the intermediate player. Versions for bass/contrabass clarinet, tuba, and contra alto clarinet are available from the publisher. | Tuba and Piano | |
| 9891 | 909DBF4F-7E84-4019-A817-78E4F92F494E | EBM0670041 | Dinner At Eight: Opera in 2 Acts | This opera is based on the 1932 play by George S Kaufman and Edna Ferber, in turn adapted in to a movie by George Cukor (1933). Set in American Depression New York, the story presents a glimpse into the lives and troubles of the invitees to a society dinner. Music by William Bolcom and libretto by Mark Campbell. | 9 Singers: 1 Lyrc Colrtra Sop, 3 Sop, 1 Mezzo-sop, 1 Ten, 3 Bar), 7 minor roles: 2(2dPicc).2(2dEH).2(1dEb,2dBCl).1(+CtrBsn): Asx: 3.2(1dPiccTpt).1.1: Timp.Perc(3): Hp.Keybd: OnstgVa.Str | |
| 9892 | 90A4776F-3995-4733-B979-ABE3EA5BF54B | S934002 | Give Thanks Unto The Lord (Psalm 105) | This setting of Psalm 105 is for SSA chorus and organ. | SSA Chorus, Organ | |
| 9893 | 90A6BCC7-6478-4953-83BA-C794EE2C574D | 52703053 | Bensen Burner Boogaloo | A funky quartet in A major with lots of grace notes, syncopation and most of all personality! | String Quartet | |
| 9894 | 90AF051C-55E5-4A47-BAE8-F8F6D834BD9D | SC47 | Daffodils | Satb | ||
| 9895 | 90B09A2A-3E94-4456-9FC4-10AD822A072C | 52743003 | 10 Double Bass Quartets | Clever arrangements of familiar melodies for four double basses using thumb position and a myriad of harmonics. Selections by Beethoven, J.S. Bach, Clementi, Schumann, and Mozart. Included: 1. March in D Major, BWV 122 (Bach), 2. Minuet in F, K. 2 (Mozart), 3. The Merry Farmer (Schumann), 4. Ecossaise in G, WoO 23 (Beethoven), 5. Minuet in G, BWV 116 (Bach), 6. Minuet in g minor, BWV 115 (Bach), 7. Sonatina in G (Beethoven), 8. Minuet in G, BWV 114 (Bach), 9. Sonatina, Op. 36, No. 1 (Clementi), 10. Für Elise, WoO 59 (Beethoven). | Extra Score | |
| 9896 | 90B34141-3C97-490E-BC55-8D3E27E29EB8 | 10200028 | Miniature Symphony in C Major | (not set) | Full Orchestra | |
| 9897 | 90B47E7C-191F-4069-99A2-55E27B8A655E | ST661 | Sea Change | This beautiful piece is a wonderful showcase for an advancing player's lyrical ability, where even the more technical section remains melodic. Versions for flute, alto flute, oboe, alto saxophone, tenor saxophone, and violin are available from the publisher. | Clarinet, Piano | |
| 9898 | 90BD7EFF-908D-4D0B-ABC3-4391F34C4607 | 10550129 | The King's Jester for Tuba and Piano | This playful and joyful piece in 6/8 time is a great solo to play for your contest. | Tuba Solo and Piano | |
| 9899 | 90BF2F9F-8CB8-42D9-9FE5-37ED38FA3F70 | S658CB | Wine from These Grapes | This was commissioned by Kim Campbell for Dallas Wind Symphony in memory and celebration of the life of Howard Dunn, conductor and founder. The title is taken from a collection of poems and sonnets by Edna Saint Vincent Millay. The title was chosen because of the superior and teaching and leadership of Howard Dunn; the wine from his grapes are his students and the great musical legacy that he left. | Concert Band | |
| 9900 | 90C2FE45-07A7-40F4-AB23-9E7909E7DAE4 | X151022 | Hajiani (Reality Music No. 1) for Alto Saxophone and Electronics | This work for alto saxophone and electronic audio offers detailed suggestions and alignment points for the performer to co-ordinate easily with the electronic audio accompaniment, which consists of two Ney Anbâns (Persian bagpipes). The electronic audio may be attained from the publisher's website. | Alto Saxophone and Electronic Audio |