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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
96218CCB0BE3-3816-4E90-BA19-D473C4822C79SU511Sonata RubataThe title literally means "stolen sonata", a reference to numerous quotes that occur along the way. Some were intentional, some were discovered after the fact, but all are a tribute to music and musicians of the past. The work was originally composed to be played entirely on the C flute. Upon consulting with knowledgeable flute performers, alternate parts for alto flute and piccolo were written in as options for the 2nd and 3rd movements.Flute
96228CCD2F4F-E4D3-477F-8323-F3D61B40C751M363791Two Songs, HC 492Henry Cowell (1897-1965) sets the words of both Sunset and Rest by Catherine Riegger for low voice with piano accompaniment.Low Voice and Piano
96238CCE5FC9-3B3E-4ECC-8A8B-20E89F842CB0A199002Fantasy on Gounod's Faust2, 2, 2, 2 - 2, 2, 3, 0, timp, str, solo violin
96248CCF33A8-CE3B-42AE-9F9A-398B2FCECC8CA418402Symphony No. 25 in C (Hob. I.25)SYMPHONY NO. 25 IN C MAJOR, Hob. I.25 by Franz Joseph Haydn (1732-1809) was probably composed between 1761 and 1763. Despite its C major disposition, the work lacks the expected parts for trumpet and timpani. Also unusually, it omits a slow movement. An adagio opening provides balance to the three-part structure and anticipates the slow introductions which so often appear in his later symphonies. Instrumentation: 2.0.0.0: 2.0.0.0: Str (4.4.3.3.3 in set).2.0.0.0: 2.0.0.0: Str (4.4.3.3.3 in set)
96258CCFC1B1-822E-4034-8450-2A2F25548BB7SS627Simple Swingin'Snare Drum Unaccompanied
96268CD7ACA3-3EB4-4ADF-ABE7-241454ED8CF610300177Orchestral Repertoire for the TimpaniAn invaluable and essential collection of orchestral excerpts for timpanists, including: 1. Symphony #39 (Mozart), 2. Symphony #1 (Beethoven), 3. Symphony #7 (Beethoven), 4. William Tell Overture (Rossini), 5. Academic Festival Overture, 6. Symphony #1 (Brahms), Symphony #4 (Tchaikowsky), 7. Burleske for Piano and Orchestra (R. Strauss).Timpani
96278CDAF658-597D-44C3-8C7A-E3D175A6799CX151017Fantasia on American Hymns(not set)Alto Saxophone, Piano
96288CDBF772-4672-41A1-8821-FCAC77512E0ESS724COExcerpts from ElijahThe excerpts in this transcription were chosen from the choruses of this oratorio and include both lyric and dramatic types. The introductory solo recitative is followed by three choral sections: "Baal, we cry to thee", "He that shall endure", and "Be not afraid". The instrumentation and scoring of this transcription is designed to employ the tonal resources of the entire brass choir: 3 cornets, 2 trumpets, 4 horns, 4 trombones, 2 baritones (T.C./B.C.), 2 tubas.Brass Choir: 3 cornets, 2 trumpets, 4 horns, 4 trombones, 2 baritones (T.C./B.C.), 2 tubas
96298CDCBEFC-8230-4C51-BE3E-6C31024691D7S960CBA Swedish Melody, Haunting and Sublime: Ack Varmeland du skonaThis arrangement is based on the Swedish folksong Ack, Värmeland, du sköna. ("Oh Värmeland, You Fair and Lovely Place"). The lyrics of the song speak of the beauty of the landscape and the wonderful nature of the people that live there. Although the folksong is presented with some alterations, an attempt is made to capture the attractiveness of the melody and the sentiments expressed in the lyrics. This piece was inspired by Gary Garner, who expressed a need in the band literature for pieces with artistic value that are appropriate for intensive rehearsal and public performance, are easy enough for many bands to play, and give the ensemble a chance to work on intonation, balance, and phrasing.Concert Band
96308CDDBED1-3757-4859-9CF2-0847CFCAF3ECM917002Suite No. 2 for BandTake a musical trip through Colombia with this four movement work that offers the players a cultural experience that is second to none in representing folk music traditions of this South American country. Each movement features music of different regions including the Pacific and Atlantic coasts and the Andes mountains. This work can be performed as a suite or in any combination of single or multiple movements.Concert Band
96318CE02CF1-B656-4E59-9F07-4060DEBB9D18M202391Folk Songs from EssexEnglish composer George Butterworth (1885-1916) was a promising young composer and folk song collector of the early 20th century, whose life and career were cut short when killed by a sniper during the Battle of the Somme in the trenches near Pozières during World War I. This collection of eleven folk songs were published in 1912. Included: Yonder Stands a Lovely Creature; A Blacksmith Courted Me; Sowing the Seeds of Love; A Lawyer He Went Out; Come My Own One; The Cuckoo; A Brisk Young Sailor Courted Me; Seventeen Come Sunday; Roving in the Dew; The True Lover's Farewell; Tarry Trowsers.Voice and Piano
96328CE305C1-F1B3-4205-B9F8-E6CEDA16C51AMP816301Fragments From Sappho for Soprano, Flute, Clarinet and PianoMovements: 1. Introduction, 2. Prayer to my lady Paphos, 3. It's no use, 4. Awed by her splendor, 5. We drink your health, 6. EpilogSoprano, Flute, Clarinet, Piano
96338CEBD4E9-3630-4EE5-AE8F-89EF5EC7CD9B10200056Festique for Full OrchestraOriginally for orchestra, the entire composition grows from the opening three-note motive. This is a rhythmically charged, dynamic work with beautiful lyric contrasting sections. It is included on many festival lists. The composer has also carefully prepared a band version of his highly successful orchestral work. Instrumentation: 2(2nd dPicc).2.2.2: 4.3.3.1: Timp.Perc(2): Str(9-8-7-6-5 in set).2(2nd dPicc).2.2.2: 4.3.3.1: Timp.Perc(2): Str(9-8-7-6-5 in set)
96348CF07C00-40A0-4E8F-BE07-0CE9A00113D1A273002Requiem (Messa da Requiem; Totenmesse)Giuseppe Verdi (1813-1901) wrote his Requiem Mass for four soloists, double choir, and orchestra in 1874 in memory of Italian writer and humanist Alessandro Manzoni, whom Verdi greatly admired. It premiered on May 22, 1874, the first anniversary of Manzoni's death, at the San Marco church in Milan under the baton of the composer. The revised version was first performed the following year at Albert Hall in London. The oldest part of the work is a "Libera me" that Verdi wrote in 1868 as part of a collaborative Requiem project with other Italian composers following the death of Gioachino Rossini. After this project fell through, Verdi repurposed and revised the "Libera me" for the Manzoni Requiem. Instrumentation: 3(3rd dPicc).2.2.4: 4.8.3.1: Timp.Perc(1): Str (4-4-3-3-3 in set): Solo SATB: Mix Chor.3(3rd dPicc).2.2.4: 4.8.3.1: Timp.Perc(1): Str (4-4-3-3-3 in set): Solo SATB: Mix Chor
96358CF19BCE-B74C-4888-8B68-6E51BF3FE4D8S641CBDesert Suite(not set)Concert Band
96368CF21318-74E0-4D27-B1FC-962A6D7C1E2BB541Jazz CafeWelcome to the Jazz Café - featruing the best jazz French horn players fro New York and Los Angeles sharing some of their favorite pieces. Although we've included some written-out solos, imporvisation is what jazz is all about, and freedom is what all jazz players seek. So you are encouraged to "play the changes" instead of the notes, make each performance of these pieces unique and special beause it's yours. And like a real life jazz café, if a bass player and drummer happen to stop by, you could invite them to sit in.Horn, Piano
96378CF28C53-D2D1-4238-89CD-88B2606031D810510444Three Fantasies on Americana(not set)Trumpet, Piano
96388CF557CD-C976-4A18-A286-17F7E821344120250012Two Gavottes(not set)String Orchestra
96398CF6C878-47A1-43D0-AEDC-117FFF48419410441168A Waltz DreamClarinet and Piano
96408CF72A45-3E87-4FBF-A810-2ABE3046AA1FSU365The Harmonious BlacksmithOne of Handel's most popular piece, it is an air with variations arranged for four flutes or a flute choir.Flute Quartet