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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
83617AB50C77-0E16-41B3-94E1-09153393AF45SU179English Madrigal Suite 1Amy Dunker has taken several English madrigals and arranged them here for three trombones in two separate suites. Suites I and II of the English Madrigals, and a collection of Italian madrigals, are all available from the publisher. Movements: I. Tan Ta Ra Ran Tan Tant, II. Gush Forth My Tears, III. Away, Thou Shalt Not Love MeTrombone Trio
83627ABF3338-4CFC-4516-9448-035DFE2BE937R00806ZebraThe piece is called Zebra because the word itself is used vocally and the six variations alternate between traditional/ tonal styles and experimental ones like the zebra's stripes.2(1d Piccolo).0.2.2: 2.2.2.0: Percussion(2).Tape: Strings
83637AC50A05-6EFD-47A9-9694-106869CA9C20SU168Seven SinfoniasThese seven short pieces by Salamone Rossi (ca 1587 - 1630) are arranged for brass trio consisting of trumpet, horn (alt. trumpet), and trombone.Brass Trio: Trumpet in Bb, Horn in F (alt. Trumpet), and Trombone
83647ACB5294-307D-4571-96FD-4149EBD1BF69R00816Three Preludes for OrchestraCommissioned and premiered by the American Composers Orchestra, these preludes are strikingly distinct. Nonetheless unified by a common theme in celebration of both mankind and the natural world.3(1d Piccolo).3(1d English Horn).3(1d E-flat Clarinet, 1d Bass Clarinet).3(1d ContraBassoon): 4.3.3.1: Timpani.Percussion(4).Piano(d Celesta).Harp: Strings
83657ACF9FF9-907F-4593-A86A-17677D23D461S990CBOld Red BarnsGrade 2.5-3 "flex band"-style work, about 3-4 minutesConcert Band
83667ACFCA02-9971-4E66-8031-A3186449587110100407SerenadeConcert Band
83677AD07207-3A8F-448B-8C35-37DC605381EA50608002The Mad Hatter's Tea PartyThe Mad Hatter is one of Lewis Carroll's most unusual characters from ALICE'S ADVENTURES IN WONDERLAND. At a tea party with the March Hare, the Hatter, and a Cheshire Cat, Alice is bombarded with riddles and the Cat is awakened violently from nap to nap until Alice leaves, claiming that it was the stupidest party she had ever attended. The whole scene is represented musically in this work by intertwining syncopation and a variety of timbres including glass bottles, pots and pans, and a dribbled basketball. Sure to be an audience favorite!Percussion Nonet: Perc1 (Gro); Perc2 (Wd Blk, Glass Btl); Perc3 (Tri, Brk Drm, 2 Found Snds): Perc4 (BD, Sus Cym); Perc5 (Frm Drm): Perc6 (SD, Bsktball, 2-4 Pots/Pans): Perc7 (Agogo Bls, Flex, Tamb): Perc8 (2 Toms; Popgun); Perc9 (1 Timp, Shekere)
83687AD4090A-E3E4-403A-B3C2-C8AFF027F8F6S209CBPOP Bassoonata now rentalBassoon Solo: Concert Band
83697AD49E0B-3A8F-48A3-8B19-89975A1D70D5S580CBTexas Our Texas (concert band)This arrangement for symphonic band was created by Tom Rhodes and Don Bierschenk.Concert Band
83707AD4D31B-A544-4975-9C29-C6F3552E0358SC773Fly, The2007 Texas University Interscholastic League sightreading for 1B and 1C Varsity Mixed (SATB) Choirs and 3B, 2B, 1B, 3C, 2C, and 1C Non-Varsity Mixed (SATB) ChoirsSatb
83717AD52C4F-1878-472B-BA30-86B3F93C632DSC628Waiting At the StationTtb
83727AD93F7B-5BDD-49DA-A8BA-2C57FE1C79F4ST827MarkimentsSnare Drum Unaccompanied
83737ADB6097-59AF-4860-A162-6BFD74F69362SS972Seven Micro-organismsClarinet Duet
83747AE35E1B-6584-4FD8-BC92-78A7F2642116A804002Rapsodie for Saxophone and Orchestra, L. 98In 1901, American saxophonist Elise Hall commissioned works from numerous composers for her instrument, and among those composers was Claude Debussy (1862-1918). While Debussy took the money at the time, he was so focused on his opera Pelléas et Mélisande that he gave little thought to writing Hall's work. When suddenly Hall (whom Debussy referred to as "the saxophone lady") and her teacher, French oboist Georges Longy, appeared in Paris unannounced and asked after the commission, the reluctant composer was prompted to finish most of the work in a rough score, at least. He followed this with a contract with his publisher to purchase the work, which resulted in his being paid twice for a work he had not yet fully completed yet. At this point, Debussy turned his attention to La Mer and never fully returned to this solo work which was eventually titled Rapsodie pour Orchestre et Saxophone, L. 98, although other titles were considered prior to this: Rapsodie Arabe; Rapsodie Mauresque pour Orchestre et Saxophone Obligé; Rapsodie Orientale; Esquisse d’une‘Rhapsodie Mauresque’ pour Orchestre et Saxophone Principal. Debussy died in 1918 before he could put the finishing touches on the work or orchestrate it, so composer Jean Roger-Ducasse was given the Rapsodie by Debussy's second wife, Emma, to complete, along with all of her late husband's other remaining incomplete works. Roger-Ducasse completed the orchestration and the final piano reduction in 1918, and it is these versions with which everyone is now familiar. At this point, Elise Hall had gone completely deaf, so the premiere of the work fell to saxophonist Pierre Mayeur with the Société nationale de musique at Salle Gaveau in Paris on May 14, 1919, André Caplet conducting. Instrumentation: 3.2+EH.2.2: 4.2.3.1: Timp.Perc(3): Hp: Str (9-8-7-6-5 in set): Solo Alto Sax in set. Edited by Clinton Nieweg.3.2+EH.2.2: 4.2.3.1: Timp.Perc(3): Hp: Str (9-8-7-6-5 in set): Solo Alto Sax in set
83757AE6CE9D-12BB-476F-8EE8-D110DABB3945A363702La Clemenza di Tito, K. 621; Nos. 22-23: Act II, Recitative e Rondo: Ecco il punto; Non piu di fioriLa Clemenza di Tito (The Clemency of Titus), K. 621 was written by Wolfgang Amadeus Mozart (1756-1791) in 1791 after he had almost finished Die Zauberflöte (The Magic Flute). Commissioned to celebrate the coronation of Leopold II, Holy Roman Emperor, as King of Bohemia, it was written very quickly and was considered to be a weaker work by the young composer. In the 20th century, a reevaluation of the opera has resulted in its inclusion among the fifty most often staged works in the repertoire. Telling the story of the Roman Emperor Titus, and the mercy he showed to his would-be assassins, the original three-act libretto by Pietro Metastasio was adapted by numerous other composers, although Mozart's two-act version was revised by Caterino Mazzolà. Non più di fiori takes place near the end of the second act, where Vitellia, Titus' new fiancée and the orchestrator of his assassination attempt, confesses to him out of guilt. The aria is well-known for including a basset horn obbligato that Mozart wrote for his close friend and clarinet player, Anton Stadler, who played the part at its premiere in Prague at the Estates Theatre on September 6, 1791. Instrumentation: 2.2.0+BstHn.2: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Sop.2.2.0+BstHn.2: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Sop.
83767AEA8DA2-DA8D-409F-853A-0F7F26BA09F951250609Prelude And DanceString Orchestra
83777AF338FE-2C8E-42B2-AA6C-3581D4303D61SU235ScherzoMixed Clarinet Quartet
83787AF83EC3-C4D8-4A1B-BA8C-5B4442355537A197902Allegro Appassionato, Op. 43 [composer's transcription]Composed by Camille Saint-Saëns (1835-1921) around 1875, this lighter work in B minor for solo cello and orchestra was written around the same time works as his PIANO CONCERTO NO. 4 and DANCE MACABRE. Despite the potential for existing in the shadow of these great works, the ALLEGRO APPASSIONATO, Op. 43 remains popular today as a wonderful showpiece for the cello. Instrumentation: 2.2.2.2: 2.0.0.0: Str(9-8-7-6-5 in set): Solo Cello in set.2.2.2.2: 2.0.0.0: Str(9-8-7-6-5 in set): Solo Cello in set
83797B111224-E7C3-4EA8-983D-7A285756C07A52250262PulsarWritten in D minor, this work is as syncopated, driving, and energetic as the title suggests!String Orchestra
83807B160E78-2645-44E2-8B29-9AC3AF1E9E15A216402Capriccio Italien, Op. 45Peter Ilyitch Tchaikovsky (1840-1893) composed Capriccio Italien, Op. 45, in 1880 following a trip to Rome with his brother, Modest. Originally titled Italian Fantasia, the work incorporates the music he heard from his room and on the streets during Carnivale in a single fantasy, using the orchestra to create a uniquely Tchaikovsky sound portrait. It was first performed on December 18, 1880, by the Russian Musical Society Orchestra, Nikolay Rubinstein conducting, and it has been a mainstay in concert halls since. Instrumentation: 3(3rd dPicc).2+EH.2.2: 4.2+2Crnt.3.1: Timp.Perc(3): Hp: Str (9-8-7-6-5 in set). Reprint edition.3(3rd dPicc).2+EH.2.2: 4.2+2Crnt.3.1: Timp.Perc(3): Hp: Str (9-8-7-6-5 in set)