Titles
Showing 9,741-9,760 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 9741 | 8EA41F18-960A-4C63-A876-B727E69B62A2 | B507 | Bass Clef Duets | This collection of 20 duets is arranged progressively for the beginning to intermediate player. Versions for Bb treble (B506) and bass clef (B507) instruments are available from the publisher. | 2 Bass Clef Instruments | |
| 9742 | 8EA49C3B-6EF1-449E-A0EF-1F7914CAC010 | A772502 | In a Nutshell Suite | Percy Grainger (1882-1961) wrote the suite IN A NUTSHELL in 1916, originally scored for large orchestra, although both a solo piano and a 2-piano version followed that same year. The work consists of four movements, and in addition to the more standard percussion, it made use of several (then) novel keyboard percussion instruments made by J. C. Deagan, for which the score explicitly calls. The orchestra version premiered on June 8, 1916, at the summer Norfolk Festival, with Arthur Mees conducting and Grainger at the piano. Movements: 1. Arrival Platform Humlet; 2. Gay but Wistful; 3. Pastoral; 4. "The Gum-suckers" March. This 2-piano version is the solo piano part from the orchetral set, so this item will suffice for any player wishing to play in either the orchestral or chamber setting. The solo piano version is also available in LudwigMasters catalog. Reprint edition. | Piano Duo | |
| 9743 | 8EA9A977-713A-43F3-BB41-85AD5E9151EF | M304191 | 24 Negro Melodies, Op. 59, Bk. 1 | The transcription of melodies contained in this collection has been praised as "the most complete expression of Mr. Coleridge-Taylor's native bent and power." Using native songs of Africa and the West Indies with those that came into being in America during slavery, he has preserved their distinctive characteristics and individuality, while giving them an art form fully infused with their musical essence. Available in three volumes, book 1 includes melodies from Southeast Africa, South Africa, West Africa, and the West Indies. Included in Book 1: 1. At the dawn of day (Loko ku ti ga); 2. The stones are very hard (Maribye ma nonoha ngopfu); 3. Take Nabandji (Thata Nabandji); 4. They will not lend me a child (A ba boleki nwana!); 5. Song of Conquest (Ringendje); 6. Warriors' Song; 7. O lo ba; 8. The Bamboula (African Dance). Reprint edition. | Solo Piano | |
| 9744 | 8EA9CCD3-6820-4005-9223-5AFFA0A1002F | 10100329 | Alleluia from Exultate, Jubilate | Wolfgang Amadeus Mozart composed the motet Exultate, jubilate in Milan, Italy, in his 17th year (1773). The review of the first performance lamented it as not being sacred music, and compared it to one of his symphonies. In the use of melodies in the closing section, Mozart, knowingly and indifferently, used four bars of Haydn’s Kaiser Hymn (occurring at m. 135). The motet was originally written for soprano voice and small orchestra, and is still in the repertoire of many great singers. The Alleluia, which is the third movement of the motet, is one of vivacity and jubilation, equivalent to a final symphonic movement. | Concert Band | |
| 9745 | 8EAEF08F-1108-4FC4-ADEC-1E56354913BE | M113291 | Three Pieces, Ops. 11, 12, & 50 | This collection of three famous pieces by Edward Elgar includes "Salut d'Amour" Op. 12 (1888), "Sursum Corda" Op. 11 (1894) as arranged by F. Louis Schneider, and "Canto Popolare" Op. 50 (1904) as edited by Isabella Jaeger. Reprint edition. | Violin and Keyboard | |
| 9746 | 8EB1CC3D-5AB8-40B1-BC5B-E9CC98BA4D56 | A208402 | Die Fledermaus [composer's transcription]: Du und Du (You and You) Walzer, Op. 367 | 1d1, 2, 2, 2 - 4, 2, 3, 0, timp, perc, str | ||
| 9747 | 8EB1F3BF-792D-40B3-A02A-871038F5BD7F | R00395 | Mosaics No. 2 | Cello Choir (5Ð40 or more) | ||
| 9748 | 8EB4EB7C-4B85-4804-AAFF-3656B0DF122C | SC801 | I'm Not Alone | (not set) | SA | |
| 9749 | 8EB71D6B-8B34-4531-83B5-C353579D9228 | R01369 | Solus Rex for Bass Trombone and 6 players | Three-movement chamber concerto for Bass Trombone and 6 instruments. Commissioned by the Chamber Music Society of Lincoln Center and dedicated to David Taylor. | Solo Bass Trombone, Flute, Oboe d'amore, Horn, 1 Percussion, Piano, Contrabass | |
| 9750 | 8EC2671E-F6C9-4337-A57E-1B5C945DAD7E | W711791 | Six Sonatas for Violin and Guitar, Op. 3/MS 27 | Niccolò Paganini (1782-1840) wrote two installments (Op. 2 and Op. 3) of six sonatas each for violin and guitar between 1805 and 1809 while he lived in Florence with a guitar-playing noblewoman. Paganini kept both his love for the guitar and the noblewoman secret, and these twelve sonatas were written for more intimate settings rather than the larger public performances we often associate with Paganini's virtuosity. From Op. 3, the Sonata in E minor, No. 6 is the standout work, frequently performed as a showpiece or for encores. Both Op. 2 and Op. 3 are available from the publisher. | Violin and Guitar | |
| 9751 | 8EC2915E-6847-4151-80C3-387FD1C99F02 | M105791 | Humorous Bagatelles | (not set) | Piano Solo | |
| 9752 | 8EC549F4-997B-4C2C-87FB-822E915510D7 | ST122 | Two Contrasts | Trombone | ||
| 9753 | 8EC78122-3ADA-483B-B7E4-4FAD382AAD9A | B500CO | More Wedding Music | Following the popular first volume of Wedding Music for string quartet, this collection includes classic favorites carefully selected and arranged, including an optional bass part for quintets and string orchestra performances. Included works: RONDEAU (from “Premiere Suite”), Mouret; AVE MARIA, Schubert; PANIS ANGELICUS, Franck; AVE MARIA, Bach/Gounod; SHEEP MAY SAFELY GRAZE, Bach; ALLELUIA (from “Exsultate, Jubilate”), Mozart; HORNPIPE (from “Water Music”), Handel; LA REJOUISSANCE (from “Royal Fireworks”), Handel; MEDITATION, (from “Thais”), Massenet; MINUET (from “Orpheus”), Gluck. | String Quartet (plus opt. Bass) | |
| 9754 | 8ECB0A8C-458F-47D9-9334-23BF8F58DB55 | X560014 | Forlane | Commissioned and recorded by David Starobin (Bridge Records). Composed 1998; duration ca. 4'. | Guitar Solo | |
| 9755 | 8ECE211B-6DC3-4276-AEC2-7497314ED644 | A5C | Concerto No. 2 K417 | (not set) | Full Orchestra | |
| 9756 | 8ECEE185-9D01-409D-A234-CB2E1830F63D | R01224 | Knitting a Building | 2.2.2.1: 2.2.2.1: Timpani.Percussion(2).Harp: Strings | ||
| 9757 | 8ED71DC4-0DC4-432D-8FE8-4DC49F191F21 | A902502 | Summer Nights, Op. 7 (Les nuits d'ete): 5. Au Cimitiere: Clair de lune (transposed in C) | The song cycle LES NUITS D’ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its facets, progressing from youthful innocence to loss and renewal. Originally composed in 1841 for solo vocalist and piano, Berlioz completed orchestration of each of the six songs in 1856. While regrettably neglected for many years, this song cycle was rediscovered in the 20th century and has become one of the composer's most popular works. The songs in the original keys (1. A; 2. B; 3. F minor; 4. F-sharp; 5. D; 6. F) are available from the publisher both as a complete set (A2573) and individually. Robert Sutherland has edited five of the songs in the cycle and has transposed each in multiple keys to expand the work to more vocalists. Songs completed by Robert Sutherland: 1. Villanelle (E, F, and G), 4. Absence (Db, D, Eb, and E), 5. Au Cimetie?re, Clair de lune (Bb, B, and C), and 6. L'lle inconnue (D, Eb, and E). A transposition of 2. Le Spectre de la rose to D and a transposition of 3. Sur les Lagunes to g minor is also available from the publisher. Au Cimetie?re: Clair de lune (At the Cemetery: Moonlight) is a lament after the death of a beloved, where the bereaved lover has visited the graveyard and is disturbed by a ghostly vision of the past lover. Instrumentation: 2.0.2.1: 0.0.0.0: Str (9-8-7-6-5 in set): Solo Voice (high voice). Newly engraved edition. | 2.0.2.1: 0.0.0.0: Str (9-8-7-6-5 in set): Solo Voice (high voice) | |
| 9758 | 8EDA4663-30A6-4B7E-9B67-A489F2A694C4 | B336402 | Wapawekka (White Sands) | Commissioned by the Saskatchewan Arts Board, this work is subtitled "A Symphonic Rhapsody for Concert Band based on Canadian Indian themes." Wapawekka, in the language of the Cree Indians, means "white sands," and is the name given to a fairly large lake and small mountain range high up in northeastern Saskatchewan. The music is a free form, a symphonic rhapsody, developed from four main themes derived from ancient Cree tribal rhythms and dances. | Concert Band | |
| 9759 | 8EE03FA6-461D-4C2F-83BF-180CDDC185F2 | RCB310CO | Romantic Music Bk 1: 12 Selections | Flute, Piano | ||
| 9760 | 8EE4A7C1-A6AF-4915-8469-B9823D22F7AA | V34 | Lone Star (out-of-print) | Piano/vocal |