Titles
Showing 9,421-9,440 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 9421 | 89fe9294-9e3b-11f0-a418-0022482c9682 | S1074CB | Jubilare | Rhythmic, incisive, and energetic, JUBILARE is truly a jubilant work that will open or close a concert with an emphatic statement. From beginning to end, this is perpetual movement and excitement. | Concert Band | |
| 9422 | 8A0525CA-BCD9-46E4-AB54-6B9585C656F5 | EBM0610124 | These Three: Concert Suite from the Ballet | Commissioned by Ballet America Foundation for the Joffrey Balley Company. Premiere Sept 13, 1966, City Center Theater, NYC; Seymour Lipkin, conductor. Choreography by Eugene Loring | 2 (pic)-2 (e.hn)-2 (bcl, al sax)-2, al sax (b sax); 4-3-3-1; perc (3), pf, str | |
| 9423 | 8A0538E8-8674-46E1-B841-0D2C5CC600F6 | D104 | Vocal Connections Male CD | Based in part on the “inner hearing,” concepts in Kodaly teaching methods, Vocal Connections is a classroom method designed to teach audiation and music reading in a carefully sequenced approach, and consists of the following components: AUDIO LESSONS-there are 30 brief (35- 75 second) audio lessons which provide AURAL "immersion" in Major and minor tonalities and movable "do" solfege. Available treble voice CD (3770954), and bass voice CD (3770955). TONAL GRIDS (3770929 – 5 pack) - audio lessons 5 - 30 are represented graphically on GRIDS. These grids represent a simple and useful transitional stage from the audio lessons to traditional notation. MUSIC READING EXERCISES (3770930 - 5 pack) - the final step in VOCAL CONNECTIONS is the reading of TRADITIONAL NOTATION. TEACHER’S KIT (3770928) Contains all the above material, with additional instruction regarding methods and lesson planning. | Cd | |
| 9424 | 8A07234E-B308-45B9-8C24-B417B7A5CE73 | A182302 | Divertimento No. 7 in D, K. 205/167a | Wolfgang Amadeus Mozart's (1756-1791) divertimenti, along with the serenade, had a large place among the works he composed during his youth in Salzburg. Generally more relaxed multi-movement pieces, the divertimenti were flexible, both for outdoor and indoor performances, though they retained a chamber-like intimacy either way, and they were customarily written to celebrate a specific occasion or celebration. While we do not know for certain the occasion for which Mozart's DIVERTIMENTO No. 7 in D, K. 205/167a was written, it may have premiered on August 8, 1773 in Salzburg for a University Graduation. Where most divertimenti are introduced with a march, this one is unusual in that is begins with a Largo, an unusually serious approach for lighter music. Instrumentation: 0.0.0.1: 2.0.0.0: Str (4-4-3-3-3 in set). Reprint edition. | 0.0.0.1: 2.0.0.0: Str (4-4-3-3-3 in set) | |
| 9425 | 8A0D10B4-1CB4-460C-AA7A-2DC39F46E693 | SS556 | Sehr Langsam (POP) | Brass Quartet | ||
| 9426 | 8A0E8089-DA0C-41EC-B549-494EF2128F5B | R00035 | To Amanda | SATB Chorus or TapeAlto Flute, Bass Clarinet, Horn, Trumpet, Percussion(1), Electric Piano, Viola, Double Bass, | ||
| 9427 | 8a1207c8-9e3b-11f0-a418-0022482c9682 | S1075CB | Moonset | Evocative and retrospective, MOONSET is a highly original work for concert band. It explores soundscapes in unique manner and serves as an excellent work for contest or festival or just as that "something different" number on your program. | Concert Band | |
| 9428 | 8A124489-02D5-47EE-8A00-E8832FF1CF14 | R153 | Berceuse (Lullaby) | (not set) | 2.2.2.2: 2.0.0.0: Timp.Perc(1).Hp: Str | |
| 9429 | 8A19B1FE-69EF-4B3A-869C-BB0E208EB383 | M315991 | Sir Roger de Coverley: A Christmas Dance, H. 155 | (not set) | Two Violins, Viola and Violoncello | |
| 9430 | 8A1D89F2-24A0-4102-B99A-04895ECA7D60 | S389 | Battaglia | Commissioned by the Madison Junior High Band in Abilene, Texas, conducted by Warren Faxton. | Concert Band | |
| 9431 | 8a24cc7c-9e3b-11f0-a418-0022482c9682 | S1076CB | Normandy 1944 | D-Day, June 6, 1944. A fateful day and the turning point of World War II. A day that has only gained importance and reverence over the years. It was a day that we should never forget; for lives that were lost and lives that were saved through that sacrifice. This work resounds with homage to fallen heroes. | Concert Band | |
| 9432 | 8A24F11A-999D-4624-ABC6-6EFDC9FDFA6A | A334002 | Brandenburg Concerto No. 1 in F, BWV 1046 (critical edition) | The Brandenburg Concertos are a collection of six instrumental works by Johann Sebastian Bach (1685-1750) written around or before 1721 to be presented to Christian Ludwig, the Margrave of Brandenburg-Schwedt. With the original French title "Six Concerts à plusieurs instruments" (Six Concertos for several instruments), some feature multiple solo instruments in different combinations. These works are considered among the best orchestral compositions of the Baroque period. Brandenburg Concerto No. 1, BWV 1048, might be considered Bach's favorite given that he used it three times in cantatas he composed later, and it also has the largest scoring of the six. The original version of the score did not include the French Violino piccolo solo at all. It was included later when Bach was in Dresden for his projected contest with Marchant. Bach rewrote the third movement as a concerto for the Violin piccolo in the style of jig, then went back and incorporated the Violino piccolo into the other movements. As the Violino piccolo sounds up a third from where it is written, two parts are included: a FINGERING NOTATION copy and a CONCERT NOTATION copy. This edition by Heinrich Besseler includes an extensive preface and editor's notes. The continuo in the harpsichord part has been realized by Eduard Müller. Instrumentation: 0.3.0.1: 2.0.0.0: Hpchd (continuo): Str (2-2-2-1-1): Solo Violin (in set). | 0.3.0.1: 2.0.0.0: Hpchd (continuo): Str (2-2-2-1-1): Solo Violin (in set) | |
| 9433 | 8A25742C-56F6-4FAF-A695-BD58198D8EB8 | R00018 | T-D-T: 'Texture-Dynamics-Timbre | Live performance includes rehearsal with audience. Movement 3 from Three Pieces for Kids. | Kids in the Audience 2.2.2.2: 2.2.0.0: Str. | |
| 9434 | 8A2602E2-8C59-4BDA-A895-5CE1260EAE52 | A934390 | Capriol Suite for String Orchestra | Claude Debussy once described the music of Peter Warlock (1894-1930) as encompassing a "fine dreamy musicality." CAPRIOL SUITE, one of Warlock's most popular works, is a dance suite based on Orchésographie, a book of Renaissance dances by the French priest Thoinot Arbeau. Written in October 1926, it was dedicated to composer Paul Ladmirault. Following the success of the original piano duet, Warlock scored the work for string orchestra in 1926 (in this version presented by Kalmus) and for full orchestra in 1928. Instrumentation: String Orchestra (8-8-5-5-5 in set). Reprint edition. | String Orchestra (8-8-5-5-5 in set) | |
| 9435 | 8A267A05-E4B3-4F60-90CC-DEA00860B031 | ST4 | Shepherd, The | This beautiful arrangement for english horn by Arthur Ephross gives the intermediate student the opportunity for expressive playing. | English Horn | |
| 9436 | 8A30D2C7-E95C-4260-B38F-91FDF196C9D4 | R01137 | Plum Sugar | A holiday fanfare that is a "deconstruction" of Tchaikovsky's "Dance of the Sugar Plum Fairy"! Composed for the West Hollywood Orchestra. | 2+Piccolo.2.2+Bass Clarinet.2+ContraBassoon: 4.3.3.1: Timpani.Percussion(2).Celesta.Harp: Strings | |
| 9437 | 8A32E46A-3903-4F65-99AB-3DFA8DCACFF1 | WM15270 | The Witches Frolic | This short and lightly mischevious work by British composer Granville Bantock (1868-1946) may be performed by bassoon trio, violoncelli trio, or contrabass trio. Edited by Tristan Willems. | Bassoons (3) - (or Violoncelli or Contrabassi) | |
| 9438 | 8A357811-D8C3-4606-AE3B-A36C236E32BF | S467MB | Arkansas Fight and Alma Mater | These two songs are arranged for an intermediate marching or pep band. | Marching Band | |
| 9439 | 8A370484-E1AD-4878-AD0C-D68DDCE0B2DA | ST154 | Sonata for Bassoon | Dedicated to Austin Ledwith, this Sonata for bassoon and piano (1969) is in four movements: I. Allegro Grazioso, II. Recitative, III. Scherzo, IV. Finale. A fingering chart is included for the quarter tones in the second movement. | Bassoon, Piano | |
| 9440 | 8a37415c-9e3b-11f0-a418-0022482c9682 | S1079CB | Souvenir de Porto Rico | Gottschalk didn’t live long enough to leave a large catalogue, but the works he brought to the public were quite popular in their day. This is one of his more well-known works, skillfully rendered for band by Michael Brignolo. It brings the vivid colors and sounds of the Caribbean to life. | Concert Band |