Titles

Showing 10,101-10,120 of 17,576 items.

#	ID	Titlecode	Title Name	Marketing Copy	Instrumentation

10101	93BE2206-5DF8-47BD-BB8F-E155E81F8166	A927190	Souvenir de Florence	The String Sextet in D minor, Op. 70, is scored for 2 violins, 2 violas, and 2 cellos, was composed in the summer of 1890. Tchaikovsky dedicated the work to the St. Petersburg Chamber Music Society in response to his becoming an Honorary Member. The work, in the traditional four-movement form, was titled Souvenir de Florence because the composer sketched one of the work's principal themes while visiting Florence, Italy, where he also composed The Queen of Spades. The work was revised between December 1891 and January 1892, before being premiered in 1892. It is the only string sextet he composed. This version of Souvenir de Florence is presented with the addition of a Contrabass part by American composer/arranger Tom Myron. The first movement is in sonata form and, without introduction, presents a rather violent yet melodic first theme in D minor. The second theme, in the dominant key of A major, is much calmer; it flows from the first theme almost effortlessly and then proceeds into the development and recapitulation, which concludes with a quick coda. The slow second movement in D major has a very innocent, romantic theme initially stated by the first violin with pizzicato accompaniment before being taken up by the cello. Following an interlude for all of the instruments, the theme returns for a repeat of the first section. The last two movements, with their distinctly Russian and folk-like melodies and rhythms, greatly contrast with the previous ones.	String Orchestra (8-8-3.3-3.3-5)
10102	93C33010-827F-4605-B29A-31E803404E5D	SS490	March (out-of-print)		Clarinet Choir
10103	93C365B3-2FEE-4EEB-A1A6-73D487FAA32B	B506	Treble Clef Duets	This collection of 20 duets is arranged progressively for the beginning to intermediate player. Versions for Bb treble (B506) and bass clef (B507) instruments are available from the publisher.	Treble Clef Instruments
10104	93CAB364-B2DD-4AA0-94A9-3495A1892A45	A559490	Chanson de Matin, Op. 15/2 [composer's transcription]	Chanson de Matin (Morning Song), Op. 15, No. 2 was originally written for violin and piano and most likely completed no later than 1890. The work has a companion piece called Chanson de Nuit (Night Song). Edward Elgar (1857-1934) transcribed the work for orchestra in 1901, and that version was premiered at a Queen's Hall Promenade Concert on September 14, 1901, Henry Wood conducting. Instrumentation: 1.1.2.1: 2.0.0.0: Hp(opt. Pno): Str (9-8-7-6-5 in set).	1.1.2.1: 2.0.0.0: Hp(opt. Pno): Str (9-8-7-6-5 in set)
10105	93D022D2-44B6-4CB1-8E71-EBA24AE34B74	A620302	Fidelio, Op. 72 Act I, Finale: O welche Lust (includes Prisoner's chorus)	(not set)	2, 2, 2, 2 - 2, 0, 0, 0, str
10106	93D04A0D-DD76-4A2F-AD1F-6D9B0FF91BD3	X205002	Raise the Roof!	Raise the Roof! was inspired by the energy of the community renovation activity, particularly the spirit of American "Barn-Raisings."	Brass Quintet
10107	93D452CB-5497-4ADA-95C9-301F746E862C	ST810	Federal Overture		Flute Duet
10108	93D482D9-7A68-4827-9FD3-44C689BC1A53	S377	Ballade	This work is one of a group of three pieces for solo wind instruments and band commissioned by the G. LeBlanc Corporation as performance vehicles for their artist/clinicians, the other two being "Ode for Trumpet" and "Serenade for Clarinet". It was written for Vincent J. "Jimmy" Abato, a brilliant virtuoso both on the clarinet and saxophone. Like most ballades, its single main theme, accompanied by two smaller motifs, is developed in a continuous fashion, affeting many subtle changes of mood and color, even though almost every single measure is related in a close or distant way. In deferencce to the French school of saxophone playing, which was taken as a basis for the composition of this piece, the emphasis in on the long lyrical line of brilliant but light color, while the accompaniment is an always changing harmonic background of chords. This edition by adds a full score to the original publication (which only included a condensed score) in recognition of Alfred Reed's position as on of the most important composers of serious music for wind band.	Concert Band
10109	93DD202B-C4E3-4EA0-80CD-7CCE594F38C9	52250932	Der Gang Zum Liebchen	Here's a beautiful Brahms Lieder that translates to The Way To HIs Sweetheart. The constantly moving arpeggiated accompaniment acurately captures the longing of the man on his jounrey to meet his love.	String Orchestra
10110	93DE2113-864A-4A63-BB8E-DCFCE6122257	50200028	Western Reflection	Add a jazz rhythm section and a full complement of saxophones to the orchestra to get traditional American folk songs like you've never heard them before. Red River Valley; Home on the Range and The Yellow Rose of Texas are presented in a fresh, contemporary rendition. Instrumentation in set: 1.1.1.1: 2 Asax.Tsax.Bsax: 4.3.3.1: Perc(2).DrSet: Pno: JzBs: Str (9-8-7-6-5).	1.1.1.1: 2 Asax.Tsax.Bsax: 4.3.3.1: Perc(2).DrSet: Pno: JzBs: Str (9-8-7-6-5 in set)
10111	93DEB339-0D47-4541-9140-F2FF2DA87899	SC414	My Mountain Home	UIL Sight Reading Selection for Class 2C and 1C Junior High School, and 3C, 2C, and 1C Middle School. Versions for SA and SSA are available from the publisher.	Sa
10112	93E44C41-2150-42AC-A4CB-1ABD6F89D730	M235991	Two Pieces: Automne, Op. 35, No. 2 and Expansion, Op. 106	(not set)	Solo Piano
10113	93E62669-D418-49A3-AED6-1DEC5ABC76CB	SO79C	Funeral March of a Marionette	Originally composed by Gounod for full orchestra, this arrangement for string orchestra retains the form and key (D minor and D Major) of the original. Great care has been taken to ensure consistent articulations and bowing throughout and to making sure every instrument has an interesting part. Students will need to develop a light style, but players should enjoy this piece, which is appropriate for concert and contest, while older memebers of the audience will recognize this melody from its use as a theme for Alfred Hitchcock's television program.	String Orchestra
10114	93E96C04-DBC7-41E9-B35E-6AFEF23AD839	A821302	Polonaise de Concert, Op. 4		2, 2, 2, 2 - 2, 2, 1, 0, timp, str, solo violin in set
10115	93EB747B-0895-48C8-9501-45A01AFC6BB1	SU126	Chaconne and Burlesque	Program notes excerpt: The chaconne, as is the characteristic of the Baroque tradition, is based a on stately recurring theme which is initially introduced in the bass. The burlesque is fast and energetic. The mood is whimsical and engagingly cheerful. This work was commissioned by and dedicated to Thomas Bacon.	Horn and Piano
10116	93F8A46D-BFEE-4F97-9109-186AD5940771	X410011	Rondo - Fantasia, Op. 90	Commissioned by the Inter-American Council of Music.	Solo Piano
10117	93F9CC25-B81D-4A9E-8225-276307625F87	M807190	Hungarian Dance No. 1		String Orchestra
10118	93FA7A1B-B6B1-42ED-9E7A-94FE46094D42	R01434	Self Comes to Mind for Cello and Two Percussion	(not set)	Cello, 2 Percussion. Audio of Damasio available; slideshow in development.
10119	93FABFFC-780E-4B93-8EF3-42970085DAC5	50100350	Throwdown	Jazz-rock harmonies and melodic lines will encourage your students to practice more, making this a sure-fire ticket to success for the youngsters. Just enough syncopation to make it interesting... but not difficult.	Concert Band
10120	93FAC78F-F371-43A6-B514-B495512FB331	A740002	Sinfonia No. 5 in B minor, Wq. 182	(not set)	str, hpchd (in sc)