Titles
Showing 9,821-9,840 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 9821 | 8FCABE63-02A7-4237-98F5-F4B84EAE14B8 | 10510339 | Gavotte for Cornet and Piano | This solo for beginners is perfect for contest or recital and is available for several instruments, including flute or piccolo, clarinet, alto saxophone, baritone saxophone, and cornet/trumpet. Versions for instrument duet and piano are also available from the publisher. | Cornet Solo and Piano | |
| 9822 | 8FCD172F-4C69-45CF-AC93-501EB78ABE03 | LV416MB | El Toro | This march, part of the "Easy to Play" series, is a wonderful beginning piece for any marching band. | Marching Band | |
| 9823 | 8FD207F6-6EDA-481A-9F0E-94094B7F1DC7 | B311 | New Theories Of Theory | Text | Text | |
| 9824 | 8FD7179A-93AC-4FB8-84C2-C3AFFCDB0AF3 | M322491 | L'Organiste Liturgiste, Op. 65, Bk. 2 | French organist and composer Félix-Alexandre Guilmant (1837-1911), served as Professor of Organ at the Paris Conservatoire and served as mentor to a young Marcel Dupré. While accomplished and prolific, Guilmant wrote almost exclusively for the organ, including: "Pièces dans différents styles" (18 books); "L'organiste pratique" (12 books); Eighteen "Pièces Nouvelles;" and "L'Organiste liturgique" (10 books). All 10 books of "L'Organiste liturgiste" is available from the publisher. | Organ | |
| 9825 | 8FDC0C70-C72B-41E7-868D-B6D2345EC28E | SS855 | Two Creole Songs | Willard Elliot's arrangement of two traditional Creole songs is scored for oboe, b flat clarinet and bassoon and is of medium difficulty. Movement titles: 1. Mon l'aime toi, chere 2. O! caitanne | Oboe, Clarinet in Bb, Bassoon | |
| 9826 | 8FDC9E2A-D2BA-4660-8CD3-A5F8206AD2A1 | SS873 | Sonata for Tenor Saxophone | Tenor Sax | ||
| 9827 | 8FE345E0-2AC8-4B9E-8264-81578FDEF161 | R121 | Fantasia Funiculi Funicula | (not set) | Band | |
| 9828 | 8FE55E53-EEEF-481E-B89C-2D5EACA817CC | M306691 | 24 Negro Melodies, Op. 59, Bk. 2 | The transcription of melodies contained in this collection has been praised as "the most complete expression of Mr. Coleridge-Taylor's native bent and power." Using native songs of Africa and the West Indies with those that came into being in America during slavery, he has preserved their distinctive characteristics and individuality, while giving them an art form fully infused with their musical essence. Available in three volumes, book 2 includes melodies from America. Included in Book 2: 1. The angels changed my name; 2. Deep river; 3. Didn't my Lord deliver Daniel?; 4. Don't be weary, traveler; 5. Going up; 6. I'm troubled in mind; 7. I was way down a-yonder (Dum-a-lum); 8. let us cheer the weary traveler. Reprint edition. | Solo Piano | |
| 9829 | 8FED0391-536F-4747-9E4C-44822DF12684 | 50250205 | Hola, Violas! | HOLA, VIOLAS! is an excellent way to highlight the viola section in your orchestra. The words, “hola violas” provide the samba rhythm on which the piece is based. The piece is in E minor and its harmonies are based on the Spanish Andalusian chord progression often used in traditional Flamenco dances. The rhythms in this piece provide an excellent way to work on syncopation and bowing skills, and in addition, there is plenty of pizzicato to keep things lively and interesting. | String Orchestra | |
| 9830 | 8FEE1E63-C716-4938-B8D0-66C70911FAA4 | R00151 | Symphony for String Orchestra | String Orchestra | ||
| 9831 | 8FF0253F-3466-45B1-B4B0-51A69E1362A6 | A890002 | Nutcracker, The, Op. 71, No. 14: Pas de Deux (McDermott) | Edited from the ballet library of William McDermott. | 2+1, 2+1, 2+1, 2 - 4, 2, 3, 1, timp, perc, hp, str[English horn and Bass Clarinet optional] | |
| 9832 | 8FF45C25-447A-44FF-A07E-7A02E9B7F35C | X113001 | Birds of a Feather | (not set) | 2 Flute(1d Piccolo), Piano | |
| 9833 | 8FF4AD07-A780-4297-8BF1-A74B9C9F6F51 | 20100693 | The Little Carousel | This spirited and truly engaging number for your first year bands uses only rhythms of whole, half and quarter notes for the winds, and eighth notes in the percussion. Quincy has made this a very special work for your percussion section by using non-traditional instruments, including 'a glass jar filled with pennies' and a 'metal pot.' This is delightful music for your youngest groups. | Concert Band | |
| 9834 | 8FF62DE3-ABB8-4B61-8A67-C7CDB463EF14 | A612602 | Polyeucte Overture | The earliest surviving orchestral work by Paul Dukas, the twenty-five-year old composer was inspired by one of the tragedies of Pierre Corneille that deals with the story of Polyeucte, a third-century Roman who was a martyr to the campaign of persecution of Christians. Dukas' piece is a fifteen-minute overture to the play. The work premiered on January 23, 1892 at the Concerts Lamoureux, though the score was not published until 1910. | 2.2+EH.2+BCl.3: 4.2.3.1: Timp: Hp: Str(9-8-7-6-5) | |
| 9835 | 8FF9A262-85C3-47FD-B883-1E4CE0B4B7CD | EBM0610083 | Six Pieces for Orchestra | Published by Casa Musicale Sonzogno; administered in the U.S., Canada and the Philippines by E. B. Marks | 2.2.2.2: 4.3.3.0: Perc.Hp: Str | |
| 9836 | 8FFC76F0-DC0B-43F5-A9D8-108A5BE9C3FD | R00774 | Spirits | Commissioned by the Indiana Orchestra Consortium, Spirits is intended to be evocative of the spirit and aura (and era!) of six notable individuals with significant Indiana connections. | 2+Piccolo.2.2+Bass Clarinet.2: 4.3.3.1: Timpani.Percussion(3).Piano.Harp: Strings | |
| 9837 | 9000B93D-F164-4598-B24B-535815C984E6 | S488CB | Rapscallion | (not set) | Concert Band | |
| 9838 | 9000be26-9e39-11f0-a418-0022482c9682 | A135402 | Academic Festival Overture, Op. 80 (Akademische Festouverture) | Johannes Brahms (1833-1897) composed the ACADEMIC FESTIVAL OVERTURE (AKADEMISCHE FESTOUVERTURE), Op. 80, during the summer of 1880 as a tribute to the University of Breslau for conferring on him an honorary doctorate of philosophy. Known for his love of irony, Brahms based this overture on a number of familiar melodies resulting in what he called a “very boisterous potpourri of student songs.” Included is: 1. Wir hatten gebauet ein stattliches Haus; 2. Fuchsenritt, also titled Was kommt dort von der Höh (“What Comes There from on Yonder?”), sung by upperclassmen to chide first year students; 3. a German patriotic song titled Wir hatten gebauet ein stattliches Haus (“We have built this stately house”); 4. a triumphant finale on Gaudeamus igitur (“So Let Us Rejoice”) that was commonly performed at many European high school and university graduation ceremonies. The premiere took place on January 4, 1881, by the Breslauer Orchesterverein, Brahms conducting in the Saal des Konzerthauses in Breslau. Instrumentation: 2+1(Picc).2.2.2+1(Ctrbsn): 4.3.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set). | 2+1(Picc).2.2.2+1(Ctrbsn): 4.3.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set) | |
| 9839 | 90032E65-6C4C-48F4-812A-F8442807E00F | R00779 | Speaking in Drums: Concerto for Timpani and String Orchestra | Commissioned by the Minnesota Orchestra and the Richmond (VA) Symphony Orchestra. | Timpani Solo: String Orchestra | |
| 9840 | 9005981E-E947-4E54-BE3B-EF8B3B0BC717 | R01372 | Peace for Chorus, Flute and String Orchestra (full score) | Written for the First Unitarian Church of Portland, Oregon. A version is also available for Chorus, Flute and Organ.. | SATB Chorus, Flute, String Orchestra |