Titles
Showing 9,641-9,660 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 9641 | 8CF7FA0F-A9E6-401F-A740-740BB5026FF6 | A137202 | Habanera, D 63 | Habanera, composed for piano in October 1885, explores a folk tune that Emmanuel Chabrier (1841-1894) collected on his five-month trip to Spain. The habanera derives its name from Havana, Cuba, characterized by duple meter and accented offbeats. Dedicated to Marguerite Lamoureux, Chabrier later constructed an orchestra arrangement which premiered in Angers on November 4, 1888. It is a more delicate work than Espana, which also uses themes that the composer discovered in his travels through Spanish towns and villages. The piece is effective and memorable as a encore. Instrumentation: 2.1.2.1: 2.2.0.0: Timp.Perc(1): Str (9-8-7-6-5 in set). Reprint edition. | 2.1.2.1: 2.2.0.0: Timp.Perc(1): Str (9-8-7-6-5 in set) | |
| 9642 | 8cff51b1-9e39-11f0-a418-0022482c9682 | A128402 | Rondo in B-flat for Piano and Orchestra, WoO 6 [original 3rd movement of Piano Concerto No. 2] | RONDO IN B-FLAT MAJOR FOR PIANO AND ORCHESTRA, WoO 6, is a single-movement work composed by Ludwig van Beethoven (1770-1827) in 1793. Originally intended to serve as the finale to his PIANO CONCERTO NO. 2, it remained unpublished during the composer’s lifetime. His former pupil Carl Czerny completed the solo part for its publication in 1829. As a standalone work, it often serves to supplement and provide perspective to recordings of the Beethoven piano concerti. Instrumentation: 1.2.0.2: 2.0.0.0: Str (9.8.7.6.5 in set): Solo Pno in set. | 1.2.0.2: 2.0.0.0: Str (9.8.7.6.5 in set): Solo Pno in set | |
| 9643 | 8D010D38-4FE8-4D9E-9285-156BBE5A603E | ST201 | Quatro Giocoso | This playful quartet offers young players an introduction to independent part playing, and is a wonderful selection for either recital or contest. | Flute Quartet | |
| 9644 | 8D0198A1-B10E-423B-85A4-B2B17C434426 | SS3 | Dipsy Diddle | As the title suggests, the emphasis of this solo is on the paradiddle rudiment. | Snare Drum Unaccompanied | |
| 9645 | 8D024426-8158-4FCF-B394-7624DC3EB79F | A459502 | La Favorita | 2+1, 2, 2, 2 - 4, 2+2, 3, 0, timp, str (2.2.1.1.1) vocal soli (6 roles SATTBB), chorus | ||
| 9646 | 8D0286E4-2C6B-4DDA-B923-AA555F39A7E6 | A121302 | The Bronze Horse Overture (Le Cheval de Bronze) | 1+1, 2, 2, 2 - 4, 2, 3, 0, timp, perc, str | ||
| 9647 | 8D05D68C-100D-40BD-B2D0-B8898DD21C19 | X130019 | Duet for Solo Clarinet | Written for Alex Fiterstein, Duet is a rather unusual piece in that the main section is a double fugue, whose themes come from Robert Parris's Trombone Concerto and Yehudi Wyner's Serenade. The work begins with a Prologue and ends with an almost identical Epilogue. These sections - like the fugue itself, which is in two voices and alternates between two registers - maintain the "duet" idea by alternating two kinds of material, one very fast in the low register, the other slower and more lyrical in a higher register. | Clarinet solo | |
| 9648 | 8D096EC3-D234-4DA6-ACC4-9A9EC8F926A7 | R01487 | Vesper: Meditation for Violin and Chamber Orchestra | Violin Solo, Piano Reduction from: 2.2.2.2: 4.0.0.0: Timp.Hp: Str | ||
| 9649 | 8D0F5400-788A-476E-8051-36543A3DFFEF | M292391 | Fox's Day Out | Narrator, Horn Quartet | ||
| 9650 | 8D126A31-3C1C-44E2-994E-BB289198D2A9 | 52703616 | Six String Quartets, vol. 2 | Finally a clean, modern edition of six quartets by the Chevalier de Saint-Georges (Joseph Bologne) clearly edited with bowings and fingerings by Endre Granat. These early works fit stylistically in the Classical period, with most of the thematic material in Violin 1. However, everyone in the quartet will shine at some point in the music. The quartets are quite playable by student ensembles and professional groups will find them absolutely charming. Set includes full score and 4 parts. | String Quartet | |
| 9651 | 8D156FDD-9609-4612-AFFF-388095B03764 | SO92C | Three Bagatelles | (not set) | String Orchestra | |
| 9652 | 8D159D30-6BC0-45FE-AD58-AB2E01770710 | M103691 | Nine Preludes, Op.103 | (not set) | Piano Solo | |
| 9653 | 8D19D7F7-EE2D-4606-9484-4B94B37AA181 | M400191 | Compositions Book2 | (not set) | Piano, Harpsichord or Organ | |
| 9654 | 8D222ECC-3624-4785-82B7-4349E00F3CAF | D2623 | Music for Band Vol 08 | Band | ||
| 9655 | 8D274EFB-557A-4568-8CB9-D44E61B9D171 | S101MB | Sing a Cougar Song | (not set) | Marching Band | |
| 9656 | 8D2A0C17-33AE-4C4E-8CB9-9A48A4EE18D4 | 59730003 | Solo Cello Encore Series: Volume 2 | If you enjoyed Volume 1 and Cello Finger-Pickings, get ready to continue the 'alternative' journey with Sean Grissom's latest collection of original, progressive compositions. Volume 2 presents more new, cool, and exciting pieces for today’s cellist! Included audio features fully realized recordings of each selection. | Cello | |
| 9657 | 8D2AD301-F0A5-4F1A-AF68-5A3B92D6373A | LV704CB | Capriccio Italien | CAPRICCIO ITALIEN, Op. 45 was originally written in 1880 by Peter Ilyich Tchaikovsky for full orchestra. It was inspired by a trip Tchaikovsky took to Rome. Tchaikovsky, himself called it an “Italian fantasia on folk tunes.” This version scored for band by John Cacavas captures Tchaikovsky original spirit of the work. | Concert Band | |
| 9658 | 8D3161F6-C515-4021-AEB4-5CB9EDEE4DC0 | A563002 | Madama Butterfly: Act II, Sc. 1, Aria: Un bel di, vedremo (soprano) | MADAMA BUTTERFLY, one of the most popular operas of Giacomo Puccini (1858-1924), is the story of the conflicting expectations of Lieutenant Pinkerton, an American naval officer, and Madame Butterfly (Cio-Cio San), who marry while Pinkerton is stationed in Nagasaki. Pinkerton intends to divorce Butterfly when he returns to the United States, but she believes that the marriage will last forever. When Pinkerton returns to Japan with his new wife Kate, Butterfly commits seppuku with her father’s knife after placing an American flag in the hand of her son. The opera contains one of the repertoire’s best known soprano arias, Un bel dì, vedremo in which Butterfly longs for Pinkerton to return to Japan. The original premiere of a version in two acts on February 17, 1904 at La Scala in Milan was a disaster, resulting in Puccini withdrawing that version and substantially rewriting the opera. The second version was in three acts, and it premiered on May 28, 1904 in Brescia to much greater success. In 1906 and 1907, Puccini created a third and fourth version for the Metropolitan Opera in New York and for Paris respectively. Finally, again in 1907, Puccini made the final revisions to the opera for a fifth version, and this is the one most often performed today, referred to as the "Standard Version." Instrumentation: 3(3rd dPicc).2+EH.2+BCl.2: 4.3.4.0: Timp.Perc(2): Hp: Str (4-4-3-3-3 in set): [Solo Soprano]. | 3(3rd dPicc).2+EH.2+BCl.2: 4.3.4.0: Timp.Perc(2): Hp: Str (4-4-3-3-3 in set): [Solo Soprano] | |
| 9659 | 8D317999-EB6D-4E17-B0DC-2888AE8C60EE | WM16150 | Barbara Allen | Jim Perry has made this beautiful arrangement of the traditional Scottish tune, "Barbara Allen." This simple yet elegant setting is playable by advanced and developing players alike. | Clarinet Quartet | |
| 9660 | 8D32263E-5DF2-4845-9DF1-731D9EA6E2B2 | ST209 | Flitation | An advanced technical and rhythmic solo for drum set. Can be performed on any standard kit. | Drum Set Unaccompanied |