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1034196DEE50B-2D4B-4069-BA01-F13827095FD9A133702Prince Igor: OvertureAlexander Borodin (1833-1887) composed the four-act opera Prince Igor between 1869-1887, although it remained unfinished at his death. Fellow Russian composers Rimsky-Korsakov and Glazunov completed and orchestrated what remained. Borodin adapted the ancient Russian epic The Lay of Igor's Host, which tells the story of prince Igor Svyatoslavich and his campaign against the invading Cuman (Polovtsian) tribes in 1185. The premiere took place on November 4th, 1890, at St. Petersburg's Mariinsky Theatre, Karl Kuchera, conducting. The Overture was completed and orchestrated by Aleksandr Glazunov (1865-1936), in part from memory, having heard Borodin play it at the piano. Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set).2+Picc.2.2.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set)
1034296DFEBDF-E1E7-42A7-8C6A-508F19044E71M988990The Magic Flute OvertureThis overture, written two days before the fairy-tale opera's 1791 premiere, is among the best known in the classical literature. This version is edited by Steven Rosenhause. Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Str(9.8.7.6.5 in set).2.2.2.2: 2.2.3.0: Timp: Str(9.8.7.6.5 in set)
1034396E48084-E317-434F-8D85-D8FB180FBF47A167890Ten Christmas CarolsFrancisco de Madina (1907-1972), also known as Aita Madina, received his education in Bordeaux and was ordained a priest in 1929. He served his first parish in Buenos Aires and became director of a school in Cuidad de Salta. During this time, he began to develop as a composer and started to premiere his work in Buenos Aires. His primary influences included Debussy, Ravel and Prokofiev. In 1955, he moved to New York, where he founded a residence for the Lateran Canons Regular. His music began to enjoy performances in America and Spain. TEN CHRISTMAS CAROLS is a selection from his larger work CHRISTMAS SONGS, a set of 17 original carols written in English and Latin. Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set): Mixed Chor (not included in set). Carols included: 1. Glowing the Skies; 2. Merry Christmas; 3. Willie, Take Your Drum; 4. Christmas Sweet Night; 5. My Baby Jesus; 6. Infant So Gentle; 7. Joy is Raising; 8. Help Me Rock; 9. From Heav'n Above; 10. Hodie Christus.2+Picc.2.2.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set): Mixed Chor
1034496E5D290-FA48-43B6-923C-F027533E467CR00029The Eleventh HourNational Unisys African-American Composer Symposium 1993.2+Piccolo.2+English Horn.3+Bass Clarinet.2: 4.2.2.1: Timpani.Percussion(2).Piano.Celesta.Harp: Strings
1034596EA5DB3-8022-49B5-AF72-A4BC7A7E921310100563Boy Scouts of AmericaThe 'March King' wrote this in honor of the Boy Scouts of America. Mr. Schissel has prepared this edition for the modern concert band with corrected pitches, unified dynamics, and articulations. A brief section with flutes playing while the band whistles makes this lots of fun.Symphonic Band
1034696EBFBF1-8D7A-4A74-BAB2-B371C2A7896450250117Green Cello JigThis happy jig incorporates a small chromatic twist in the tune and affords a fabulous opportunity to teach both hooked bowing and 6/8 meter. Everyone plays the theme at some point and the tapping of toes is not forbidden!String Orchestra
1034796EE742A-3BC1-4471-8439-5E27B46D4F89MP410007Recipe for a Little GirlWritten for Benson’s daughter, Kirsten, this is a suite for the beginning pianist. Three short movements: “Sugar,” “and Everything Nice” and “Spice” use only notes of the “five finger” pattern with both thumbs on middle C. Tempo variation, staccato, and dynamic contrast are also employed.Solo Piano
1034896F4762E-4353-4E6F-83FE-663F66DB68F2A803002Mit Maedeln sich vertragen, WoO 90 (Concert Aria)Written in the early years of Ludwig van Beethoven’s (1770-1827) career, Mit Mädeln sich vertragen is a setting of a poem by the same name penned by Johann Wolfgang von Goethe, written for the 1776 play Claudine von Villa Bella. Composed sometime between 1790-1792 for solo bass voice and ensemble, it may have been written with German actor and operatic bass Joseph Lux in mind, as the two were members of a group traveling together to Mergentheim, Germany in September and October of 1791. The text discusses the ease with which the speaker agrees with women, yet their difficulties “getting along” with men – at a point, even recounting a brawl with colorful onomatopoeia. Instrumentation: 0.2.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Bass (available separately).0.2.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Bass
1034996F6E3E8-F7DF-45E7-B7CC-7439DC52B8EERCSS810Concertino Op. 45Flute, Piano
1035096F84E7B-F188-4450-82C4-B4AAD234C5DAM982590Carmen Suite for Full OrchestraA mainstay of Italian opera, "The Barber of Seville" contains many classic themes that are featured in the overture to create a wonderful concert showpiece! The beguiling melody in the upper strings and woodwinds will be familiar to all, and the "breakneFull Orchestra
1035196F95D6E-E627-4B4D-9E8A-126663B7AFD7B305502Lincolnshire Posy - Original Band EditionUnedited reprint edition of the original work responsible for inspiring thousands of aspiring musicians to become directors of bands, orchestras, and choruses, fostering a lifetime of love and respect for music.Concert Band
1035296F9D36E-B89D-42D5-A0B0-92F71DA630C9ST167Blast Of Class4M, SOLO DRSET
1035396FD0525-B707-4E48-A10E-C549709ECC2650260022Old French Song for Solos and String OrchestraFeature a deserving string student with this arrangement of Tchaikovsky’s enchanting Old French Song. All solo parts are included for violin, viola, cello, and bass, allowing directors flexibility to spotlight any string instrumentalist in educational ensembles. The lush sounds of Tchaikovsky will elevate student orchestras and celebrate student soloists.Solo String Instrument with String Orchestra
103549701309E-629F-485E-97F2-94C0B3F6D46BB388202Renaissance Masters SuitePhilip Gordon, the arranger of RENAISSANCE MASTERS SUITE, taught as a professor of music at Chicago Musical College, Westminster Choir College, and Seton Hall University. In addition to his achievements as a conductor, he served as composer-in-residence at the American String Teachers Association's Summer String Conference in New Jersey. This transcription of works by three leading Renaissance composers includes Balletto by Orazio Vecchi, Agnus Dei from Missa Brevis by Andrea Gabrieli, and Chanson by Clement Janequin.Concert Band
103559701E09F-33A8-4FE2-A0D2-C0A44C1BB446MP505003String Quintet in G Minor
103569703BB74-B05E-44C9-8830-98517ADA47A0ST867Introduction Theme and VariationsThe work is based on two of Rossini’s most moving dramatic arias and remains one of the most popular virtuosic works for clarinet to this day. This title is available from Southern Music for rental, with score and parts for orchetsra (original) and transcriptions for band and clarinet choir, while a retail version is available for clarinet and piano. All editions have been edited by David Hite. This edition is dedicated to the memory of Leon Russianoff.Clarinet, Piano
103579703D460-049F-4FCA-8B76-D2EE6089A701A326690Two Swedish Folk Melodies, Op. 27Norwegian composer, conductor, and violinist, Johan Severin Svendsen (1840-1911) arranged for string orchestra the TWO SWEDISH FOLK MELODIES, Op. 27, in 1876, with the premiere taking place on October 14 of that year in the large hall of Logen, Christiania, Svendsen conducting. The use of folk material had served him well in his Norwegian Carnival two years earlier, as did hsi return to them here. The first melody, Allt under himmelens fäste (“All under the firmament of heaven”) is a plaintive song, the text telling the story of girl whose love abandoned her, leaving her now wed to Sorrow. The second melody, Du gamla, du friska, du fjellhöge Nord (“Thou ancient, unconquered, rock-towered North”), eventually became the Swedish national anthem, with its nostalgia for past glory, patriotism, and praise for the Swedish landscape. This reprint edition includes a string count of 8-8-5-5-5 in the set.String Orchestra (8-8-5-5-5 in set)
10358970860BD-9856-410A-868A-3027C1A23619SO139CGhost ChaseA breathless accompaniment in quarters supports the melody in 8th notes in the key of A minor. Staccato plays an important part, as well as 2-note slurs and pizzicato makes an appearance. Dotted-quarter/eighth rhythms are performed with hooked bowings. There are a few chromatic notes that will require finger flexibility with clearly marked fingerings.String Orchestra
10359970b508e-9e39-11f0-a418-0022482c9682A163202Enchanted Lake, The, Op. 62THE ENCHANTED LAKE, Op. 62 is a tone poem by Anatoly Lyadov (1855-1914). Subtitled "fairy tale scene", it is probably his most celebrated work due to its delicate scoring and evocative tranquility. Scholars have suggested that it borrows some material from his unfinished opera ZORYUSHKA. The first performance took place on February 21, 1909 in St. Petersburg under the direction of Nikolai Tcherepnin, to whom Lyadov had dedicated it. Instrumentation: 3.2.3.2: 4.0.0.0: Timp. Perc(1): Hp.Clst: Str (9.8.7.6.5 in set).3.2.3.2: 4.0.0.0: Timp. Perc(1): Hp.Clst: Str (9.8.7.6.5 in set)
103609713525B-0FD3-4A15-845C-9FAA545D6EA5HLTarantelle for Flute and OrchestraFlute W/ORCHESTRA