Titles
Showing 9,721-9,740 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 9721 | 8E57D78D-B884-4636-8A5C-282017721B9F | M222891 | Rainbow Trout | (not set) | Piano Solo | |
| 9722 | 8E57D800-8031-4BCE-92E0-6833CE36881F | EBM0650019 | Tale of Issoumbochi, The - for Narrator, Soprano and Five Players | The Tale of Issoumbochi, (the approximate Japanese equivalent of “Tom Thumb”), is scored for narrator, soprano, and chamber ensemble of five players. The charming story of Issoumbochi’s adventures is skillfully captured in Ward-Steinman’s imaginative and colorful score, and in the libretto by Susan Lucas. The tonality in the work is rather free, and complements the narration very well. Commissioned by the Association for Childhood Education International. Premiere Apr. 18, 1968, San Diego, ACEI Convention; Emma Small, sop., S. Sanford Engel, nar.; conducted by the composer. | Narrator, Soprano, Flute, Clarinet, Cello, Percussion and Piano/Celeste | |
| 9723 | 8E588D95-958E-46A2-BF06-9A8FF65F09DF | M303491 | Three Songs, Op. 12 | These three early (1891) songs by the great American composer, Amy Beach (1867-1944), are settings of texts by Robert Burns: 1. Wilt Thou Be My Dearie?, 2. Ye Banks and Braes O' Bonnie Doon, and 3. My Luve is Like a Red, Red Rose. | Voice and Piano | |
| 9724 | 8E58A83D-3E68-451B-94AB-A2DB7C1E8624 | A337602 | Symphony No. 2 in C, Op. 42: Ocean | (not set) | 3, 2, 2, 2 - 4, 2, 3, 1, timp, hp, str | |
| 9725 | 8E5DCE6D-2738-4E01-8A40-7DD1D82BC411 | R00984 | Parallel Worlds | (not set) | Flute(d AFl), Oboe(d EH), Clarinet(d BCl), Bassoon, Horn, Trumpet, Marimba, Harp, Cello, Double Bass | |
| 9726 | 8E5FFD69-0399-4016-A4F6-E78C21F930EA | ST48 | Canzonetta | Originally written for clarinet and piano, this canzonetta by Pierne has been transcribed for either Eb alto saxophone, Bb tenor saxophone or soprano saxophone. | Alto Sax and Piano | |
| 9727 | 8E626B2B-AA1D-48E9-B9AF-81A81D140609 | 10100345 | Centennial Festival Overture | (not set) | Concert Band | |
| 9728 | 8E706140-D96D-4A61-A553-065E9B458533 | M246591 | Three Pieces for Violin and Piano | The following works and transcriptions for violin are included: Romance, Op. 28; Pavane, Op. 50; Après un rêve (from Trois Mélodies, Op. 7; transcribed by Alberto Bachmann). Reprint edition. | Violin and Piano | |
| 9729 | 8E706FF0-3BA6-4BD5-A0DE-172A2A0F93E7 | M153091 | Classical Masterpieces Vol. 4 | Violin & Keyboard | ||
| 9730 | 8E7DFD6C-3D21-4DE2-A889-FDEB9669B257 | A198602 | Une Nuit a Lisbonne, Op. 63 (A Night in Lisbon) | UNE NUIT À LISBONNE, Op. 63 is a short piece for orchestra by Camille Saint-Saëns (1835-1921), composed in 1880 while visiting Lisbon. Dedicating it to the king of Portugal, Luís I, he conducted the premiere at the Teatro de São Carlos on November 13, 1880 in the presence of the royal couple. Described by the composer as a "little barcarolle," the piece evokes a lilting boat song. The first Parisian performance took place under his baton at the Cirque d’Hiver in Paris on January 23, 1881. Instrumentation: 1.1.1.1: 2.0.0.0: Hp: Str (9.8.7.6.5 in set). | 1.1.1.1: 2.0.0.0: Hp: Str (9.8.7.6.5 in set) | |
| 9731 | 8E816A0E-0549-436B-83EF-A0FC18B95699 | EBM0630072 | Symphony No. 3: Chamber Symphony | Premiere: St. Paul Chamber Orchestra, Dennis Russell Davies conducting, St. Paul, MN, September 15, 1979. Movements: 1. Alpha, 2. Scherzo vitale, 3. Chiaroscuro, 4. Omega | 1(d.Picc/Alto).2(2nd d.EH).1(d.EbCl/BsCl).2: 2.0.0.0: Pno(d.Clst/ElPno): Str(6.4.4.3.1 to 10.8.6.4.2) | |
| 9732 | 8E8347E5-D7EB-4BED-BA02-997EAA28E660 | MP800008 | Medusa: A Monodrama for Soprano and String Orchestra | Premiere: Catherine Malfitano, soprano, Stuttgart Chamber Orchestra, Dennis Russell Davies conducting, Evanston, IL, March 5, 2003. Version for string orchestra accompaniment and piano accompaniment are available from the publisher. Movements: I. The Hag on the Crag, II. In Athena's Temple, III. The Rape, IV. The Sentence, V. The Expedition: Scena, VI. The Storm, VII. Interlude, VIII. After the Petrification: Scena, IX. Trio: A Beating of Wings, X. Perseus, XI. Perseus Approaches, XII. Finale: Pegasus | Soprano and Piano | |
| 9733 | 8E837D08-21D5-4825-BEFE-976CC59D442C | ST519 | Sonata | Bassoon, Piano | ||
| 9734 | 8E86D0AB-680F-4FEB-83F3-76ED2339E6B7 | 50410003 | Three Arias for Flute and Piano | Excellent choices for recital or festival performance, these selections feature the unique characteristic beauty of flute tone while exploring shifting tonal centers. Contemporary harmonies create colors of intensity beneath flowing melodic lines. This is | Flute, Piano | |
| 9735 | 8E8BE251-6521-4F2C-A72E-FF02EB16BA91 | V64 | My Missouri | Piano/vocal | ||
| 9736 | 8E8C8CC3-8B70-43C6-A62A-95856C7F5C24 | R01345 | Singing in the Dark for Alto Saxophone and Chamber Orchestra | The Allto Saxophone, Bass (amplified), and Drums parts contain many passages of improvisation. Also available for Alto Sax and String Quartet. Movements: I. Meditation on a Shadow II. Spinning Out of Time III. Almost Like Praying IV. WWDD | Alto Saxophone Solo: Perc(1): Str (min. 5.5.4.3.1*): *amplified Bass | |
| 9737 | 8E8CDE05-91DD-4151-832D-4A95AFDB3162 | R00931 | Minor Reflection | String Orchestra | ||
| 9738 | 8E9E2DAD-7314-4708-A9A5-B646CF99E67A | B412 | Vade Mecum of the Oboist | 230 selected technical and orchestral studies for the Oboe or English Horn). Compiled and edited by Albert Andraud. | Oboe Method | |
| 9739 | 8E9F2A2A-A1D6-41E7-AAE6-2DFF72F39409 | X510003 | Music for Violin Alone | Violin Solo | ||
| 9740 | 8EA12BBA-B978-4A33-93EA-022ABD1CA030 | A878490 | Diversions | (not set) | 2, 2d1, 2, 2 (3sax) - 4, 3, 3, 1, timp, perc, cel or pf, str |