Titles
Showing 9,761-9,780 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 9761 | 8EE847A3-BFCC-4098-8F84-42D700C97CF6 | SS579 | Drag That Man Away (only In B-167) (out-of-print) | Snare Drum Unaccompanied | ||
| 9762 | 8EE8FEBE-9513-4EBB-A5E0-93AF630754B9 | 10100190 | Starflight Overture | A lyrical, rhythmically exciting work that captures the sense of adventure and romance associated with space flight. Not programmatic, it is solid, accessible, band writing and can fit well into any concert or contest program. | Symphonic Band | |
| 9763 | 8EEBA5A8-DB6B-42C0-8FB2-35502D687E9A | SS663 | Little Late for the Downfall, A | 2 Snare Drums | ||
| 9764 | 8EFA6B74-A13B-4CE3-999D-F9E7EF56BC57 | MP940009 | Carol (Neighbors, on This Frosty Tide) | This bright and joyful work by Joan Morris and William Bolcom takes its text from “The Wind in the Willows” by Kenneth Graham. Bringing in the many aspects of the Christmas season, it makes a fine feature for many types of concert programs. | SATB a capella Chorus | |
| 9765 | 8EFF0F64-6CB0-494E-9BA4-8FE2EEEC3B3B | M113591 | Sonata In E flat, Op.28 | (not set) | Horn and Piano | |
| 9766 | 8F005457-8C46-4F3E-A22A-AF7AFDE682AF | A694102 | Koenigskinder: Prelude to Act II [arrangement] | 2+1, 2, 2, 2 - 4, 2, 3, 1, timp, perc, str (winds cross-cued for perf by smaller orchs) | ||
| 9767 | 8F01C2C5-19C9-420D-92C1-6803ED37B65D | 50100266 | Ancient and Honorable Artillery | Our Heritage of the Concert Band series expands with another of the beloved March King's expert works. Carefully edited for historic correctness and playability by the modern concert band by Sousa expert Loras John Schissel, this march shows the band at its rousing best. | Concert Band | |
| 9768 | 8F09429A-5021-460F-9BFE-E63DB0E7D666 | M278391 | Complete Songs, Vol. 3: 12 Posthumous Songs | Album of 12 Rachmaninoff songs published posthumously. Contains Russian text. | Voice, Piano | |
| 9769 | 8F095724-5FF1-48DF-9EBD-D27BE3108BC8 | ST71 | Seven Epigrams | Alto Sax | ||
| 9770 | 8F0B4ADA-26C5-4733-87FB-363D74F452B1 | R00694 | Concerto Grosso No. 1, Op. 60 | 2.2.0.2: 2.2.0.0: Strings | ||
| 9771 | 8F0F33A1-9DA3-4228-9F69-272FB2C8F728 | 52723007 | Three Spanish Dances for Viola Quartet (extra score) | (not set) | Viola Quartet | |
| 9772 | 8F12B775-0FC7-4432-8974-F59D12ABFDD8 | A723902 | Jeux: Poeme Danse, L. 126 (complete ballet) | The ballet Jeux (Games), described as a “poème dansé” was written in the space of a month during the end of summer, 1912, by Claude Debussy (1862-1918) for a commission from Sergei Diaghilev’s Ballets Russes, with choreography to come from Vaslav Nijinsky. Debussy originally intended to reject the project as he found the scenario of a man and two girls playing tennis until interrupted by a plane crash to be absurd. But he accepted after Diaghilev offered to double the commission fee and remove the plane crash, having the moment among the trio interrupted instead by another mystery tennis ball instead. The May 13, 1913, premiere by the Ballets Russes under Pierre Monteux at the Théâtre des Champs-Élysées in Paris was not a success, and the work was further overshadowed by the famous premiere of Stravinsky’s Rite of Spring less than two weeks later. While the work has never gained much interest in the ballet world, it is now thought of more as a part of the concert repertoire. Instrumentation: 2+Picc(2).3+EH.3+BCl.3+Sarrus: 4.4.3.1: Timp.Perc(4): Hp(2).Clst: Str (9-8-7-6-5 in set). Part of the Nieweg Performance Editions series. | 2+Picc(2).3+EH.3+BCl.3+Sarrus: 4.4.3.1: Timp.Perc(4): Hp(2).Clst: Str (9-8-7-6-5 in set) | |
| 9773 | 8F1B0155-74E3-4B4C-B95A-3E3321AE45A7 | M178191 | Five Songs from The Norwegian | (not set) | Voice and Piano | |
| 9774 | 8F1C01C7-BAAE-4C35-B458-40E700E80F60 | LV177CB | Marine's Hymn | (not set) | Concert Band | |
| 9775 | 8F204EBF-EB31-4A01-9983-F55D557202E9 | A729790 | Italian (Italianische) Serenade | Written in 1887 by notable Leider composer Hugo Wolf (1860-1903), Italian Serenade was originally written for string quartet and named simply Serenade in G Major. In his ongoing attempt to set the works of poet Joseph Eichendorff to music, Wolf based this piece off of Eichendorff’s novella Der Soldat I. By 1890, Wolf began referring to the work as Italian Serenade, perhaps in reference to a small orchestra that played an Italian serenade in Der Soldat I. Italian Serenade was first performed in Vienna in January of 1904, shortly after the composer’s death. This edition is edited for string orchestra by notable bassist Lucas Drew. String count of 8-8-5-5-5 included in the set. | String Orchestra (8-8-5-5-5 in set) | |
| 9776 | 8F32D46B-8892-4DA4-99E5-DABE66A0690F | S504003 | String Quartet | Str 4tet | ||
| 9777 | 8F332AB2-2DC2-42AF-BE2E-440709CEBF9B | SC725 | All Hail the Power | Texas University Intersholastic League Sightreading for 2A, 1A, and 3B Varsity Mixed (SAB) Choirs and 5A, 4A, and 3A Non-Varsity Mixed (SAB) Choirs. Versions for SAB and SATB are available from the publisher. | Sab | |
| 9778 | 8F39C001-F69A-4B8B-9CD5-F31B845B2AD5 | SS578 | Spot a Tea (only-in-b167/futuristic) | Snare Drum Unaccompanied | ||
| 9779 | 8F475DA5-39C6-4165-BB4F-B1CC69D2CE73 | A139702 | Coppelia: Suite from the Ballet (German version) | Léo Delibes' (1836-1891) Coppélia (1870) is a comic ballet that tells the story of a sinister doctor who has made a beautiful, life-sized dancing doll (the title character), a young man who becomes infatuated with the doll and sets aside his heart's true desire, his fiancé. One of Delibes' ballets that helped to redefine the importance of music in the art form, Coppélia remains a standard part of the ballet repertoire. The suite from the ballet includes the following movements: 1. Theme slave varie, 2. Danse de Fete et Valse des Heures, 3. Notturno, 4. Scene des Automates et Valse, 5. Czardas. Instrumentation: 2(2dPicc).2.2.2: 4.2.3.0: Timp.Perc(2-3): Hp: Str (9-8-7-6-5 in set). | 2(2dPicc).2.2.2: 4.2.3.0: Timp.Perc(2-3): Hp: Str (9-8-7-6-5 in set) | |
| 9780 | 8F488FBD-A77F-4311-9387-2E03251230E0 | 10300205 | Rolling in Rhythm | Progressive studies and solos for swing analysis of standard rudimental stroke rolls. | Drum |