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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
10281962423A4-F11E-4738-8E33-3E55EFC2E764ST749Malletrix (Mallet Tricks)This two-mallet solo is a great contest or recital selection for the intermediate percussionist. Players will find both technically challenging sections and slower, lyrical parts.Marimba
1028296278035-9e39-11f0-a418-0022482c9682A156502Symphony No. 83 in G minor ‘La Poule’ (Hob. I:83)Franz Joseph Haydn’s (1732-1809) SYMPHONY NO. 83 IN G MINOR, Hob. I:83 was composed in 1785 as part of his set of six Paris Symphonies, commissioned by the Concert de la Loge Olympique. The subtitle "LA POULE" ("THE HEN") comes from a quirky clucking motif in the first movement’s second theme, which early listeners fancifully likened to a hen’s call. Today, it remains a popular concert piece and a standout among the Paris Symphonies, admired for its humor, craftsmanship, and expressive depth. Instrumentation: 1.2.0.2: 2.0.0.0: Str (4.4.3.3.3 in set). Reprint edition.1.2.0.2: 2.0.0.0: Str (4.4.3.3.3 in set)
10283962AA593-FB13-40A5-ABBB-DECEE8D70242B161Topper Drum SolosSnare Drum
10284962F39E7-D6A8-4AF0-B5D4-FDFDA4B49A9F50100115The Woodsmen's Tale (Rique Ran)Work songs are a terrific way to teach young players a variety of skills. This particular tune has a distinctive Latin flavor that sets it apart. Who said work can't be fun?Concert Band
1028596317FEB-6D75-4034-B1A0-A355FA7D380CW110991L'Heure Espagnole (The Spanish Hour), M. 52In 1907, Maurice Ravel (1875-1937) began to compose his one-act theatrical piece, L'HEURE ESPAGNOLE (The Spanish Hour), after his opera-loving father suffered a stroke. It has been suggested that this troubling event inspired him to take his first foray into opera. Maurice Étienne Legrand, under the pseudonym Franc-Nohain, penned the libretto, which was based on his 1904 play of the same name. The plot follows the wife of a clockmaker who tries to seduced several men in his absence, causing them to entrap themselves in her husband’s clocks. Dedicated to Louise Cruppi, it premiered in a double billing with Jules Massenet’s Thérèse on May 19, 1911 at the Opera-Comique in Paris. Reprint edition. Vocal score.Vocal soli (5 roles, ATTBB): Piano or Orchestra accompaniment
1028696335793-BBCE-47F6-A5E0-63F996FD5F46MP944003Three Songs of Chopin: 3. The Wish
1028796342891-9e3a-11f0-a418-0022482c9682A836690O Little Town of Bethlehem [orchestration for high voice, G]The text to the well-known Christmas carol O LITTLE TOWN OF BETHLEHEM comes from an 1868 text written by Episcopal priest Phillips Brooks. It is popular in the United States, United Kingdom, Canada, and Ireland, although the text is set to different tune. The version most popular in the United States happens to have been written by Brooks' organist, Lewis H. Redner (1831-1908), who titled the tune "St. Louis" after rushing to set the newly written text to music in time for the Christmas mass. This beloved Christmas carol has been orchestrated and arranged for high voice and orchestra (key of G) by William Ryden. Instrumentation: 2.2.2.2: 2.2.3.0: Timp.Perc(1): Str (9-8-7-6-5 in set): Solo High Voice. A version for low voice and orchestra (A836590) in the key of E-flat is also available from the publisher.2.2.2.2: 2.2.3.0: Timp.Perc(1): Str (9-8-7-6-5 in set): Solo High Voice
1028896361210-D125-4DE0-B8EF-C86B4B7C201EX504044Traveling SongsContemporary adaptations of familiar American songs about travel, the gold rush, Underground Railroad, and baseball serve as springboards for musical explorations--delighting in the sonorities, the colors, and the humor latent in the tunes. The movement "String Quartet
10289963672D4-506C-4B9B-BCCB-7BE5CBD4CBEAA210902Wein, Weib, und Gesang Walzer, Op. 333 (Wine, Women and Song)2d1, 2, 2dEb, 2 - 4, 2, 3, 0, timp, perc, hp, str
1029096382fc2-9e39-11f0-a418-0022482c9682A156602Symphony No. 86 in D (Hob. I:86)SYMPHONY NO. 86 IN D MAJOR, (Hob. 1:86) was one of six written by Franz Joseph Haydn (1732-1809) to fulfill a commission by Count Claude d’Ogney. Composed in 1786, it is often considered to be the most opulent of the Paris symphonies, tailored to the large orchestra assembled for the count’s "Concert de la loge Olympique" concert series. First performed in its 1787 season, it was praised by a critic in the "Mercure de France" for its ability to extract "from a singular subject the most rich and varied developments." Instrumentation: 1.2.0.2: 2.2.0.0: Timp: Str (4.4.3.3.3 in set). Reprint edition.1.2.0.2: 2.2.0.0: Timp: Str (4.4.3.3.3 in set)
10291963D598D-2248-42E8-865C-B84918CAE2B4SS54ImprovisationFlute, Piano
10292963F670E-597A-4677-A563-BB204987BACCB449Ten Solos for Concert and Contest for Bassoon and PianoThis collection includes the following works: I. Adagio and Allegro (Fiorillo), II. Allegretto in C Minor (F. Mueller), III. Andante and Allegro (C. Baermann), IV. Caprice (Capelle), V. Fantasy (S. Lee), VI. A Minor Tune (Rhoades), VII. Nocturne (Dotzauer), VIII. Piece in G Minor (S. Lee), IX. Scherzando (F. Mueller), and X. Tarantella (C. Baermann)Bassoon and Piano
102939643C281-9CF6-4A7C-BAC4-336838BBE654MP410015Conversations with AndreAndré Hajdu's and composer William Bolcom both studied with Darius Milhaud at the Paris Conservatoire in the 1960s and became close friends. A wide-ranging composer, flourishing in Israel, where he lived in Jerusalem with his wife and sons, this work in six movements was written for his 60th birthday. Hajdu's own music - witty, dramatic, argumentative, devout, and essentialist - is what William Bolcom attempted to invoke in these short piano pieces.Piano
102949644E315-73BA-4360-8729-1A76EAF80A78A841790Enigma Variations: Variations on an Original Theme, Op. 36, No. 9: NimrodIn October of 1898, Edward Elgar returned home after a long day of teaching, ate dinner, then sat down at the piano to doodle on the keys. Elgar described what followed:

“In a little while, soothed and feeling rested, I began to play, and suddenly my wife interrupted by saying: ‘Edward, that’s a good tune.’ I awoke from the dream. ‘Eh! Tune, what tune!’ And she said, ‘Play it again, I like that tune.’ I played and strummed, and played, then she exclaimed: ‘That’s the tune.’ The voice of [my wife] asked with a sound of approval, ‘What is that?’ I answered, ‘Nothing – but something might be made of it.’”

This tune is what became the theme to one of the greatest works in the orchestral repertoire, VARIATIONS ON AN ORIGINAL THEME or the ENIGMNA VARIATIONS. Elgar called the variations "Enigma," not to be thought of as a riddle so much as a "dark saying [that] must be left unguessed.," though he also hinted that a hidden melody is also embedded within the music. Each of the fourteen variations functions as a musical caricature of a specific friend, starting with his wife Alice ("C.A.E."), and ending with himself ("E.D.U."). Variation No. 9, "Nimrod" is a caricature of Augustus J. Jaeger. The work premiered in 1899 at St. James Hall in London, conducted by Hans Richter, and acheived immediate popularity, establishing Elgar's international reputation. Istrumentation: 2.2.2.2+CBsn: 4.3.3.1: Timp: Str (9-8-7-6-5 in set).		2.2.2.2+CBsn: 4.3.3.1: Timp: Str (9-8-7-6-5 in set)
102959644ED5D-7A51-485E-98DB-46E474D3B292ST504SuiteThis piece for unaccompanied flute consists of a sequence of several short movements partly in dance form. The three suites are based throughout on the 5-tone and 7-tone scale. The time values are not determined by a particular beat but simply by the weighting of each individual tone.Flute Unaccompanied
1029696457a8e-9e3a-11f0-a418-0022482c9682A836790Stille Nacht (Silent Night) [orchestration for low voice, B-flat]This beloved carol, written by FRANZ GRUBER (1787-1863) in 1818, has been orchestrated and arranged for low voice and orchestra (key of B-flat) by Steve Cohen. Instrumentation: 2.1+1(EH).2.2: 2.0.0.0: Hp: Str (9-8-7-6-5 in set): Solo Low Voice. A version for high voice and orchestra (A836890) in the key of D-flat is also available from the publisher.Low Voice and Piano
10297964781A0-E276-4A5B-968C-2B5018D44D53R00452A Pocket-Sized Guide to The Orchestra: Part 1 from The Time MachineFor Young Audiences. Introduces the instruments of the orchestra to the audience, one by one.Narrator: 1(d Picc).1.1(in A).1: 2.1(in E).1.0: Perc(1).Pno: Str(4.4.2.2.1 min)
10298964CBBA2-B4B1-49AD-B08F-B6792566634052703140Brandenburg Concerto No. 4 for String QuartetBach's famous "Brandenburg Concertos" are considered by many to be the pinnacle of the Baroque Concerto Grosso style. These arrangements of the "Brandenburgs" for string quartet by Lynne Latham have become much-used by professionals and students alike.Violin 1, Violin 2, Viola, Cello
102999651523E-020A-4FCA-AA22-7C3885AFF06DM138991Poeme Des Montagnes(not set)Piano Solo
103009654BFFF-1F0C-4D7E-A059-90379F860E27A188502Tarantella, Op. 33(not set)2, 2, 2, 2 - 2, 0, 0, 0, timp, perc, str, solo cello in set