Titles
Showing 9,681-9,700 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 9681 | 8D8918AA-4478-41F3-A507-F051DCB3C981 | S761 | Eagle Bend Overture for Band | Commissioned by Beta Chapter (Oklahoma) of Phi Beta Mu to honor Beroge Brite: Fine Musician, Dedicated Teacher, and Loyal Friend and Colleague | Concert Band | |
| 9682 | 8D89C353-C665-40D5-AA45-01D4E54301B3 | 20512427 | Two for Three | The title Two for Three simply refers to two pieces for three players. It was originally written for trumpet trio, then published for sax trio, and has been a popular piece in Ohio contests in both versions. Now it is also published for flute trio. The opening section is very lyrical with flowing melodic lines and close harmonies calling for expressive playing. The second section is basically a march and must be played in the staccato-marcato style. Players will learn how to balance some harmonic dissonances, and each part is assigned several two measure solos. Range is not a problem avoiding the lowest and highest ranges of the instrument making the prospects of proper balance possible. OMEA Class: C | Bb Trumpet Trio | |
| 9683 | 8D8B7E13-C67B-4D49-A0FC-87FF67BE6680 | 20402543 | Civil War Songs | "Aura Lee" and "Dixie" are well-known tunes from the 19th century that still have popular appeal. Legato playing is necessary for the proper interpretation of "Aura Lee," and "Dixie" should be played in a light but energetic staccato-marcato. An excellent piece for concert of contest! Versions for Woodwind Trio and Brass Trio are available from the publisher. | Flute, Oboe (Bb Clarinet) and Basson (Bb Bass Clarinet | |
| 9684 | 8D8BDEE3-D581-4CAB-AA2F-14FDC3BB1E89 | A232702 | Manon Lescaut | 3d1, 2+1, 2+1, 2 - 4, 3, 3, 1, timp, perc, hp, cel, str (2.2.1.1.1) vocal soli (11 roles, SATTTTBBBBB), chorus | ||
| 9685 | 8D8ED7A0-5C9E-48BD-A621-B0FEBFA1BC5D | M253591 | Messe De Pauvres | (not set) | Organ or Piano | |
| 9686 | 8D926E43-8E7E-4CAB-B70B-4DFF4EE0DC8B | R00050 | The Garden | Based on the Holocaust poem by Franta Bass. | Soprano Solo 2 Flute(1d Piccolo, 1d Alto Flute), B-flat Clarinet(d Bass Clarinet), Percussion(1), Tape, Piano, Violin, Cello | |
| 9687 | 8D9798C3-BCCA-42E5-AA6B-5B429CEFED46 | SS626 | Wrap It Up (only-in-b170/so-special) | Snare Drum Unaccompanied | ||
| 9688 | 8DA1E72B-4496-4A17-8A5D-87141164805A | R97 | Introduction, Theme and Variations for Band | The work is based on two of Rossini’s most moving dramatic arias and remains one of the most popular virtuosic works for clarinet to this day. This title is available from Southern Music for rental, with score and parts for orchetsra (original) and transcriptions for band and clarinet choir, while a retail version is available for clarinet and piano. All editions have been edited by David Hite. | Clarinet Solo: 2.2.3+BCl.1: 4.0.0.Euph.0: Cello.DB | |
| 9689 | 8DAA8CA8-F155-4051-AD38-FD998477C6A6 | EBM0610081 | Concerto for Percussion and Orchestra | (not set) | Percussion, 3232 4231 Hp Str | |
| 9690 | 8DB31C38-D1E6-43F9-A801-651BC097FD98 | RCSS441 | Abendlied: only in Solos for the Debutante Flutist | Flute, Piano | ||
| 9691 | 8DB53440-7C8C-48CD-B19C-61D4D9A5D514 | R00052 | Waltz in Two: For Narrator and Orchestra | Narrator 2(2d Piccolo).2.2(1d E-flat Clarinet, 1d Bass Clarinet).2: 4.2.2.1: Timpani.Percussion(2).Harp: Strings | ||
| 9692 | 8DB73148-D642-406A-81DC-87AFEBFABF70 | P001691 | Pastorale | This is a delightfully different addition to any program. The work was commissioned through the New York Philharmonic and is dedicated to David and June Kapell. Pastorale is tonal, with minimalistic elements; no special effects or extended techniques are required. | Harp Solo | |
| 9693 | 8DBEE2BA-2C79-4BA3-A4CD-7AADAF9E5EEB | MP504006 | String Quartet No. 1 | Robert Moevs (1920-2007) was a modernist composer and professor of composition at Rutgers University from 1964 to 1991. During his career, Moevs created a large body of orchestral, chamber, vocal, and instrumental music that earned him awards including a Rome Prize, a Guggenheim Fellowship, and the Stockhausen International Prize in Composition in 1978. Moevs composed at a time Kemper describes as “high modernism in academic art music in America—but there are also other influences in his music, like jazz, interesting rhythmic progressions, and intriguing things happening with timbre. Moevs' Strng Quartet No. 1 was composed in 1957. Duration ca. 25' | String Quartet | |
| 9694 | 8DC74BFB-F37C-444E-A193-1463F21B36BE | S315 | CHICAGO TRIBUNE (OUT-O | |||
| 9695 | 8DCC8C7F-4D0B-48F5-BE49-92150D14C8EC | M169491 | Six Quartets Vol. 2: 4-6 | Originally a collection of six string quartets written by Gioachino Rossini written around 1804. This arrangement by Friedrich Berr is for flute, clarinet, horn and bassoon in two volumes. No score appears to have been created. This reprint edition contains parts only. | Flute, Clarinet, Horn and Bassoon | |
| 9696 | 8DD807A3-2D2D-4352-9DA1-3B3B49609714 | 10310125 | Sound Training: 26 Chorales of J.S. Bach, Eb Treble Clef | A collection of instructional chorales and supplementary materials playable by any combination of instruments. Highly economical in that you can order just the books needed for your particular instrumentation. Easy enough for early grade levels, it is helpful for musical training of all levels of players. | Flexible instrumentation | |
| 9697 | 8DD9CE32-85F4-4FA9-86B3-D26359EC338D | B395802 | El Condor Pasa | El Cóndor Pasa (The Condor Passes), composed by Peruvian songwriter Daniel Alomìa Robles, is a musical play known as a zarzuela.. Its parade scene features the eponymous orchestral piece, which was first performed at the Teatro Mazzi in Lima. The melody has spawned thousands of versions and become the second national anthem of Peru. This version for concert band was arranged by Paul Yoder. | Concert Band | |
| 9698 | 8DDB3E81-C127-4648-BA81-CE67AC94BB24 | 50130016 | St. Anthony Chorale (flex band) | This famous melody has been attributed to Haydn, but there is doubt as to whether or not he was the composer or simply quoted an older theme taken from an unknown source. Whatever the case may be, this arrangement for flexible ensemble by Raymond Horton is the perfect introduction to this beautiful theme for beginning players. It can be played by any SSATB combination of instruments with optional percussion, from 5 players through large ensembles. | Flexible instrumentation | |
| 9699 | 8DF64643-DB99-4D19-95E7-BA07884FC402 | R152.10 | Sketches of a Sunday: 10 Wobbly March (Marcha Incierta) | Wobbly March (Marcha Incierta) is excerpted from Jacob Datshkovsky's 14 movement suite entitled Sketches of a Sunday (Bosquejos de un Domingo). | 2+1.2+1.2+Bcl.2+1: 4.3.3.1: Timp.Perc(2).Hp: Str | |
| 9700 | 8DF69D55-A738-4927-A943-9DE3AF3AC551 | A211802 | Till Eulenspiegel Lustige Streiche, Op. 28 | TILL EULENSPIEGELS LUSTIGE STREICHE (TILL EULENSPIEGEL’S MERRY PRANKS), is a tone poem written in 1894–95 by Richard Strauss (1864-1949). It chronicles the misadventures and pranks of the German peasant folk hero Till Eulenspiegel, who is represented by two themes. The first, played by the horn, is a lilting melody that reaches a peak, falls downward, and ends in three long, loud notes, each progressively lower. The second, for D clarinet, is crafty and wheedling, suggesting a trickster doing what he does best. Dedicated to Strauss’ friend Arthur Seidl, it premiered on May 6, 1895 by the Gürzenich Orchestra Cologne conducted by Franz Wüllner. Instrumentation: 3+Picc.3+EH.2+ECl-BCl.3+CBsn: 8 (4 opt).6 (3 opt).3.1: Timp. Perc (3-4): Str (9.8.7.6.5 in set). Critical edition. | 3+Picc.3+EH.2+ECl-BCl.3+CBsn: 8 (4 opt).6 (3 opt).3.1: Timp. Perc (3-4): Str (9.8.7.6.5 in set) |