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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
1022195692627-7952-4BC6-9457-28860C86F195M330801Serenade MovementBerlioz, Hector. Published by Masters Music, Boca Raton, FL. Copyright 2001. A six-movement work for low voice and piano in a reprint edition.Woodwind Choir
10222956C611F-DD23-4329-A93B-DF01E9449383A010290St. Paul's Suite, Op. 29, No. 2Set C
1022395730e18-9e3a-11f0-a418-0022482c9682A835490Good King Wenceslas [orchestration for high voice, B-flat]The holiday classic, GOOD KING WENCESLAS, arranged and orchestrated by Steve Cohen is for high voice and full orchestra. Instrumentation: 2.1+1(EH).2.2: 4.2(or Flglhn).3.1: Timp.Perc(2): Hp: Str (9-8-7-6-5 in set): Solo High Voice. A version for low voice is also available from the publisher.2.1+1(EH).2.2: 4.2(or Flglhn).3.1: Timp.Perc(2): Hp: Str (9-8-7-6-5 in set): Solo High Voice
1022495736767-F5EC-45A6-BFDD-DC1E9B0AA697S605CBPacific Eagle March(not set)Concert Band
102259577543F-66C4-4D02-B2AB-BC3A32391425X814033Four Persian Folk Songs: Set No. 1Songs: I. Rain, II. Kurdish Folk Song, III. Lullaby, IV. Folk Song from LuristanSoprano or Mezzo-Soprano, Piano
10226957DFE69-0D75-4FEA-ACE1-A05F5274D9E8A637202Lied et Scherzo, Op. 54 for Solo Horn and Wind NonetFrench composer Florent Schmitt (1870-1958) wrote the first version of Lied et Scherzo, Op. 54 for solo horn and wind nonet in 1910. It was composed to be the horn examination piece for the Conservatoire de Paris that year, and it was premiered by the context winner on July 11, 1910. It is a unique work, full of the mixture of late-German Romanticism and the harmonies of French impressionism that makes Schmitt difficult to classify. As was common for Schmitt's works, he created alternate versions featuring different instruments. Aside from the solo horn and wind nonet version, versions for horn and piano, cello and piano, and piano four-hands are also available. Instrumentation: 1+Picc.1+EH.2.2: 1.0.0.0: Solo Horn in set.1+Picc.1+EH.2.2: 1.0.0.0: Solo Horn in set
10227957F2A8C-E7F6-4496-9FF9-3ECE56C37C38ST514SolfeggiettoRespectfully dedicated to the U.S. Coastguard Tuba-Euphonium Quartet. This little keyboard piece by C.P.E Bach is encountered sooner or later by all serious pianists. In this adaptation for tuba-euphonium quartet it can serve as a delightful encore novelty; it also affords performing groups an ideal vehicle for perfecting the ensemble.Tuba Quartet
1022895839268-9e3a-11f0-a418-0022482c9682A835790It Came Upon a Midnight Clear [orchestration for low voice, A-flat]Richard Storrs Willis (1819-1900), a student of Felix Mendelssohn, originally wrote the melody that because known as IT CAME UPON A MIDNIGHT CLEAR in 1850 as ORGAN STUDY No. 23. The melody has also been known as simply CAROL. The tune soon became the setting for the hymn "It Came Upon the Midnight Clear," written by Edmund Hamilton Sears written in 1849, first published in 1850, Boston: The Christian Register. This setting of the text is among the most well-known Christmas carols in the United States. William Ryden has created two arrangements for high voice (key of C) or low voice (key of A-flat) and orchestra. Both arrangements are available from the publisher.2.2.2.2: 2.2.3.0: Timp.Perc(1): Str (9-8-7-6-5 in set): Solo Low Voice
102299586826E-089E-4250-A13B-141275EEBA90S1042CBSetting on a Polish HymnThis lovely Polish hymn is a Christmas carol but can be used any time you just need a pretty tune. The writing allows the beautiful melody to soar and keeps players in a comfortable register.Concert Band
10230958D150D-1587-4B86-A93B-28D3CB2401C5TC705Sheep May Safely GrazeThis choral arrangement and English version by Thomas Frost is of one of J.S. Bach's most well-known melodies, Sheep May Safely Graze from Cantata No. 208. For four-part chorus of mixed voices with piano or organ accompaniment.SATB Chorus and Piano or Organ
10231958E77E0-BF53-4565-8CC3-64FC3B6FFD5ES682CBThe Roar of the ArmorROAR OF THE ARMOR, written in 1982 while the composer was the Bandmaster of the 3rd Armored Division Band in Frankfurt, Germany, was inspired by the "esprit de corps" of the U.S. Cavalry and the old "tank corps", now known as the Armor Branch. The composer uses original melodies, to which is added traditional bugle calls in the second strain and thematic material from "Gary Owen" and "She Wore a Yellow Ribbon", to create a new march in a very traditional style. It is dedicated to the U.S. Army's 11th Armored Cavalry Regiment, who for decades guarded the Fulda Gap, one of the most dangerous points in Europe, where the forces of NATO and former Warsaw Pact nations faced off during the Cold War.Concert Band
10232958E8E4F-3648-410E-9B20-5B1FD368F4DC50100313Entry of the AcrobatsWritten in the style of the marches used in circuses to accompany acrobats, this march from Kelly Bennette harkens back to a longstanding band tradition. Filled with surprises, filagree, and theater, it is a work that adds a special sparkle to a program. It will fit anywhere, from opener to encore, and is worthy of the attention you’ll give it.Concert Band
102339591EBE7-15DC-4BDD-B561-A5D672C87758RA927090Firebird Suite, The (1919; L'Ouiseau de feu)The 1919 version of Stavinsky's Firebird Suite has become one of the most often performed works in the 20th Century classical repertoire. This all-new edition by Mark Rogers is a vast improvement over any other published previously. It is the first completely redone modern engraving of the score and parts. Meticulous care has been taken in comparing it with all prior publications and correcting errors that have persisted for over 100 years. Many rehearsal numbers have been added in musically significant locations, allowing time to be utilized most efficiently by the conductor. In addition, clarinet and trumpet parts in B flat have been added to allow this masterpiece to be more readily performed by amateur, student and professional orchestras alike. This edition is also available to purchase for those who wish to keep it in their library.2(2dPicc).2(2dEH).2.2: 4.2.3.1: Timp.Perc(5).Pno(dClst).Hp: Str
1023495950f71-9e3a-11f0-a418-0022482c9682A835890It Came Upon a Midnight Clear [orchestration for high voice, C]Richard Storrs Willis (1819-1900), a student of Felix Mendelssohn, originally wrote the melody that because known as IT CAME UPON A MIDNIGHT CLEAR in 1850 as ORGAN STUDY No. 23. The melody has also been known as simply CAROL. The tune soon became the setting for the hymn "It Came Upon the Midnight Clear," written by Edmund Hamilton Sears written in 1849, first published in 1850, Boston: The Christian Register. This setting of the text is among the most well-known Christmas carols in the United States. William Ryden has created two arrangements for high voice (key of C) or low voice (key of A-flat) and orchestra. Both arrangements are available from the publisher.2.2.2.2: 2.2.3.0: Timp.Perc(1): Str (9-8-7-6-5 in set): Solo High Voice
1023595960D8B-523E-4C9F-85D0-72E237B45E88A800502Concerto for Cello No. 1 in C, Hob.VIIb:1Franz Joseph Haydn's (1732-1809) CONCERTO FOR CELLO in C, Hob. VIIb: 1 is a rare instance where a masterpiece was lost, in this case for almost 200 years, before being rediscovered. The manuscript was discovered by Old?ich Pulkert at the Czech National Library in Prague among the Radenín Castle collection. The work was composed between 1761 and 1765 for his longtime friend Joseph Franz Weigl, then the principal cellist in the Esterházy Orchestra. As the refinements of the Classical concerto were yet to be established by Mozart, this concerto reflects the Baroque ritornello form. This edition is completed by Old?ich Pulkert and Karel Šolc, with the solo cello part being edited by Miloš Sádlo, who also gave the 20th century premiere of the work. Instrumentation: 0.2.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Cello. Reprint edition. Study score.0.2.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Cello
102369596D7F3-B2C2-464F-9CD7-C47EB0C19863S203MBLively Ones(not set)Marching Band
1023795A019CB-C992-4097-86ED-2A23D168AC5FST961Sonatina, Op. 13Version for Soprano, Alto, Tenor, and Baritone Saxophones available from the publisher.Baritone Sax and Piano
1023895A15154-2409-4F3D-9D17-E9B317010408X504070String Quartet No. 2: CapriccioA whimsical set of variations on an unstated theme. Premiered by the Pacifica Quartet at the Krannert Center on the University of Illinois campus.String Quartet
1023995a75965-9e3a-11f0-a418-0022482c9682A835990Jingle Bells [orchestration for low voice, G]Written by James Lord Pierpont (1822-1893) in 1850 and published in 1857 under the original title "The One Horse Open Sleigh," Jingle Bells has since become one of the most popular and well-known American Christmas songs. This version of the holiday favorite has been orchestrated and arranged for low voice and orchestra (key of G) by Steve Cohen. Instrumentation: 2+1(Picc).2.2.2: 4.2.3.1: Timp.Perc(1): Hp: Str (9-8-7-6-5 in set): Solo Low Voice. A version for high voice and orchestra (A836090) in the key of B-flat is also available from the publisher.2+1(Picc).2.2.2: 4.2.3.1: Timp.Perc(1): Hp: Str (9-8-7-6-5 in set): Solo Low Voice
1024095ABDACD-3BF0-4948-9167-C3E208CFCDC8ST438The Bee (L' abeille)An exciting encore piece for alto saxophone or alto clarinet, Schubert's "L'abeille" is a great alternative to Rimsky-Korsakov's "Flight of the BumbleBee".Alto Sax and Piano