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96618d325fa8-9e39-11f0-a418-0022482c9682A128890Romance for Violin and Orchestra No. 1 in G, Op. 40ROMANCE NO. 1 IN G MAJOR, Op. 40, composed in 1801, is one of two romances written for violin and orchestra by Ludwig van Beethoven (1770-1827). Its date of composition was preceded by the ROMANCE NO. 2 IN F MAJOR, Op. 50, although its publication took place in 1803, two years prior to the publication of the other work. Thought by some to be the middle movement of a violin concerto that Beethoven either abandoned or lost, the piece is constructed in rondo form with a lyrical theme flanked by contrasting episodes. Instrumentation: 1.2.0.2: 2.0.0.0: Str (9-8-7-6-5 in set): Solo Violin in set.1.2.0.2: 2.0.0.0: Str (9-8-7-6-5 in set): Solo Violin in set
96628D35330A-C9F1-414D-8830-362C1FDCC1E4B399502Lullaby of the Drums (band version)concert band
96638D37F35F-7500-47D9-87D9-4D6DE4541621EBM0610079Dialogues for OrchestraMurdock Donald MacInnis (April 4, 1923 – April 20, 2003) was an American composer and associate professor of music at the University of Virginia. MacInnis attended Princeton University, completing his music degree as an undergraduate in 1948 and a masters in 1950. His studies were interrupted by World War II, during which he served with the 13th Armored Division of the United States Army, seeing combat in Germany. While at Princeton, he was musically active, directing the band and managing the Princeton Glee Club. He studied composition and theory with Milton Babbitt, Edward Cone, Joseph Kerman, Bohuslav Martinu, Roger Sessions and Randall Thompson, and conducting with Leonard Bernstein at Tanglewood. MacInnis was elected as an instructor in the faculty of music of the University of Virginia in 1950. He was granted a leave of absence in 1968 to serve as composer in residence with Robert Shaw and the Atlanta Symphony Orchestra. As an instructor, he conducted the University of Virginia Band; later, he was tapped as acting department head in 1955. As a composer, MacInnis employed early electronic music techniques, including computer-synthesized music and tape loops. His Dialogues for Orchestra was written in 1960. Duration ca. 8'2.2.2.2: 4.2.3.1: Timp.Hp.Pno: Str
96648D381229-7142-4A35-92C2-A0295F0D8A0CM335591Six Southern Folk Hymns and Variants of a Southern SongAll of these seven SOUTHERN FOLK HYMNS are arranged from the 1854 edition of the Southern Harmony and Musical Companion by the South Carolina (later Georgia) singing-schoolmaster and composer William Walker, who composed some of the tunes, arranged others, and harmonized them all in a style resembling more the a cappella polyphony of the Middle Ages (or of colonial New England composers such as Billings) than that of choral music typical of the early nineteenth century, with its keyboard orientation. This harmonization is adhered to completely in these arrangements for SAT saxophone trio by Walter S. Hartley, with only some transpositions and octave displacements suitable to this instrumental ensemble. Included: 1. Amazing Grace (New Britain); 2. The Babe of Bethlehem; 3. Wondrous Love; 4. Christian Prospect; 5. The Promised Land; 6. Hallelujah; 7. Variants of a Southern Song ("Idumea" by Ananias Davisson - 1818).SAT Saxophone Trio
96658D3C426A-898E-47C1-8E9C-16D9F875BF5DX816303From the Wall for Mezzo-Soprano, Flute, Cello and PianoCommissioned by Sharman King for Brenda Fedoruk. Released independently on 2 albums in US and Canada, 2009.Mezzo-Soprano, Flute, Cello, Piano
96668D3F520D-DD83-43F7-A765-F5F94697DF77S381CBSmoky Mountain Suite(not set)Concert Band
96678D40FDD9-BCC9-417A-B33A-D870E7C3F53AA270902Petite Messe Solennelle (second version)(not set)2+1, 2, 2, 3 - 4, 2+2, 3, 1, timp, 2hp, str (2.2.1.1.1), solo SATB, mx chor
96688D43F87A-B34D-4562-8C72-CCE94DAFE5F4M132791Chanson Perpetuelle(not set)Two Violins, Viola, Violoncello, Piano and Voice
96698D47C98A-4410-406A-886D-1D5A7E40E5FAR00598Piano Concerto No. 1, Op. 28(not set)2 Piano Reduction Reduction from: Piano Solo 3.3.3.3: 4.2.3.1: Timpani.Percussion(2): Strings
96708D4E1124-3820-4DFD-82FA-4CC8EAE50C57A674702Images pour Orchestre - No. 1: GiguesClaude Debussy (1862-1918) had originally intended for Images pour orchestre to be a sequel to the first set of Images for solo piano. However, around 1905, he had decided to orchestrate the compositions rather than set them for two pianos working on them between 1905-1912. The work is written in three movements: I. Gigues, II. Ibéria, and III. Rondes de printemps (Round dances of spring). But each of the three movements are customarily performed individually much as they were published. Gigues was originally titled Gigues tristes, and the music was inspired by Debussy's memories of England, the song Dansons la gigue by Charles Bordes and the Tyneside folk tune The Keel Row. Instrumentation: 2+Picc(2).2+EH+Obd'A.3+BCl.3+CBsn: 4.4.3.0: Timp.Perc(3): Hp(2).Clst: Str (9-8-7-6-5 in set).2+Picc(2).2+EH+Obd'A.3+BCl.3+CBsn: 4.4.3.0: Timp.Perc(3): Hp(2).Clst: Str (9-8-7-6-5 in set)
96718D4E2C8C-50F4-40DE-B1DE-47DDDEEBAD27M153491Romance (16.Xi 1879)Leoš Janá?ek's (1854-1928) Romance is the fourth in a series of seven romances for violin and piano written in 1879 at the request of his musical theory and composition instructor, Professor dr. Oskar Paul. Janá?ek found capturing the mood of a romance difficult, and only this one of the seven exercises survived, but he did write to his future wife that she would like this fourth romance. Full of ardent lyricism, bold harmony and modulations, and a beautiful three-part form, the work has become a popular and very welcome addition to the Janá?ek repertoire, particularly for young violinists. Reprint edition of version edited by Bohumír Štedron.Violin & Keyboard
96728D54994D-FDA6-4862-91EB-DE1711ACE00FEBM0650014Musica da Camera II: On Three Notes of Steve ReichRobert Moevs (1920-2007) was a modernist composer and professor of composition at Rutgers University from 1964 to 1991. During his career, Moevs created a large body of orchestral, chamber, vocal, and instrumental music that earned him awards including a Rome Prize, a Guggenheim Fellowship, and the Stockhausen International Prize in Composition in 1978. Moevs composed at a time Kemper describes as “high modernism in academic art music in America—but there are also other influences in his music, like jazz, interesting rhythmic progressions, and intriguing things happening with timbreFlt/Picc, Ob, Clar (Bb/Eb), Bsn, Hn, Xyl, Vln, Vla, Vc
96738D632ED9-4A29-4643-B961-60DBD2621E0BV66Cougar Victory MarchPiano/vocal
96748D6B9BA8-17BD-4D19-8247-A5E9F806DEB1S1023CBOld Boatman for Band, TheOriginally for piano, this lyric work is a shining presentation of Price’s signature style. It is reminiscent of Edvard Grieg, specifically his Lyric Pieces, and 19 Norwegian Folk Tunes, Op. 66. The first statement is in E-flat Major, then modulates to F major. Although short, the piece requires mature musicality, secure intonation and vibrato from your ensemble, with delicate dynamics and rubato. There are brief solos for oboe and euphonium.Concert Band
96758D6D52C4-A5B8-4A45-BC1B-456647FB062BSS788Sonata in g MinorJean-Marie Leclair (1697 - 1764) was one of the greatest vionlinists and composers of the Baroque era. He composed hundreds of sonatas during his long career and was noted for unusually precise tempo markings. Includes a brief guide on Baroque ornamentation.Alto Sax and Piano
96768D77A56A-4B97-4B40-9F22-3E147FB625AFR01391Meanwhile: Incidental Music to Imaginary Puppet PlaysAwarded two Grammys in 2013: Best Contemporary Classical Composition to Stephen Hartke and Best Chamber Music Performance to eighth blackbird for their album “Meanwhile” on Cedille Records (CDR90000133). Commissioned for eighth blackbird by the Barlow Endowment for Music Composition. Incorporates various forms of Asian court and theater music from Japanese Bunraku, to Vietnamese water puppets, both Indonesian and Turkish shadow puppets, to classic Burmese court theater.Flute(dPicc,Afl, large Flexatone, beaters removed); Clarinet(BCl, large Flexatone,beaters removed); Viola (scordatura: B-F#-C#-G#); Cello; Percussion; Piano
96778D7FEA7A-9C67-40B6-8407-2BA75A165A05ST823LargoTrombone Quartet
96788D834257-92FB-4086-A6D0-BCD53F0085ADS299CBJoyant Narrative"Joyant Narrative" was written for and dedicated to Col. Harold B. Bachman.Concert Band
96798D8466B2-6592-43A4-ACB4-C6A2BEA4495BX131022Bright RiverThis wonderful piece's inspiration is found in the visual and auditory intricacies of rivers as they evolve from rivulets and continually fluctuate between waterfalls, violent rapids and tranquil pools as the terrain changes. The piano presents a constant flowing motion that is placid and lyrical in some passages, while spirited and syncopated in others. The clarinet presents a bold awakening introductory gesture and weaves in and out of the musical fabric as the piece moves forward.Bb Clarinet and Piano
96808D854B9B-F96D-4FCE-94FA-84DD28464AB3X940011De Los Montes Vengo from Romances Pastorales, Op. 10(not set)SATB Chorus