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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
1042197EE0023-08D0-4614-9173-74CC5A5CB18ER112Le Val De Bois(not set)Band
1042297F4352F-5C02-47C8-BB2A-B981A2DBEC41X800016Palabras de Don Quijote, Op. 66 for Baritone Voice and Piano(not set)Baritone and Piano, reduced from Flute, Oboe, B-flat Clarinet, Bassoon, 2 Horn, Percussion(1), Harpsichord, Guitar, Harp, 2 Violin, 2 Viola, 2 Cello, Double Bass
1042397F882E1-73EF-48EC-A005-700398F9DCE6ST2578 Short DuosThis collection of 8 duos for trumpet and trombone contains contrasting styles and time signatures. Players are asked to stand 25 feet apart in performance to create an antiphonal effect.Trumpet and Trombone Duo
1042497FB36C8-127C-45A9-86DD-CAC8BA24DBE4SO125CAllegretto: from Symphony No. 5, Mvt. 2Shostakovich’s Fifth Symphony was written in 1937 and premiered that year in Leningrad (St. Petersburg). It was a major success with an ovation lasting over 30 minutes. The symphony is approximately 45 minutes in length and has four movements. Allegretto is the second movement. It is a scherzo in form with a vein of humor that approaches grotesqueness. The work is a waltz parody with marcato sections of intense contrast.

This arranged and edited transcription is in first position for young people and maintains the original key. There are indicated cues for support of certain passages. Ossias are provided for the better players to perform within the original ranges. For younger groups who may find the duration a little challenging, it may be shortened by taking one or both of the two cuts indicated in the score. This is the first-ever publication for string orchestra from this great symphony.		String orchestra
1042597fbd7ed-9e3a-11f0-a418-0022482c9682A845390Suite Concertante, No. 2: Siciliana NotturnaSUITE CONCERTANTE was originally written for an orchestra of eight celli and double bass, and the work was premiered on April 19th, 1970 in this form. Some years later, Alfred Reed re-scored the second movement, titled SICILIANA NOTTURNA, of this five-movement work for string orchestra and harp, and this version was premiered in 1976 with Dr. Lucas Drew conducting the Bicentennial Chamber Orchestra of Miami. Instrumentation: Hp: Str (8.8.5.5.5 in set). In 1981, Alfred Reed orchestrated the remaining four movement of the full suite for string orchestra, and that version is also available from the publisher (A5028).Hp: Str (8.8.5.5.5 in set)
104269807DA72-4D2D-4305-8CBC-F714720E391BA174502La Finta Giardiniera, K. 196: Overture0, 2, 0, 0 - 2, 0, 0, 0, str
10427980e511a-9e3a-11f0-a418-0022482c9682A846602Des Knaben Wunderhorn, No. 6: Des Antonius von Padua Fischpredigt, GMW 28, medium voice (D minor, transposed)Gustav Mahler (1860-1911) began composing the songs of DES KNABEN WUNDERHORN (THE BOY'S MAGIC HORN) in 1892, finishing in 1901. Comprised of 15 songs total by the end, each sets folktale texts, as published by Achim von Arnim and Clemens Brentano, to music with piano accompaniment, though some also have orchestral accompaniment. DES ANTONIUS VON PADUA FISCHPREDIGT (ST. ANTHONY OF PADUA'S SERMON TO THE FISH) was written in July-August of 1893 and was published in 1899 in a collection of twelve songs under the title HUMORESKEN (HUMORESQUES). Versions for low voice (C minor; original) and medium voice (D minor) are available from the publisher. Instrumentation: 2.2.2.3: 4.0.0.0: Timp.Perc(3-4): Str (9-8-7-6-5 in set): Solo Medium Voice. Reprint edition. No score is available for this edition.2.2.2.3: 4.0.0.0: Timp.Perc(3-4): Str (9-8-7-6-5 in set): Solo Medium Voice (no score available)
104289810D043-4ED9-4A5A-B479-2E3DF6B25164M133791The Lute Music - Warlock(not set)Piano Solo
10429981C0EA2-2AE3-4AE6-B608-4004C51CED85MP237001Bass Trombone Concerto (Reduction)Kenneth Fuchs's Bass Trombone Concerto places the soloist in the role of a musical protagonist, leading the players of the ensemble in a vibrant affirmation of lyrical melody, instrumental color, and orchestral texture. The work emerges from a serene atmosphere with the bass trombonist weaving fragments of melody from which the entire concerto evolves. The work takes the form of a through-composed extended single movement in four sections (Adagietto - Allegro - Allegro poco agitato - Allegro con brio) based upon the simple triadic intervals of the opening melodic fragments. Versions for orchestra and band are available from the publisher, as well as a piano reduction.Bass Trombone and Piano
104309822363B-DD30-4BB7-BEDF-7C1D6993F009M217991Legend, Op. 17"Legend" is a showpiece by Polish violin virtuoso Henryk Wieniawski. This piece was instrumental in securing the composer's engagement to Isabella Hampton. Isabella's parents did not approved of their daughter's engagement to the virtuoso, but they were so moved after hearing the piece performed that they gave the young couple their blessing.Violin and Piano
1043198229CF2-C1EB-4ACB-80E8-BB99B987D67B20703479Early American SuiteSix traditional American folk tunes in one medley for high school quartet using 2 Violins, Viola (opt. violin. 3) and Cello. There is an optional ending halfway through this four minute work to provide several programming options. With some double stops, several changes in meter and music arranged in the major keys of G, D and A, this work is a rewarding experience for the developing ensemble.String Quartet with opt. Violin 3
104329822AF43-2DE1-4A68-B221-5D76B7567C04LV220CBSolo Blues(not set)Concert Band
10433982562A9-65DB-481B-B7F7-6C2E8EF1BC6DS602CBWestport OvertureDedicated to Jack Brookshire and the West Junior High Band, Lawrence, Kansas.Concert Band
10434983827CA-2D47-4B13-94ED-8F2FBE96039E52793386Fiddling for Classical Kids, Cello/ BassThis method focuses on important fundamental elements that can be found in Celtic, bluegrass, old-time, Texas and jazz fiddling the shuffle, the displaced shuffle, the Georgia shuffle and no-slur bowing. "Fiddling for Classical Kids" is appropriate for both orchestral classroom instruction and private studio use. Individual parts are available for violin, viola and cello-bass. All parts are interchangeable (no transposing!). Contents: Shortin' Bread; Angeline the Baker; The Girl I left Behind Me; Flop-Eared Mule; Bonaparte's Retreat; Oh, Suzanna!; Paddy Won't You Drink Some cider; Barlow Knife; Granny Does Your Dog Bite?; Molly Put the Kettle On; Goodbye Liza Jane; Lady Anne Montgomery. All songs include both the original tune and a "Comp" line, and students are encouraged to try playing both. And downloadable audio is included for each tune (both a slow and a fast version) to serve as a model and to serve as further practice accompaniment. The Teacher's Manual includes full scores of all the tunes, along with helpful suggestions on how to best teach each tune.Cello or Double Bass Solo and Downloadable Audio
10435983855D7-7D35-4C91-A42D-238173A20897R5Ennanga for Harp, String Orchestra and PianoOne of America's foremost composers, William Grant Still (1895-1978) had the distinction of becoming a legend in his own lifetime. From a musical family, he studied at Wilberforce University, Oberlin Conservatory, and the New England Conservatory. Mentors included George Chadwick, Edgard Varese and Howard Hanson. During his education, he also entered the world of commercial music, playing in orchestras and orchestrating, working in particular with the violin, violoncello and oboe. His employers included W.C. Handy, Don Voorhees, Sophie Tucker, Paul Whiteman, Willard Robison and Artie Shaw. He also arranged for and conducted the "Deep River Hour" over CBS and WOR. Dr. Still's service to the cause of brotherhood is evidenced by his many firsts for African-Americans in the musical realm: to have a symphony performed by a major U.S. symphony orchestra, to conduct a major symphony orchestra in the U.S. (1936, Los Angeles Philharmonic), to conduct a major symphony orchestra in the Deep South (1955, New Orleans Philharmonic), to conduct a white radio orchestra in New York City, to have an opera produced by a major company in the U.S., and to have an opera televised over a national network. With these "firsts" he was a pioneer, but in a large sene, he pioneered because he was able to create music capable of interesting the greatest conductors of the day: truly serious music, but with a definite American flavor.Harp Solo, String Orchestra (or String Quintet), Piano
10436983A5823-BB80-4C19-8264-1F6F8A356B4DA231702Il Re Pastore, K. 2082, 2, 0, 2 - 4, 2, 0, 0, str (2.2.1.1.1)
vocal soli (5 roles SSSTB)
10437983CC2CF-2DF2-4CB1-BE07-DCCE128590C8R01423Let Freedom Sing: The Story of Marian Anderson(not set)Soprano, Alto, Tenor, Baritone, Electric Keyboard, 1 Percussion
10438983D57BF-8EBE-4EF0-BDD7-39A643402F4FS200CBConcerto No. 1 in E-flat, K412 for Horn and BandThis was transcribed to Eb from the original key of D. The arrangement and the cadenza are by Lorenzo Sansone.Horn, Concert Band
104399841B3DB-407E-4E7B-BA61-2C89EC6373FAM219791Fairy Tale, A, H. 128A major work in four movements by this masterful British composer, Frank Bridge (1871-1941). Dating from 1917 and little-known, the work is largely light, despite World War I looming so large in the world. Reprint of the first edition. Movements: The Princess; The Ogre; The Spell; The Prince. Reprint edition.Piano Solo
104409857EBBE-A8C6-4315-89BA-006BE853FEFEEBM120275Two Tangos for Solo CelloThe celebrated cello virtuoso Carter Brey made his foray into musical composition on a 1997 tour of Buenos Aires with the New York Philharmonic, and the result is Two Tangos for Solo Cello, which he enjoys playing as encores on his recitals. They are unapologetically in the mold of Astor Piazzolla, whom Brey had encountered several years earlier and was deeply influenced by. Presented in fold-out form to avoid page turns. Movements: 1. Tango para Ilaria, 2. Study in TangoCello solo