Titles
Showing 10,501-10,520 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 10501 | 9932D5D4-06B3-4647-9E45-3E694566868A | LV143CB | L.M.I. (Let's Move It) | (not set) | Concert Band | |
| 10502 | 9934167F-55B6-4063-8833-6401F997C4A2 | M349391 | Oboe Concerto | Oboe/piano | ||
| 10503 | 99391134-1565-4650-90FF-B5CDFC29E5E5 | A016490 | La Traviata: Introduction and Drinking Song | Full Orchestra | ||
| 10504 | 993BB420-7965-4FF8-A7E6-91732F216418 | 52706007 | Serenade, Op. 25 | New edition edited by Lynne Latham and Clark McAlister. These classics now have full scores, endings that match, consistent articulations and are bowed, making them perfect additions to contest lists and concert repertoire. | Flute, Violin, Viola Trio | |
| 10505 | 993D3602-0129-4FC6-9C44-44C65F4F6F4A | 10250248 | Marcato | Mr. Nelhybel said: 'The teaching element of this piece lies in the independence of all melodic lines, for it is this device that makes all instruments equally important.' The modal tonality gives the work an eastern European flavor that is emphasized when the ensemble demonstrates uniformity in bowing. This bowing should be dry and almost percussive to match the descriptive title. Equally important to the structure of this composition are the sudden changes in dynamics that give added variety to this unique creation. | String Orchestra | |
| 10506 | 99409054-5B69-4DB6-A864-9BC0B37E3A1F | X103012 | Prelude and Fugue for Oboe, Bassoon and Piano | Composed for the Latre Trio. Score and parts, 6 minutes. | Oboe, Bassoon, Piano | |
| 10507 | 994198FE-2FB6-441A-80AA-E20BE5FCBF0C | 10430196 | Mantis Dance | A "heavy" dance that features upbeat 2:4 and lyrical waltz sections. Versions for trombone, baritone, tuba, bassoon, and string bass are available from the publisher. | Bassoon and Piano | |
| 10508 | 99420EC3-0D7F-4EAD-9D12-E89DC4C431BA | A625102 | The Impresario, K. 486: Ich Bin Die Erste Sangerin (Der Schauspieldirektor) | (not set) | 0, 2, 2, 2 - 2, 0, 0, 0, str, soli SST | |
| 10509 | 994DDBE3-057E-4187-ABA8-81AC97219C15 | SU139 | Berceuse | Horn, PIano | ||
| 10510 | 994E6B13-C2A6-4A6A-8B1F-9E968AD50ED6 | B564 | 100 Rhythm Etudes for Snare Drum | This ideal supplement to any drum method is designed to help fill the gap between the intermediate and advanced levels of snare drum playing. One hundred short snare drum etudes are included, each one utilizing at least one of the 26 rudiments of drumming. These etudes are presented in several different time signatures with suggested metronome markings. | Snare Drum | |
| 10511 | 99511E81-544D-4484-BCE2-946B1A4BC58D | P20 | Prelude in C Major | Piano | ||
| 10512 | 9953F08B-D05A-40D6-AB1D-1335B7414759 | 20100698 | Memories of Kirby | Band | ||
| 10513 | 9955B2F0-7AB2-429F-8D43-621EB9EA2C9A | SU326 | Sonata No. 2 in e Minor | The Sonata No. 2 in E Minor is the 2nd of a series of six sonatas for the violoncello with basso continuo accompaniment, which appeared in near-simultaneous editions in the 1730s. The realization of the figured bass was created by the editor of this edition. | Tuba and Piano | |
| 10514 | 9959759D-AD45-4D6B-8713-E5B97A6BC093 | SS314 | Student's Sweetheart, The | Trumpet | ||
| 10515 | 995E9F94-6EBF-4303-8CF1-8D85C342FE68 | SJ772008 | Screemin Meemies | Recorded by the Buselli-Wallarab Jazz Orchestra on the Owl Studios album "Basically Baker." David Baker originally scored Screemin’ Meemies for five saxophones, four trumpets, three trombones, bass trombone, piano, guitar, bass and drums. The addition of a fifth trumpet and tuba part were added after the Indian University big bands included them in their performances. | (not set) | |
| 10516 | 9962F096-7DBA-4075-9F70-27902E3DF401 | A803690 | Banks of Green Willow, The | The Banks of Green Willow, the final completed work of George Butterworth (1885-1916), has come to evoke both the fading world of Edwardian pastoralism and, through the tragically shortened life of its composer, the loss of a generation in the trenches of the First World War. It is based on two folk tunes that the composer gathered on his trips to Sussex in 1907. Composed in 1913, it premiered the following year in West Kirby, Cheshire, with combined members of the Hallé and Liverpool orchestras under the direction of Adrian Boult. The first London performance took place on March 20, 1914, the last time that Butterworth would hear his own music played. Instrumentation: 2.2.2.2: 2.1.0.0: Hp: Str (9.8.7.6.5 in set). | 2.2.2.2: 2.1.0.0: Hp: Str (9.8.7.6.5 in set) | |
| 10517 | 9966D741-ACF8-42B1-8BF1-A349496356E2 | S425WWCH | Finale | (not set) | Woodwind Choir | |
| 10518 | 996E1AEC-B321-4027-9047-575429E06B1D | M334791 | Scherzetto | Originally written as the 2nd movement from SIX PIECES for solo harp, this light and challenging piece works exceedingly well on piano. | Solo Piano | |
| 10519 | 996F121A-EF94-466C-8721-00D38C74B72F | M908502 | Hungarian Rhapsody No. 2, G. 359 | Concert Band | ||
| 10520 | 997588DA-E65C-432A-A39D-02E62C11EB35 | M214991 | Pieces de Fantasie, Set 1 | (not set) | Organ |