Titles
Showing 9,361-9,380 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 9361 | 895729DE-1B54-4ACE-8E80-62BE50F42813 | SC646 | A Child's Evening Prayer | 2002 Texas University Interscholastic League Sightreading for 2B, 3C, and 2C Varsity Treble (SSA) and 2A and 1A Non-varsity Treble (SSA) Choirs. This traditional lullaby has additional text added by the composer. Version for SA and SSA are available from the publisher. | Ssa | |
| 9362 | 8959DCA6-E0EB-4087-A12F-28F471DDD8A4 | R01060 | Concert Suite from Madame Bovary | The Don Freund/Jacques Cesbron ballet, Madame Bovary is based on the celebrated (and once notorious) mid-19th century novel by Gustave Flaubert. The score is divided into four parts with 20 sections; 9 of these are heard in this suite. | 2(1d AFl)+Picc.2(1d EH).2(1d Eb Clar)+BCl.2(1d Cbsn).ASax: 4.3.3.1: Pno.Hp: Str | |
| 9363 | 896329cd-9e3b-11f0-a418-0022482c9682 | S1063CB | Five Dances for Five Clarinets and Band, Second Edition | Alfred Reed composed Five Dances for Five Clarinets in 1956 at the request of the LeBlanc instrument company to introduce the performance capabilities and tone of each instrument of the clarinet family. The five movements are based on musical styles from around the world: 1. Hoe-Down (E-flat Soprano Clarinet), 2. Sarabande (E-flat Alto Clarinet or Basset Horn in F), 3. Guaracha (Bass Clarinet), 4. Afro (E-flat Contra Alto or B-flat Contra Bass Clarinet), and 5. Hora (B-flat Clarinet). Previously, the score and parts for Five Dances for Five Clarinets were only available on a rental basis, and Reed had not included the composition in his own list of published works. Yasuhiro Murakami, author of an annotated list of Reed’s works, created this edition based on Reed’s manuscript. This work may be performed by one soloist on five different clarinets, by five separate soloists, or a smaller number of the movements may be played by one or by multiple soloists. Each of the Five Dances is also published with piano accompaniments which are still in print. The detailed “Master Plan Lesson” written by Donald McCathren of LeBlanc for each movement are available for digital download. | Clarinet solo (Eb Soprano, Bb Soprano, Eb Alto, Bb Bass, Eb Contra Alto), Band Accompaniment | |
| 9364 | 8967AC99-A1AC-496C-86C9-6C6C917E42A3 | M196191 | Two Pieces (Sicilienne/ Madrigal) for Flute and Piano | Two pieces for flute and piano by the French master, Philippe Gaubert, dedicated to flautist Gaston Blanquart and Marie Edme Jules Bucquoy, MD. Titles Included: 1. Sicilienne 2. Madrigal | Flute and Piano | |
| 9365 | 896F9255-834D-4C8F-A302-62A3B51B1C24 | 10300130 | Daily Exercises for the Flute | A terrific and valuable collection of exercises for advanced flutists, the studies in this book are intended 3to build a high degree of technical solidity by means of intensive work on scale, scale patterns, seventh-chord progressions, thirds, sixths, chromatic sequences, fast staccato, high tones, and various duet selections. By diligent and careful work on these daily exercises, students will build a flawless tehcnical foundation on the flute, and more advanced players will keep themselves in shape. | Flute | |
| 9366 | 8974494A-993B-474C-8CB9-579C3C6DA09A | TU5 | Song Of Music | Ssa | ||
| 9367 | 8975554C-A037-4180-8F0E-559FBFC2A5D9 | X131013 | Two Seasonal Sketches, Set I | (not set) | B-flat Clarinet, Piano | |
| 9368 | 8975E055-CD9B-43EC-8576-32903B8D53F2 | S120MB | Dunford Fanfares No. 2 | (not set) | Marching Band | |
| 9369 | 8976D856-4DA1-417C-8460-905A0D15373D | M253191 | Trois Pieces | (not set) | Organ | |
| 9370 | 897724DC-2ED7-4A14-A7AA-EAD40CD3BC72 | R00470 | Telluris Theoria Sacra | Flute(d Piccolo), B-flat Clarinet (d Bass Clarinet), Percussion(1), Piano, Violin, Viola, Cello | ||
| 9371 | 8977282d-9e3b-11f0-a418-0022482c9682 | S1067CB | Bolero for Band | Initially commissioned by Ida Rubenstein as a ballet work initially, Maurice Ravel’s BOLERO has become his most popular and often-performed orchestra composition, which was a surprise to the composer who described it as “seventeen minutes of orchestra without any music.” With a structure that is simplicity itself, BOLERO uses two alternating melodies in what Ravel described as a “crescendo on commonplace melod[ies].” Mark Rogers’ transcription of BOLERO is an entirely complete wind band version of the piece; omitting not a single note or exotic instrument, thereby transferring the brilliance of Ravel’s orchestral score to the symphonic wind band with as much fidelity to the original as possible. Ravel calls for a very large orchestra (triple woodwinds, saxophones, large brass section, harp, celesta and percussion). Consequently, this transcription of BOLERO contains a large amount of divisi writing. It goes without saying that this transcription will be most successfully performed by large symphonic wind band. 11x14 oversized score. | Large Symphonic Wind Band | |
| 9372 | 89846D6B-5C12-40B6-BA12-36F796321CE4 | SC239 | I Would Be True | TEXAS UNIVERSITY INTERSCHOLASTIC LEAUGUE SIGHTREADING FOR CLASS AAA AND CCC. | Ttb | |
| 9373 | 8986645C-028A-40C3-865D-AF07D3973AF1 | SS848 | Centone No. 5 | Musically, the term “centone” refers to the practice of combining separate works by one composer, or by different composers. In this Centone No. 5, the works by Scheidt include: I. Canzon Gallicam, II. Benedicamus Domino, III. Galliard Battaglia, IV. Wendet euch um ihr Aderlein, V. Canzon Aechiopican. Transcribed by Verne Reynolds. | Brass Quintet | |
| 9374 | 8986F2EB-CE65-4987-9127-D8AF88D26268 | 52250276 | Overture From Vespasian | Attilio Malachia Ariosti (or Frate Ottavio) (5 November 1666 - 1729) was a Servite Friar and Italian composer in the Baroque style, born in Bologna. He produced more than 30 operas and oratorios, numerous cantatas and instrumental works, including Il Vespasiano, from which this overture was taken. In this medium-level arrangement for strings and piano by Philip Clark, emphasis is placed on bowing to facilite greater precision and a crisper sound. | String Orchestra and Piano | |
| 9375 | 898EBF89-1861-4C49-8D57-DE8D75A696A6 | R152.5 | Sketches of a Sunday: 5. Mexican Dance (Danza Mexicana) | Mexican Dance (Danza Mexicana) is excerpted from Jacob Datshkovsky's 14 movement suite entitled Sketches of a Sunday (Bosquejos de un Domingo). | 2+1.2+1.2+Bcl.2+1: 4.3.3.1: Timp.Perc(2).Hp: Str | |
| 9376 | 8990d948-9e3b-11f0-a418-0022482c9682 | S1068CB | American Colors, The | Written in 1916, THE AMERICAN COLORS is a patriotic and vivacious splash of Americana. It is highly original and, as was often done during the composer’s time, quotes COLUMBIA, GEM OF THE OCEAN in the Trio. | Concert Band | |
| 9377 | 899147DE-F624-4310-8E36-7B9670B5D69B | R101CB | The Freedom Chronicles | (not set) | Concert Band | |
| 9378 | 8991C3E4-E97C-4CEB-A065-8D7C6FEBF792 | R01534 | Concerto for Oboe, Clarinet and Orchestra | Commissioned by Eleanor Weingartner and Miguel Salazar, Stock's double concerto is in three movements with contrasting moods. Duration ca. 12' | Oboe, Clarinet Soli: 2(1dPicc, 2dAfl).0.0.2: 2.2.0.0: Timp.Perc(2): Str | |
| 9379 | 8992681A-DDB4-4860-882D-D914C1A56DF3 | SO26C | Hornpipe | |||
| 9380 | 8994DA45-71F2-4015-BE86-21BDFCD33C9F | R00003 | Body Loops | BODY LOOPS (for piano and orchestra) is inspired by the book DESCARTES’ ERROR by neuroscientist Antonio Damasio. The book describes two ways we experience memories which he calls the “as if loop” and the “body loop.” The music represents emotionally charged memories as they travel the loop from mind to body and back. It is structured in a series of musical loops in which ideas are presented in varying states of intensity. Just as in real life, the loops are suddenly triggered by events, which in this case are musical gestures. | Piano Solo: 1(d Picc).1.1.1: 2.1.1.0: Perc(1): Str |