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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
94818AAAC39B-C2E6-452F-B954-00EEAAABA23FSC46Farewell to the FarmSsa
94828AB8C194-9872-4BB6-95E2-11E8FEE8DA1DSU203Concertino Op. 107Orchestrated by Thom Ritter George, Chaminade's famous Concertino Op. 107 is available for both concerts and recitals, with a piano version also available from the publisher. (1987) ca. 8'Flute, Piano
94838ABB91D9-9EEE-4BCB-94B1-FE3DC8BB5B8BA903502Romeo and Juliet, Act I, Waltz Song: Ah! Je veux vivre (in G)Charles Gounod (1818-1893) completed the five-act opera Roméo et Juliette (Romeo and Juliet) in 1867. With a libretto by Jules Barbier and Michael Carré, the opera tells the tragic story of Shakespeare's play with little deviation. The work is well-known for the series of four duets sung by the main characters and the waltz song "Ah! Je veux vivre" as sung by the soprano lead. It premiered on April 27, 1867 at the Théâtre Lyrique in Paris, Adolphe Deloffre conducting. One of the most popular arias in this opera and the wider repertoire, the waltz song "Ah! Je veux vivre" takes place during Act I, sung by Juliet as she declares to Gertrude, her nanny, her lack of interest in an arranged marriage to Pâris. This edition is in the key of G. Instrumentation: 1+Picc.2.2.2: 4.2.3.0: Timp.Perc(1): Hp: Str (4-4-3-3-3 in set): Soprano Solo (not in set).1+Picc.2.2.2: 4.2.3.0: Timp.Perc(1): Hp: Str (4-4-3-3-3 in set): Soprano Solo (not in set)
94848ABBA064-72A0-47FD-BFA2-F2A3D39C424320442288Seven Norwegian MelodiesSeven different Norwegian folk songs set by Edvard Grieg provide great contest opportunities. All movements are short, so you can pick a program from within or just play all seven. Very well scored!Clarinet Trio
94858AC20634-4799-4BC8-98F3-DF97DFF0BE01SS696Praeludium and Fugue in d Minor(not set)Clarinet Choir
94868AC2B93A-FAB2-4BEF-B9ED-FC0F8F3A20DBM308391Octet, Op. 71Woodwind Octet
94878ACBEAFB-29B7-4F49-BEF8-5FB3D0892A38R01300Divertimento pour Ensemble des VioloncellesSchifrin's Divertimento is written for cello ensemble with any multiple of 8 players. It was first performed by the International Cello Festival in Beauvais, France.Cello Ensemble (multiples of 8)
94888ACC02D9-6564-4955-8B62-BBA8C101AC1FS157MBSPACE CITY, USA
94898AD1FCE4-F782-4A77-A842-F0DB6E888901A142402Carnival Overture, Op. 92/B. 169Written in 1891 as Antonín Dvo?ák (1841-1904) was considering Jeannette Thurber's generous offer to move to the United States and serve as director of her National Conservatory of Music in New York, CARNIVAL is the second work in a triptych of concert overtures meant to offer impressions of what the human soul may experience. Originally titled Nature, Life, and Love, Dvo?ák decided to publish each with a more distinct identity: NATURE'S REALM, Op. 91 for nature, CARNIVAL, Op. 92 for life, and OTHELLO, Op. 93 for love. CARNIVAL depicts the tumult of a festive carnival setting, full of barkers, vendors, boisterous crowds and, according to the composer about a more gentle passage, "a pair of straying lovers." Johannes Brahms noted in a letter to Dvo?ák's publisher that the work was "merry" and remarked that, "music directors will be thankful to you" for publishing the overtures. The work premiered on April 28th, 1892, by the Orchestra of the National Theatre in Prague, Dvo?ák conducting. Instrumentation: 2+Picc.2+EH.2.2: 4.2.3.1: Timp.Perc(3): Hp: Str (9-8-7-6-5 in set). Reprint edition.2+Picc.2+EH.2.2: 4.2.3.1: Timp.Perc(3): Hp: Str (9-8-7-6-5 in set)
94908AD47A2D-046A-4F84-B55B-24774AE54ECFA223302Lohengrin, WWV 75: Act I: Prelude (Vorspiel)Finished in 1848 and premiered in 1950 in Weimar, Germany, Richard Wagner's (1813-1883) LOHENGRIN tells a story of a tragic medieval German romance in the Knight of the Swan tradition. Elsa, a princess in Brabant, is rescued and wedded by a knight in shining armor who insists on remaining nameless. Most are familiar with the famous wedding march from the opera (commonly referred to today as "Here Comes the Bride"). The shimmering Prelude to Act I depicts the descent of the Holy Grail from Heaven, beginning with strings in their high register, the music swelling throughout to a full orchestra crescendo as the Grail touches the earth. Instrumentation: 3.2+EH.2+BCl.3: 4.3.3.1: Timp.Perc(1): Str (9-8-7-6-5 in set).3.2+EH.2+BCl.3: 4.3.3.1: Timp.Perc(1): Str (9-8-7-6-5 in set)
94918AD93396-5176-4D84-88DF-810C978A143DB517Songs for Sight Singing Vol. 2: JH/ SSASONGS FOR SIGHT SINGING provides a collection of literature for use in the choral classroom. Each selection was composed according to the criteria designed by Texas choral directors and commissioned by the Texas University Interscholastic League for use in its annual sight singing contest. These graded materials were created specifically for young musicians by recognized composers and comprise a valuable resource as they contain many of the problems encountered in sight singing. This collection can be used effectively as a supplement to the daily instructional sight singing program after an approved system (movable “do”, fixed “do” or numbers) and a rhythm system are established within the choral curriculum.SSA
94928AE22842-F479-4440-9CEB-DB47A8985513R84CBEaster Symphony: II. DeathtreeIn 1988, Holsinger received a commission to compose a work for the US Marine Band. The resulting work, The Deathtree for winds, percussion and solo baritone voice, was conceived as the middle movement of a 3-part symphony. In 1991 Gustavus Adolphus College commissioned the completion of the symphony's outer movements: Kings and Symphonia Resurrectus, respectively, which were completed in 1996.Solo Baritone Voice: SSATB Chorus: 2+1.2.3+Eb Cl+ACl+BCl.2: AATB Saxes: 4.3 Crnt+2 Tpt.3.Euph(TC or BC).2: Timp.Perc(6)
94938AE6CAAA-676E-457A-9E80-DBD5FBCD4131ST902Modulatory ComplexitiesThis composition for the advanced percussionist covers, as the title suggests, transitions through multiple snare drum sticking techniques, styles, meters and tempos.Snare Drum Unaccompanied
94948AE9A8B6-84E4-4900-B2D0-4498C2A224C3S585CBTriumph and TraditionTRIUMPH AND TRADITION is written in a neo-romantic style, a mode request by the commissioner Dr. Revelli, who stated that the work should be "ala Verdi, Elsa (a reference to Elsa's Procession to the Cathedral), ma non Boulez!" To that end, the composition is unabashedly dramatic, while at the same time containing long flowing lyric lines. The work is in three sections beginning with a flourish followed by a simple statement of the principal hymn-like theme. A substantial development section ensues largely built upon the opening three notes of the flourish. The hymn-like theme reappears and proceeds to build to a dramatic, yet noble, climax making use of highly embellished figures in every section of the band. Commissioned by the University of Michigan Band Alumni Association to Dr. William D. Revelli's fifty years of service to the University, with the premiere taking place on November 2, 1985, with Dr. Revelli conducting the University of Michigan Symphony Band.Concert Band
94958AEE6807-5D92-4AAF-A71C-25F3511A9C4AEBM0640036Orphee Serenade for Piano and Chamber OrchestraPremiere: the Orpheus Chamber Orchestra, Carnegie Hall, New York, NY, April 13, 1985. Movements: 1. Ouverture, 2. Romance, 3. Pas des Bacchantes, 4. Hurluburlu, 5. Elégie, 6. EnergiquePiano Solo: 1.1.1.1: 1.0.0.0: Str
94968AEFCCD2-7B2F-4294-A9CF-C7E2EE29D932B488Church Instrumentalist, Bk. 1g(not set)Horn solo/duo with piano
94978B07AB9C-B2FE-4907-B73C-05625DE9E83720723444Trumpet Voluntary(not set)Viola Quartet
94988B0DF5DE-7466-418F-AA8D-2BC9BF5FBDEA10100131Introduction And AllegroA 'straight-ahead' classic with a short introduction, then a romp in 2/4, with some harmonies dipping into polychordality. It is a work that quickly comes together for performance.Concert Band
94998B11658E-9808-4BE2-8245-A07B10E7B4A4X209002Fanfare for the Voice of A-M-E-R-I-C-A for Brass Band and PercussionPremiered and commissioned by Voice of America' on September 11, 2003, paying tribute to the national spirit of grim determination and unity, as well as of tragedy and ominousness following 9/11.0.0.0.0: 4.3(C).3.1: Timp.Perc(3)
95008B12B3ED-1082-462F-8A1D-7059C0D0507BS51001324 Caprices for Violin, Urtext EditionSince their first publication by Ricordi in 1820, Paganini's Caprices Op. 1 have been sources of inspiration for many great violinists and composers. They have no equal, “either in beauty, originality or difficulty of performance” remarked the great violinist Ole Bull.
However, early editions on which most modern publications are based, contain many errors as they were not proof read by the composer nor with his manuscript. Even since 1974 when the manuscript was finally published, misprints persisted in virtually every edition, forcing players to rely on two or more editions.
This was necessary to have both accurate notation that was more in line with Paganini's original intentions (Urtext editions) as well as useful technical markings such as fingerings and bowings later added by generations of master violinist. These "practical editions" however still contained many of the inconsistencies that were first introduced in the first and second printings.
Now nearly two centuries later, this edition finally offers violinists the best of both worlds, uniting a newly-engraved Urtext violin part edited by Endre Granat, with expert bowings and fingerings as practiced and taught by legendary violinist and Granat's mentor, Jascha Heifetz.		Violin Solo