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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
828179462E59-7042-4E46-8A3B-1E7199B1A0A2SS752SarabandaThis piece is designed for two separate flute choirs of 4 parts each (two players on each part), and is the most effective way to play the it, though it may also be performed as one large choir. It is an ideal concert or recital piece for intermediate players and only calls for standard flutes.Flute Choir (16 Standard Flutes)
82827948F260-5326-43A8-AD12-04FB3D0BD23EST208DialoguesDIALOGUES by Henry Wolking is a conversation between 4 trombones in three movements (I. Fanfare & Allegro; II. Rubato – Espressivo; III. Presto – Agitato). This piece features an extended range.Trombone Quartet
8283795CD4A9-43E6-407A-A6FD-E9F9B3283096MP521002Graceful Ghost Rag - Concert Variation for Viola and PianoA fantastic new adaptation of a popular piano solo piece by the Pulitzer-prize winning composer William Bolcom - a perfect recital piece, arranged by Kenneth Martinson!Viola, piano
8284795DF671-C39A-4F07-B66E-B4010732895CMP503001Chacona for Piano Trio See MP053001 and MP053002Chacona (1976) for Violin, Cello and Piano by Mario Davidovsky. Duration ca. 10'Piano Trio
828579626C70-4583-4B77-A6DD-9E69450416DAS850001Four Madrigals on Old Portuguese TextsThe four poems selected for this set are examples of the Gallego-Portugese lyric, which flourished from the twelfth through the fourteenth centuries.Unaccompanied SATB and SSATB Solo Voices or Chamber Choir.
82867964C1FB-B72D-4684-9555-DEBB6B8E9C9CA931090Turandot - Act I, Aria: Signore, ascolta!
8287796A9277-E5FE-4E6C-BC0A-76890E709D60SU358Slip Up PolkaA fun polka for beginning trombone players.Trombone
8288796C9AFA-A30C-497D-980A-7C941219DC53R125Mass for Justice and Peace for SATB Chorus, Percussion, Organ and StringsSATB; Perc(2).Org; Str
8289796D4848-69E8-41BA-9DAB-9ED08085B481SS136Sonata in a MinorA four movement sonata, this piece offers the player the opportunity to play in the Baroque style with ornamentations. Movement titles: I. Siciliana: Andante grazioso, II. Spirituoso: Allegretto, III. Andante amabile, IV. VivaceOboe, Piano
82907976843A-6DEE-490E-B6F6-D409D3EA82F5A926990Symphony No. 1 in F minor, Op. 10Shostakovich's Symphony No. 1 in F Minor was a tremendous success from its premiere and is still considered today as one of his finest works. It displays an interesting and characteristic combination of liveliness and wit on the one hand, and drama and tragedy on the other. In some ways it is reminiscent of the works of Igor Stravinsky and Sergei Prokofiev. The transparent and chamber-like orchestration of the First Symphony is in quite a contrast to the complex and sophisticated Mahlerian orchestrations found in many of his later symphonies, and the assurance with which the composer imagines, then realizes large scale structure, is as impressive as his vigor and freshness of gesture. This newly engraved edition includes alternate transpositions for B flat clarinets and trumpets to make this masterpiece accessible to student and community orchestras, as well as professional groups.3(2-3dPicc).2.2.2: 4.3.3.1: Timp.Pno: Str
82917977758C-1689-4006-9A95-6122ACCF175EX146006Mourning WindFor Jim RodgersSolo Contrabassoon
82927977F01D-5EC7-4971-80AF-34A810F6AD5ER01483Antifonys for String OrchestraA 7-minute work for chamber orchestra incorporating kaleidoscopic harmonic patterns alternating and combining with pulsating rhythms. Recorded by The Royal Philharmonic Orchestra, Albany TROY 136. Versions for both chamber orchestra and string orchestra are available from the publisher.String Orchestra
829379785F69-DCBD-48ED-9652-6068CD696F53A169402Thais: No. 23, Act II: MeditationJules Massenet (1842-1912) based his opera THAÏS on the novel of the same name by Anatole France. The titular role was created for American soprano Sibyl Sanderson, who first performed it for the premiere at the Opéra Garnier in Paris on March 16, 1894. A revised version of the opera was first performed in the same theatre in 1898. It takes place in 4th century Egypt. The Cenobite monk Athanaël, trying to purge Alexandria of wickedness, influences the courtesan Thaïs to change her carnal ways. After she takes holy orders, the monk has a premonition of her death and tries too late to declare his love for her. The celebrated Meditation in Act II is a popular showcase of the violinist’s penchant for sustained lyricism. Instrumentation: 2.1+EH.2.+BCl.2+CBsn: 4.2.1+BTbn.0: Timp: Hp: Str (9.8.7.6.5 in set): Solo Vn (included Vn1part). Reprint edition.2.1+EH.2.+BCl.2+CBsn: 4.2.1+BTbn.0: Timp: Hp: Str (9.8.7.6.5 in set): Solo Vn (included Vn1part)
8294797BD77A-438D-46DB-AD83-CFEDD2B33BBAM238691National Dances of Moravia for Solo Piano(not set)Solo Piano
829579887819-D4BF-4D72-AF54-9BE0406BFAA6X063003Four Fancies for Alto Sax, Marimba and TubaA short piece commissioned by Harvey Phillips in four movements: Ostinato, Pepetuum Mobile, Dialogue, and Coda (Fancy).Alto Saxophone, Marimba, Tuba
829679949E43-2BCD-40EE-91F9-6DAAD4DE6C07A014690Seasons: The HuntOne of twelve pieces for piano, characteristic of a different month of the year, The Hunt is intended to represent September. Horns and trumpets naturally call the hunter's to their task and the hunt begins!Full Orchestra
8297799C2E15-12A2-410A-9C38-6D54DC15F21FST730Lullaby for AlexandraAlso known by the title "Cancion de cuna de Alejandra:. This short and lyrical contest piece is a contest favorite. Available from the publisher include solo flute, alto flute, horn, oboe, saxophone, cello and several other combinations including a woodwind quartet arrangement.Flute, Harp
829879ACBE1E-B80D-4744-9667-1A63D424DFD6M39929112 Easy Duets2 Horns
829979AD56E3-A728-4B62-A0CA-2CFC2A653BBBEBM0610134Concerto for Cello and OrchestraCommissioned by Edgar Lustgarten. Premiere June 13, 1967, Edgar Lustgarten, cello, Japan Philharmonic Symphony Orchestra, Tokyo; Milton Katims, guest conductor. [Ms.]Cello Solo: 3.3.3.3: 4.3.3.1: Perc(3).Pno(dClst): Str
830079B0D261-5C10-4684-9E82-3B9E2FBE547EST391Concerto for Flute and OrchestraThis work is representative of a "middle style" of the composer, displaying less complexity than her later works, but offering an opportunity for the unique purity and fluidity of the solo flute sound to flourish in a generally sympathetic and enhancing surrounding. The soloist in this piano reduction is called upon to display a fairly traditional virtuosic technique: rapid legato passage work; rhythmic, detached, and precise patterns of movement; and lyrical lines. This flute concerto with orchestra was composed in the summer of 1963 for Mark Thomas and premiered by him in February, 1964, with the Omaha Symphony conducted by Joseph Levine.Flute, Piano