Titles
Showing 10,061-10,080 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 10061 | 933152e2-9e3a-11f0-a418-0022482c9682 | A819802 | Rheingold, Das: Scene IV: Einzug der Gotter in Walhall (Entry of the Gods into Valhalla; Hutschenruyter arrangement) | DAS RHEINGOLD, WWV 86A, is the first of the four music dramas that constitute Richard Wagner's (1813-1883) DER RING DES NIBELUNGEN. It was performed, as a single opera, at the National Theatre Munich on September 22, 1869, and received its first performance as part of the Ring cycle at the Bayreuth Festspielhaus, on August 13, 1876. This excerpt, intended for concert performance with orchestra, is from the end of Scene 4 where the gods march in empty triumph to their doom as they enter Valhalla. Reprint edition of the arrangement by Wouter Hutschenruyter. Instrumentation: 2+Picc.2+EH(opt.).2+BCl(opt.).2: 4.3.3.1: Timp.Perc(1): Hp: Str (9-8-7-6-5 in set). | 2+Picc.2+EH(opt.).2+BCl(opt.).2: 4.3.3.1: Timp.Perc(1): Hp: Str (9-8-7-6-5 in set) | |
| 10062 | 9333A865-40C0-4328-97CC-234D9B8CFE86 | X105016 | Woodland Wind Quintet | This is lively music characterized by upward leaps of octaves. The intent is to depict that boundless energy we associate with youth! The opening measures are marked ‘jagged, with gathering energy’ as the ensemble sets off on a playful journey. Then, as the work unfolds, there are several interruptions to the main theme -- once in a sprightly 6/8 dalliance, and once in a melodic and reflective passage. This slower section ends with bird calls in the upper winds. Yet, because the fun-loving spirit of the work prevails, the opening theme always returns in one guise or another. | Woodwind Quintet | |
| 10063 | 933628C5-CFB6-48A1-BB8E-BCDFE7EC9F3C | R01316 | Beat the Feet | Who says a symphony orchestra can't rap? When you finish singing this rap you'll know about the beat--quarter, half, and whole notes, too. | Voice, 1.1.1.1: 1.1.1.1: Drset.Pno: Str: Audience Part. | |
| 10064 | 9337CD2C-A71B-47B5-A569-D1C56598F73A | S374 | Saga of a Pioneer: IV. Centennial Celebration | (not set) | Concert Band | |
| 10065 | 933C4C5E-F828-4637-AF9E-0754A02888C0 | SS756 | Ode for Trumpet | This early masterpiece of Alfred Reed first appeared as a 1956 wind band edition published by Charles Hanson Music with a condensed score only. In recognition of Reed's position as one of the most important composers of serious music for wind band, Southern Music prepared a full score to the piece on the 30th anniversary of their publication. Available accompaniments from the publisher include full orchestra and piano in addition to the wind (concert) band version. Dedicated to trumpeter Don Jacoby who premiered the work at TMEA 1956. | Trumpet, Piano | |
| 10066 | 933F2A2E-713D-478B-9898-E02A0280D518 | 50250220 | Loudoun Tango | This piece was written to celebrate the Loudoun County Public Schools' orchestra's inaugural school year. Administration, staff, families, and students worked tirelessly to bring orchestral music to the schools. Tango was chosen by the students as dance music had been their favorite music to play. Written in the string friendly key of D minor, this lively tango includes interesting parts for all sections and an idiomatic percussion ensemble accompaniment. | String Orchestra, Piano, and up to four optional Percussion | |
| 10067 | 933FCBE9-982E-4F65-BD9E-75EF75A9137B | 50730002 | Two Compositions, Op. 36: Elegie, Gavotte | (not set) | Violoncello and Piano | |
| 10068 | 9340000C-8D20-4AD8-8A30-B34B9CED5D99 | R00376 | City Life | Composed for the Indiana University New Music Ensemble. | 1(d Picc).1(d EH).1.0: 1.1.1.0: Perc(1): Pno: Str (1 or multiple players per part) | |
| 10069 | 9343BBDD-BF0B-4E24-AC95-7FEE9FAFE5D6 | ST923CO | Fanfare: Beijing 1989 | (not set) | Percussion Mixed Quintet | |
| 10070 | 93443793-E80B-4B29-A709-6EC5493E9516 | SO104 | Elegy for String Orchestra | (not set) | String Orch | |
| 10071 | 93444D8F-2FFB-4F1D-9A46-9CC815C51F5A | SC536 | I Will Be Ready | (not set) | Ttb | |
| 10072 | 93465523-3984-456F-97F5-692091442198 | A194902 | Serenata in E flat | Instrumentation: Flute, Oboe, English Horn and String Quartet | fl, ob, eh, str quartet (set as scored) | |
| 10073 | 934F29FC-1843-496F-A4AC-E14FFB013B77 | S286MB | Minnesota State Fair | (not set) | Marching Band | |
| 10074 | 93508273-9663-46A6-BB0C-F8811F20546D | B215 | Drummer Deluxe Bonus Pack (Six Plus One) | Snare Drum solo collection | ||
| 10075 | 9357DDFD-EF65-4AD3-B1CF-5EA194C417F1 | A536102 | Dixtuor (Dectet), Op. 14 | Roman ian French | 2, 1+1, 2, 2 - 2, 0, 0, 0 | |
| 10076 | 935BE39D-CFB3-4DC4-9F0B-C73CEA6CB6A5 | M330091 | Five Pieces, Op. 81 | Movement titles: 1. Mazurka, 2. Rondino, 3. Walzer, 4. Aubade, 5. Menuetto. Reprint edition. | Violin and Piano | |
| 10077 | 93613943-200E-410B-A77C-98AD1B12C9AF | A589302 | Concerto for Violin in B minor, Op. 61 | One of his longer works and the last to see immediate popularity, Edward Elgar's (1857-1934) Violin Concerto in B minor, Op. 61 has always found its way on concert programs, even when Elgar's works fell out of fashion for much of the 20th century. The work was commissioned by the Royal Philharmonic Society in 1909 after the violinist Fritz Kreisler praised Elgar as "the greatest living composer... I wish Elgar would write something for the violin." The concerto was a personal favorite of Elgar's, and he conducted the premiere at the Royal Philharmonic Society concert on November 10th, 1910, with Fritz Kreisler playing the solo, accompanied by the London Symphony Orchestra. Instrumentation: 2.2.2.2+CBsn(opt): 4.2.3.1(opt): Timp: Str (9-8-7-6-5 in set): Solo Violin. | 2.2.2.2+CBsn(opt): 4.2.3.1(opt): Timp: Str (9-8-7-6-5 in set): Solo Violin | |
| 10078 | 936194D2-66DF-47B4-BEF6-474252646067 | 60000001 | Octet for Woodwinds and Brass | |||
| 10079 | 9363f2bb-9e3a-11f0-a418-0022482c9682 | A820190 | Planets, The (Op. 32/H125), No. 1: Mars, the Bringer of War | Writing it between 1914 and 1917, Gustav Holst (1874-1934) was initially inspired to compose THE PLANETS based on a conversation he had about astrology while on holiday in Spain with some friends in 1913. Intrigued by the concepts, he sought to write an orchestral suite for seven of these astrological signs based on the planets known to the world at the time and imbue the music with the appropriate astrological meaning. Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness. Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, "Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone color and knows how to use it." Both "Jupiter, the Bringer of Jollity" and this excerpt of "Mars, the Bringer of War" are the most popular and well-known movements in the suite. This critical edition of the "Mars" movement by Clinton Nieweg and Gregory Vaught is based on the composer's manuscript. Instrumentation: 2+2Picc.2+EH+BsOb.3+BCl.3+CBsn: 6.4.2.2: Timp(2).Perc(2): Hp(2).Org: Str (9-8-7-6-5 in set). | 2+2Picc.2+EH+BsOb.3+BCl.3+CBsn: 6.4.2.2: Timp(2).Perc(2): Hp(2).Org: Str (9-8-7-6-5 in set) | |
| 10080 | 9365B2F1-564D-4F24-B5BF-CA861837F5DD | M311591 | Paysage | (not set) | Solo Piano |