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1012194007BA5-6FAC-4A4D-BBE9-A94D5676AC44A453502L'Estro Armonico, Op. 3, No. 11: Concerto for Two Violins & Cello in D minor, RV 565/F.IV:11L'Estro armonico (The Harmonic Inspiration) is a collection of 12 concerti by Antonio Vivaldi (1678-1741) for stringed instruments first published in 1711. No. 11 in D minor (RV 565/F.IV.11) is in five movements and written for 2 solo violins, solo cello, strings, and continuo. Instrumentation: Hpschrd: Str (4-4-3-3-3 in set): Solo Vn(2) and Vc in set. This edition has been completed by Alfred Einstein.Hpschrd: Str (4-4-3-3-3 in set): Solo Vn(2) and Vc in set
101229402C608-CE09-42F7-9FA9-02A1209EA37E50760014Knight and Shepherd's Daughter(not set)Piano
10123940322DE-414A-4E1E-8499-8EB01294BE7250345006Competition Solos, Book 3 Alto SaxThe practical collection of competition solos that are included in this book were selected from state competition lists throughout the United States. While each selection is included on the list of at least one state, check with your director, private instructor or state music association to confirm that your desired solo is an approved selection in your state. The piano book includes alternate accompaniments for instruments of different pitch and therefore can be used for any instrument in the book three series. Codes to download audio are included on each solo book. Titles included: Brass Bangles; Caprice; Dancing Silhouettes; Evening in the Country; Ocean Beach (Valse); Polka from Bartered Bride; Viennese Sonata No. 4 (Rondo).Alto Saxophone
10124940578B4-02B8-4700-B2CF-DAC65B7B8E0FA145890Entrance of the Gladiators, Op. 68 (Triumphal March for Full Orchestra)Pops Czech Marches1+1, 2, 2, 2 - 4, 2, 3, 0, perc, str
10125940A02C1-5658-4F2E-924B-D8CB2CB0F56C52250268The Cafe SuiteThis creative multi-movement original for strings offers the opportunity for your group to perform something really different at your next concert! Each of the four separate dances let your strings explore new styles and colors. Some brief solo passages showcase your best players too . Goldfinch Rag; Only You; Sunday Stroll and Tango de Teri are as fun for the players as they are for the audience.String Orchestra, Piano
101269411313B-5D01-4F4E-A5DD-C2EF81CE8A3E52703050Works by WomenThis album contains arrangements of piano works by Amy Cheney Beach, Clara Schumann, Cécile Chaminade, and Agathe Backer Gröndahl. Passionate and romantic, this is a wonderful sampling of their work. This collection will require rehearsal!String Quartet
101279417EBEC-2E60-4E92-87BD-ADC295ADE638EBM0610010Concertante for Violin, Flute, Oboe and Chamber OrchestraComposed in Paris, France in 1960. Movements: I. Allegretto moderato, II. Adagietto, III. Allegro con brio. A piano reduction is available separately.Soli: Violin, Flute, Oboe: 1(Picc).1(EH.1+Ecl+BsCl.2: 2.1.0.0: Hp: Str
10128941fbba7-9e3a-11f0-a418-0022482c9682A828002Sarabande & Cortege: Zwei studien zu Doktor Faust, Op. 51/BV 282 (Two Studies for Doktor Faust)Left incomplete at the time of his death, DOKTOR FAUST occupied Ferruccio Busoni (1866-1924) between the years 1916 and 1924. He had intended it to be his masterpiece. A completed version was constructed by Philipp Jarnach for the first performance of the opera at the Sächsisches Staatstheater in Dresden on May 21, 1925 under the direction of Fritz Busch. The SARABANDE & CORTÈGE: ZWEI STUDIEN ZU DOKTOR FAUST, Op. 51/ BV 282 (TWO STUDIES FOR "DOKTOR FAUST"), a pair of orchestral studies made by the composer while working on his magnum opus, allude to the dark supernatural themes presented in the larger work. Instrumentation: 3(3rd d. Picc).2+2EH.2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(3): Clst.2Hp: Str (9.8.7.6.5 in set). Reprint edition.3(3rd d. Picc).2+2EH.2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(3): Clst.2Hp: Str (9.8.7.6.5 in set)
101299421D89D-5588-46F9-BB40-1950BD5F446AMR00487Millennium: A Concerto-Fantasia for OrchestraWilliam Bolcom’s de facto “Concerto for Orchestra” ponders the evolution of the modern symphony orchestra by exploring each instrumental section along their historical timeline, featuring them in turn, ultimately expressing the power of the Present. Commissioned in 2014 by the Grant Park Music Festival in celebration of the 80th anniversary of the Grant Park Orchestra. Movements: I. Introitus, II. Rockets, III. Dreamscape, IV. The Love-Dream, V. Rude Awakenings, VI. A Conclusion, for Now2(+Picc).2(+EH).2(+ECl).2(+CBsn): 4.3.3(BTbn).1: Timp.Perc(4): Hp.Pno: Str
1013094237391-B5DF-4C8A-A513-C517BC3DB807SC744Who Has Seen the Wind?(not set)Satb
1013194279F68-95E0-4F35-A95D-57E0A95B5C5F10100330Sang!Dana Wilson has always provided fresh outlooks on band works. With Sang!, he explores the interconnectivity between rhythmic utterances and typical wind instrument sound production by having players vocalize with and without their instruments. The extended percussion is great fun for the players and, along with the vocalizations, the result is a true crowd- and performer-pleasing piece. This has been one of Ludwig Music's most successful publications.Concert Band
10132942EB79A-6E25-4B30-B7A2-248791330C8DM362391L'Organiste Pratique, Op. 50, Bk. 6French organist and composer Félix-Alexandre Guilmant (1837-1911), served as Professor of Organ at the Paris Conservatoire and served as mentor to a young Marcel Dupré. While accomplished and prolific, Guilmant wrote almost exclusively for the organ, including: "Pièces dans différents styles" (18 books); "L'organiste pratique" (12 books); Eighteen "Pièces Nouvelles;" and "L'Organiste liturgique" (10 books). All 12 books of "L'Organiste Pratique" is available from the publisher.Organ
10133943156a4-9e3a-11f0-a418-0022482c9682A828902Kammermusik No. 1 (with Finale 1921), Op. 24, No. 1Written with the sense of humor characteristic of Paul Hindemith's (1895-1963) works from the 1920's, KAMMERMUSIK No. 1, Op. 24, No. 1 (1922) is a busy four-movement composition, written with a tonal center that pushes at its own boundaries. It premiered on July 31, 1922, at the Internationale Kammermusiktage Donaueschingen, Hermann Scherchen, conducting. This Donaueschingen Chamber Music Festival also gave the fourth movement the subtitle "1921" as the festival, in its second year, had first began in 1921. Movements: 1. Sehr schnell und wild (very fast and wild); 2. Mäßig schnell Halbe (moderately fast half-notes); 3. Quartett: Sehr langsam und mit Ausdruck (quartet: very slow and with expression); 4. Finale 1921: Lebhaft (lively). Instrumentation: 1dPicc.0.1.1: 0.1.0.0: Perc(2): Pno: Vn(2).Va.Vc.CB: Solo Accordion in set: (set as scored).1dPicc.0.1.1: 0.1.0.0: Perc(2): Pno: Str (1.1.1.1.1 in set): Solo Accordion in set: (set as scored)
10134943B9101-89D6-465D-9153-677FCBE5CD78A300802Barber of Seville, The (Il Barbiere di Siviglia): No. 2: Act I, Cavatina: Largo al factotum (baritone) (excerpt)THE BARBER OF SEVILLE (IL BARBIERE DI SIVIGLIA) was written by Giocchino Rossini (1792-1868) in 1816. The two-act comic opera is considered one of the greatest opera buffas ever written, and it remains a popular masterpiece staged frequently today, despite its disastrous February 20, 1816, premiere at the Teatro Argentina in Rome. The libretto by Cesare Sterbini is based on a three-part series of French comedic plays under the same name by Pierre Beaumarchais, and other composers also borrowed from the source, including Mozart for his Marriage of Figaro, although that opera was based on the second comedy in the series. Rossini's The Barber of Seville uses the first comedy as its source, showing the exploits that Count Almaviva engages in to convince Rosina to love and marry him before her ward Bartolo marries her first, with the barber Figaro conniving to help Almaviva the entire time. When he first appears on stage in Act I, Figaro brags about his much-beloved talent as a barber in LARGO AL FACTOTUM (MAKE WAY FOR THE SERVANT OF THE CITY). The aria is known for its frequent allusions and parodies in popular culture. Instrumentation: 1+Picc.0.2.2: 2.2.1.0: Str (4.4.3.3.3 in set): Solo Baritone. Reprint edition.1+Picc.0.2.2: 2.2.1.0: Str (4.4.3.3.3 in set): Solo Baritone
1013594437F77-06BF-4002-B656-965779F60CA9EBM220366Canticle to the Sun (reduction)Composed especially for Timothy Jones, principal hornist of the London Symphony Orchestra. Recorded on Naxos: JoAnn Falletta, London Symphony Orchestra; Timothy Jones, soloist. Canticle to the Sun is based on the familiar hymn tune 'All Creatures of our God and King'. This is an imaginative idea where the soloist emerges from a tinkling backdrop and retains clear contact with the melody throughout, although it is never stated in full. The concerto adds up to a pastoral idyll with occasional spots for the timpani and lyrical cadenzas.Horn, Piano reduction
1013694456AAC-E566-4165-BA2A-9DA9AA8E3758EBM0610311In a Sacred Mood for Cello and OrchestraThis work for cello and orchestra was composed by Freda Gronowetter (b. 1918), the accomplished Canadian cellist and educator. The solo and piano reduction of the work is available from Subito Music.2.1.2.2: 4.2.3.1: Timp.Perc(3): Hp: Str: Solo Cello
1013794505276-4EE3-4748-82F9-699E6D87B127SS734Allegro (out-of-print)Horn
10138945BEB02-0628-4478-A51C-B3B119A202ACST415Sonata Da Chiesa(not set)Brass Quintet
10139945E6773-0CFE-40E2-9D6E-19F9471DF63AS994CBOh, Lady Be GoodConcert band
10140945EC8DA-BB91-4652-A885-A5B73146512E50100146Christmas PatrolThere are three things that everyone loves: marches, parades, and Christmas. With all three combined into one work for young bands, Christmas Patrol is a sure-fire winner.Concert Band