Titles
Showing 10,461-10,480 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 10461 | 98991BC9-208A-46EA-8E83-DE89E18FFF0C | 52733074 | Quatricelli: Volume 4 | (not set) | Cello Quartet | |
| 10462 | 989B3AAE-A954-4667-BE8F-8A3C5A03DE69 | A623702 | Mlada, No. 5: Procession of the Nobles (Cortege) | Nicolai Rimsky-Korsakov's (1844-1908) four-act opera-ballet Mlada was originally conceived as a collaborative project with music provided by five composers: César Cui, Modest Mussorgsky, Nicolai Rimsky-Korsakov, Alexander Borodin, and Ludwig Minkus. While that project was never completed, much of the score was written, and Rimsky-Korsakov repurposed this concept for his own opera-ballet of the same name, using the same libretto by Viktor Krylov. The story relates the murder of Mlada by her rival Voyslava for the love of Yaromir, after which Yaromir is bewitched to love Voyslava by the goddess of the underworld. Mlada's spirit reveals to Yaromir that Voyslava murdered, however, and so Yaromir kills Voyslava. The goddess of the underworld then kills Yaromir, permittng he and Mlada to be reunited. While the opera-ballet proved to be unsuccessful after its November 11, 1892, premiere at the Maryinsky Theatre in St. Petersburg and is uncommonly performed today, Rimsky-Korsakov extracted two other works for concert performances: the symphonic poem Night on Mount Triglav and a Mlada Suite in five movements. Of the five movements in the suite, only the last remains familiar. The Procession of the Nobles (Cortége) is the orchestral introduction to Act II of the opera-ballet, which begins with a festival. Full of high-spirited brass fanfares and boisterous percussion, the Procession of the Nobles is regularly performed on programs, despite the relative obscurity of the opera from which it is taken. Instrumentation: 3+Picc.2+EH.3+BCl.2+CBsn: 6.3.3.1: Timp.Perc(4-5): Hp: Str (9-8-7-6-5 in set). | 3+Picc.2+EH.3+BCl.2+CBsn: 6.3.3.1: Timp.Perc(4-5): Hp: Str (9-8-7-6-5 in set) | |
| 10463 | 989B4D4F-3BEA-4168-AC66-7D48F36649F3 | S525CB | American Songs | This medley of traditional American songs was written for Steve Sulak, Texas Bandmaster and friend of the composer. | Concert Band | |
| 10464 | 989D8C53-BF07-451C-8304-C801C93F2799 | M220891 | 2 Mazurkas, Op. 19 | (not set) | Violin and Piano | |
| 10465 | 989DFB32-C7A1-4F1F-B81B-4075ADBA58B5 | W708291 | Morceau De Concert | (not set) | Horn and Piano | |
| 10466 | 98AC06CF-4090-4E25-8084-199A8380E5E3 | S326 | G. R. H. S. (out-of-print) | Marching Band | ||
| 10467 | 98ADB546-4F4D-4DE8-BB0F-CE45414F9678 | A323002 | Symphony No. 9 in C, K. 73 | A young Wolfgang Amadeus Mozart (1756-1791) composed SYMPHONY No. 9 in C Major, K. 73, at some point between 1769 and 1772. It was likely started in Salzburg by the 12-year-old some time after his second Italian tour, but both the completion date and premiere is unknown. Instrumentation: 2.2.0.0: 2.2.0.0: Timp: Str (4-4-3-3-3 in set). | 2.2.0.0: 2.2.0.0: Timp: Str (4-4-3-3-3 in set) | |
| 10468 | 98AFD482-DA0D-4A04-AFCB-B03822629DC2 | M393391 | Impromptus | (not set) | Solo Piano | |
| 10469 | 98B5334D-62E0-4B08-B10D-9BAD99E01E5E | R01604 | Music to My Ears | MUSIC TO MY EARS is an educational program for ages 5 - 10 commissioned by the National Endowment for the Arts for the Evansville Philharmonic. With a script written by the composer, it teaches about music before leading to a story enhanced by the music. | Narrator: 1.1.1.1: 1.0.0.0: Perc(1): Str (one per part) | |
| 10470 | 98BEF305-8A5D-4210-98C9-1AFB7E59B928 | A408290 | Our Flirtation March | (not set) | 1, 1, 2, 1 - 2, 2, 1, 0, perc, pf cond sc in set, str | |
| 10471 | 98C3AA62-3AF9-449F-A39B-54D338F05DE2 | R149FO | Aesop's Fables | Narrator: 3.2.2.2: 4.2.2.2: Timp.Perc(2).Hp: Str | ||
| 10472 | 98C8E84B-7091-4977-847B-63B8558ADB68 | SS575 | In the Twenty-fifth Century | Snare Drum Unaccompanied | ||
| 10473 | 98CC94AA-A2B6-4180-9B63-925A9EC081A8 | 50702007 | Spiritual Snippets | (not set) | Violin 1, 2, 3 (sub. Viola or Violoncello) | |
| 10474 | 98CE1C2A-E998-42F8-83A6-5F9DCA5045A6 | R00551 | Prologue: Venosa | SSATB madrigal chr 2.2.2.2: 2.2.2.0: Timpani.Percussion(1).Harp: Strings | ||
| 10475 | 98DBEE24-07D7-4FDC-AA9B-62C11504AFCC | S649CB | Westridge Overture | This work for early intermediate bands is a wonderful selection for contest or a concert opening. | Concert Band | |
| 10476 | 98DD0467-AA82-4614-85D5-5ECD91F25BC0 | ST972 | Joyous Prelude, A | This delightul prelude is available for both brass quartet (2 trumpets/ 2 trombones) and trombone quartet. | Trombone Quartet | |
| 10477 | 98DE94D6-EB06-459E-9FD1-09050898AF33 | 10450496 | Sonata No. 6 for Alto Saxophone | From Handel's "Violin Sonata in Four Movements." Movements: I. Adagio II. Allegro III. Largo IV. Allegro. | Saxophone and Piano | |
| 10478 | 98EC8CBB-95CC-455A-A796-9A15B52D0ECA | 52711042 | Seasonal Favorites for Violin Duo | (not set) | Violin Duet | |
| 10479 | 98EF6AE1-69CD-4C14-8DF6-16B1AE219F10 | S511006 | Momentum | (not set) | Violin, Piano | |
| 10480 | 98EFE548-46F4-4B8A-8C5A-E47DEA3312CF | R00118 | In the Garden for Mixed Vocal Quartet and Chamber Ensemble | (not set) | Soprano, Alto, Tenor, Baritone Soli Flute (d Alto Flute), B-flat Clarinet, Percussion(1), Piano, Organ |