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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
103019657B423-B240-41B8-858B-81096F1340B0DMAC4McBeth Conducts McBeth Vol. 4 Advanced RepertoireThe Best of W. Francis McBeth, Volume 4: Advanced Repertoire for Band. Recorded by the Texas Tech University Concert Band. Tracks: 1. Through Countless Halls of Air 2. Wine from These Grapes 3. The Lions of North Bridge 4. They Hung Their Harps in the Willows 5. When Honor Whispers and Shouts 6. Lauds and Tropes 7. Of Sailors and WhalesCd
10302965E0A70-5CD3-4A5C-8D19-13BE001D8707S63Zekiel Saw The Wheel (out-of-print)Marching Band
10303965E6DC3-4BA6-46F8-BBFD-D26010DBF77AR01157Chopsticks: In Search of a Melody2+Piccolo.2.2.2: 3.3.3.1: Timpani.Percussion(1).Piano: Strings
1030496607175-02B2-4E36-B696-BBD01653DA0650100243Concert PreludePerfect for use as a concert opener, this spirited music grabs the listener from the very first note. It continues to hold the audience breathless, proceeding at a crisp pace before closing with a lightning flash of unbridled exuberance.Concert Band
103059660a70c-9e3a-11f0-a418-0022482c9682A836890Stille Nacht (Silent Night) [orchestration for high voice, D-flat]This beloved carol, written by FRANZ GRUBER (1787-1863) in 1818, has been orchestrated and arranged for high voice and orchestra (key of D-flat) by Steve Cohen. Instrumentation: 2.1+1(EH).2.2: 2.0.0.0: Hp: Str (9-8-7-6-5 in set): Solo High Voice. A version for low voice and orchestra (A836790) in the key of B-flat is also available from the publisher.2.1+1(EH).2.2: 2.0.0.0: Hp: Str (9-8-7-6-5 in set): Solo High Voice
103069664EA86-95D6-41AD-8873-AE195EE91DDFSC676Gather Ye Rosebuds(not set)Ttb
103079669B51C-B877-4C58-8277-5EF0EE04E78FST955COThree MovementsThis work was written for David McGrath and the DePauw Brass and includes both Bb and C trumpet parts.Brass Quintet
10308966E57CF-6E70-4D7C-9518-6C703AE2637DA885302Ouvre Ton Coeur (G Minor)Ouvre ton cœur (Open your heart) dates from 1859, as George Bizet (1838-1875) was still attending the Paris Conservatory. Its Spanish flair anticipates the musical style he would later put to use in the opera Carmen. A bolero rhythm drives the passionate energy of the poem by Louis Delâtre, in which the singer implores their beloved to return their love "as a flower turns to the sun". The song demonstrates Bizet's early mastery of the harmonic color, delicate phrasing, and melodic invention for which he is so greatly admired today. Versions in the original key of A minor, and also transposed to G minor and B minor are also available from the publisher. Instrumentation: 2.2.2.2: 4.2.3.0: Perc(1): Str (9-8-7-6-5 in Set): Solo Soprano. No score for the G minor version is available.2.2.2.2: 4.2.3.0: Perc(1): Str (9-8-7-6-5 in Set): Solo Soprano
103099672df19-9e3a-11f0-a418-0022482c9682A836891Stille Nacht (Silent Night) [orchestration for high voice, D-flat]This beloved carol, written by FRANZ GRUBER (1787-1863) in 1818, has been orchestrated and arranged for high voice and orchestra (key of D-flat) by Steve Cohen. Instrumentation: 2.1+1(EH).2.2: 2.0.0.0: Hp: Str (9-8-7-6-5 in set): Solo High Voice. A version for low voice and orchestra (A836790) in the key of B-flat is also available from the publisher.High Voice and Piano
1031096741328-B4C7-4103-A077-6B77FA04CE8F20250572A Merry Spanish Christmas(not set)String Orchestra
103119674729C-833F-4116-9BE2-033372C9CD9AA544902Die Banditenstreiche: Overture (The Jolly Robbers)2, 2, 2, 2 - 4, 3, 3, 0, timp, perc, hp, str
1031296747DE9-6316-49EF-B701-20DAC4530A77M392291Pezzo Capriccioso, Op. 62Pyotr Ilyich Tchaikovsky (1840-1893) wrote PEZZO CAPRICCIOSO in B minor, Op. 62 for solo cello and orchestra in one week in August of 1887. A somber and sober work, Tchaikovsky wrote the work in the midst of experiencing the death of his friend Nikolay Kondratyev, who was in the final throes of syphilis at the time. In a trip to Paris to visit his friends as a respite, he wrote the work for cellist Anatoliy Brandukov. Tchaikovsky wrote to Brandukov, "I have written a small cello piece, and would like you to look through it, and put the final touches to the cello part." He began the piano score two days after he wrote that letter and began orchestrating it a few days after that. The first performance took place in the piano accompaniment version on February 28, 1888, at a private home in Paris, with Brandukov as the soloist and the composer at the piano. Brandukov performed the solo at the orchestral premiere on November 25, 1889, in Moscow at a Russian Musical Society concert, Tchaikovsky conducting. This edition of the solo and piano version has been edited by Emilio Colón.Violoncello and Piano
1031396773939-FF07-4794-AD10-F5658AE31AFC50100202Loyal Legion March, TheEnjoyable and very playable, this stellar march is yet another example of Sousa's complete mastery of the style. "The Loyal Legion" was written to commemorate the twenty-fifth anniversary of the Military Order of the Loyal Legion of the United States, an organization composed primarily of American Civil War officers and their descendants. The anniversary celebration was held in Philadelphia on April 15 and 16, 1890, and the U.S. Marine Band was ordered by the Secretary of the Navy to participate. The march was originally an entr'acte to the Sousa opera "The Queen of Hearts," composed in 1885. The work is now available in a superb edition by Sousa scholar Loras John Schissel, which is exclusively endorsed by John Philip Sousa IV.Concert Band
10314967b448d-9e39-11f0-a418-0022482c9682A159002Scenes de la Czarda No. 4: Hejre Kati, Op. 32Hungarian violinist, composer, and music teacher Jenö Hubay (1858-1937) wrote a total of fourteen SCENES DE LA CZARDA (also SCÈNES DE LA CSÁRDA) over a forty-year period between 1879 and 1920. Intended for Hubay's personal use in concert and teaching, they were all written for violin and piano, though some were later orchestrated by the composer. SCENES DE LA CZARDA No. 4, Op. 32 from 1890 is the most well-known, although most know it by the subtitle HEJRE KATI. The work uses three Hungarian melodies: The Yellow Stallion; The Love of a Young Baron; an untitled folk tune which Brahms also used in his HUNGARIAN DANCE No. 21. Instrumentation: 2.2.2.2: 3.2.2.0: Timp.Perc(1-2): Hp. Str(9-8-7-6-5 in set): Solo Vn in set: SCORE NOT AVAILABLE. Reprint edition.2.2.2.2: 3.2.2.0: Timp.Perc(1-2): Hp. Str(9-8-7-6-5 in set): Solo Vn in set: SCORE NOT AVAILABLE
10315967b64f5-9e3a-11f0-a418-0022482c9682A836990Twelve Days of Christmas, The [orchestration for low voice, F]This traditional Christmas carol has been orchestrated and arranged for low voice and orchestra (key of F) by William Ryden. Instrumentation: 2.2.2.2: 4.3.3.1: Timp.Perc(3): Str (9-8-7-6-5 in set): Solo Low Voice. A version for high voice and orchestra (A837090) in the key of A-flat is also available from the publisher.Low Voice and Piano
10316967BB585-E697-48F2-B75F-933DCE43BD13A677502Fynsk Forar, Op.42(not set)2, 2, 2, 2 - 4, 2, 0, 0, timp, str, solo SATB, mx chor
103179688DCF1-DB25-4C68-877A-EE730B199D04A307702Traviata, La: Act III, Duetto: Parigi, o cara (soprano, tenor) (excerpt)LA TRAVIATA (THE FALLEN WOMAN) is based on La Dame aux camélias (1852), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled Violetta, after the main character. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, ca. 1700. It was not until the 1880’s that the composer’s and librettist’s original wishes were carried out and “realistic” productions were staged. La Traviata has become immensely popular and is among the most frequently performed of all operas. In the Act 3 duet "Parigi, o cara", Violetta and her lover Alfredo sing about their dreams, to be tragically unfulfilled, of a future beyond Paris that they hope to share together. Instrumentation: 1+Picc.2.2.2: 4.2.3.1: Timp: Str (4.4.3.3.3 in set): Soli SST.1+Picc.2.2.2: 4.2.3.1: Timp: Str (4.4.3.3.3 in set): Soli SST
10318968AF7D3-D935-47B8-9DE1-4B692F45DF73EBM0610542Equivalenze Sonore for 20 PlayersHonorable mention, 1960 Fitelberg Competition0012-0010: Perc(6).Cemb.2 Pno: Vc.Cb
10319968C1160-8BBC-4271-BCFA-5BBF54FBD76CR00388Recorder Concerto(not set)Recorder Solo 0.2.0.1: 2.0.0.0: Strings
1032096906E86-A1AE-48D4-B8B8-EB83D9900EB5M252791Douze Etudes, Op. 35 Bk. 1(not set)Solo Piano