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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
95818C3E05C5-554F-4256-AE93-57B7833835BE10160471Gentle AnnieStephen Foster's beautiful melody makes a perfect vehicle to feature the lyrical side of a student or guest soloist, or as an encore. This version, edited by Loras John Schissel, includes solo parts for C, B flat, E flat, F, and bass clef instruments.Flexible Solo with Band
95828C3E1B75-A5C2-4ED5-8313-31732FE2E049W729291Forty-Nine Pieces for Beginners (Handestucke fur angehende Klavierspieler)Inspired by Phillip Emanuel Bach's 1753 "Versuch ueber die wahre Art das Klavier zu spielen" (Treatise on the correct manner of playing the Clavier), Daniel Gottlob Türk (1750-1813), composer and Director of Music of the University of Halle, created his own school of "Clavier" playing. His main work as a pedagogue were two volumes which appeared in 1792: "60 Handstuecke fur angehende Klavierspieler." Of those 60 pieces, 49 have been selected for the present volume. They are arranged in progressive order and have been copied exactly from the originals, excepting a few dynamic indications, with special attention given to the ornaments, which are written out fully when appearing the first time. While this book is intended for beginners on the piano, it may be used to great advantage by advanced students of the clavichord who wish to learn the touch peculiar to that instrument.Solo Piano
95838C444761-1B4E-44E8-81A9-07E1CB8A6A56M292691Piece in A for Oboe and Piano(not set)Oboe and Piano
95848c4721bc-9e39-11f0-a418-0022482c9682A126602Creatures of Prometheus, The (Die Geschoepfe des Prometheus), Op. 43: OvertureDIE GESCHÖPFE DES PROMETHEUS (The Creatures of Prometheus), Op. 43 is a ballet in two acts by Ludwig van Beethoven (1770-1827). Choreographed by the dancer Salvatore Viganò, it is based on the Greek myth of Prometheus, who stole fire from Zeus in order to create humankind from clay. Completed in 1801, the ballet premiered on March 28 that year at the Burgtheater in Vienna in the presence of the Archduchess of Austria, Maria Theresa. Beethoven later used the finale as material for the last movement of his "Eroica" Symphony. Instrumentation:2.2.2.2: 2.2.0.0:Timp: Str (9.8.7.6.5 in set).2.2.2.2: 2.2.0.0:Timp: Str (9.8.7.6.5 in set)
95858C48B30D-8D1A-4E4C-9FBF-82BAA41847FAB369Technical FlexibilityThe scale sections in this collection can be used in many different ways to suit the individual needs of the student or teacher, whether that be on the basis of one page per day or one per week.Flute
95868C501156-418B-4039-A15B-F9868712829FSC352Word Was Made Flesh, TheSatb
95878C51470F-9D3E-499B-AC81-839AE45241C6SS967Prayer and AlleluiaThis arrangement by Gordon Philip for brass quartet offers flexibility in instrumenation for the intermediate ensemble. Instrumentation: 2 Bb Trumpets, Horn in F (sub. Trombone), Trombone/Baritone, Tuba (opt.), and Timpani (opt.). Both of these movements, separately or together, are ideal selections for contest or recital.Brass Quartet: 2 Bb Trumpets, Horn in F (sub. Trombone), Trombone/Baritone, Tuba (opt.), and Timpani (opt.)
95888C549987-2C19-403E-BD2C-1F48980CB9A5ST157Twelve for Three for String TrioThese twelve trios for violin, viola, and cello cover a wide range of styles and musical periods. Movements include: I. Intrada, II. Canon, III. Unison, IV. Romance, V. Scherzo, VI. Pastoral, VII. Sonatine, VIII. Barcarolle, IX. Invention, X. Perpetual Motion, XI. Pause, XII. Final Combination. Versions for clarinet trio and mixed woodwind trio are also available from the publisher.String Trio (Violin, Viola, Cello)
95898C562B21-2F6D-4B23-B4DF-3442D5226520ST448COCentone No. 10Musically, the term “centone” refers to the practice of combining separate works by one composer, or by different composers. This arrangement by Verne Reynolds for brass quintet is a suite in four movements: 1. Overture 2. Air 3. Bouree 4. MarchBrass Quintet
95908C58663A-53C5-48CF-B0E6-96A76A8C0BFFEBM0670029Greatshot: An Opera for ActorsCabaret/theater opera for two actors, with a libretto by Arnold Weinstein. It premiered on December 21, 1963 at the Yale Repertory Theater, in New Haven, Connecticut, conducted by the composer.Voices, Piano
95918c5963d2-9e39-11f0-a418-0022482c9682A126702Creatures of Prometheus, The (Die Geschoepfe des Prometheus), Op. 43DIE GESCHÖPFE DES PROMETHEUS (The Creatures of Prometheus), Op. 43 is a ballet in two acts by Ludwig van Beethoven (1770-1827). Choreographed by the dancer Salvatore Viganò, it is based on the Greek myth of Prometheus, who stole fire from Zeus in order to create humankind from clay. Completed in 1801, the ballet premiered on March 28 that year at the Burgtheater in Vienna in the presence of the Archduchess of Austria, Maria Theresa. Beethoven later used the finale as material for the last movement of his "Eroica" Symphony. Instrumentation: 2.2.2.2: 2.2+BstHn.0.0: Timp: Hp: Str (9-8-7-6-5 in set).2.2.2+BstHn.2: 2.2.0.0: Timp: Hp: Str (9-8-7-6-5 in set)
95928C5A147B-07E1-47CA-88B5-666D558F61F050200040Birthday FellowWhether the celebration is a solemn, serious event or filled with hilarity and laughter, this arrangement of Happy Birthday and For He's a Jolly Good Fellow is just what the doctor ordered.Full Orchestra
95938C5A71C2-A47F-4EF2-A82A-94AAFE7A8EACM379691Woodwind Quintet No. 1, Op. 124Giulio Briccialdi (1818-1881) is unanimously considered one of the greatest flute virtuosos of all times, often referred to as "The Prince of Flutists." His contribution to the flute repertoire is overwhelming in quantity and quality. His compositions show how his instrumental genius was able to pair an unequaled technical brilliance with the true spirit of Italian Bel canto. His four wind quintets, including Op. 124, are notable for being his only chamber works that include other woodwind instruments. Composed in 1875, Briccialdi's Quintet No. 1 has become a favorite in the Romantic wind chamber music repertory, though much in its light and airy style has a decidedly “Classical” sound. This new edition by Clarence Barber includes a full score, clarinet in B-flat and F Horn parts, and rehearsal numbers for the convenience of the players.Woodwind Quintet
95948C5D69E3-F3F6-4014-B306-B384603A1B4FST301COMercury Retrograde(not set)7 MIX
95958C61BBAC-EB3D-4288-A109-253AC7BE26BBR01450Anima: Poemetto Sinfonico(not set)3(3dPicc).2+EH.2+BCl.2+Cbsn: 4.4.3.1: Timp.Perc(2).Clst.2 Hp.Org: Str
95968C629929-D658-49D1-B541-97070B03CFF5M916502In Exuberant CelebrationA marvelous concert opener, In Exuberant Celebration is a short work written and dedicated to Dr. Donald McGinnis, Director of Bands Emeritus at the Ohio State University on the occasion of his 90th birthday. The contemporary, yet tonal work is based on the 3-note motive, A, F and B, the same musical pitches Dr. McGinnis used in his work Symphony for Band. Additionally, since Don McGinnis was celebrating his 90th birthday, Cichy wrote the piece with 100 measures as an omen of good fortune for Don to reach his next biological milestone of 100.2+1, 2+1, 2+1, 2 - 4, 0, 3, 1, timp, hp, str, solo T
95978C6539AA-DFBF-4191-95BF-4BE17A29C4DBSS690CONCERT SUITE
95988C688109-8A94-414F-A331-EB2AEAEED5E3X410091Cocktail Music: Song Without WordsGerber's sense of humor is showcased in this cross between show music and French Impressionism, manifesting as a salon ditty searching for its lounge lizard vocalist.Piano solo
95998c6a3e56-9e39-11f0-a418-0022482c9682A126802Leonore (Fidelio) Overture No. 1, Op. 138The history of Beethoven's only opera, FIDELIO, is rife with twists and turns, among them that the opera was originally to be called LEONORE. Additionally, the opera is unique in that Beethoven composed four different overtures for the work. No. 1 was quickly suppressed by the composer, whereas No. 2 (1805) better resembled the third one to follow in that it conveys the themes of the opera. LEONORE OVERTURE No. 3, Op. 72b was composed in 1806, and remains the most successful of the three LEONORE overtures. In 1814, Beethoven did finally complete an overture that he found suitable, but this was actually referred to as the overture for FIDELIO given the opera's title change. It satisfied Beethoven's vision of a proper curtain-raiser, although, unlike its LEONORE predecessors, it avoids themes from the opera proper. LEONORE OVERTURE No. 1, Op. 138 was written for an 1808 performance in Prague after the intensely dramatic overture was noted to overwhelm the rather light initial scenes of the actual opera. Instrumentation 2.2.2.2: 4.2.0.0: Timp: Str (9.8.7.6.5 in set). Reprint edition.2.2.2.2: 4.2.0.0: Timp: Str (9.8.7.6.5 in set)
96008C75891B-E217-44B6-AE02-AB1916E9E0C2SC486Betsy Ross Rag(not set)SSAA accompaniment cassette