Titles
Showing 8,181-8,200 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 8181 | 780B2060-CD6E-4451-AF2B-4AA79A9B38BB | X105009 | Expansions | Woodwind Quintet | ||
| 8182 | 781AE8C0-5BA8-49AC-A1DB-6E3E03BEC16C | SC269 | Rise Up, Hear the Bells | Ttb | ||
| 8183 | 782A8ADB-B8EF-4C72-8A7A-3027B8795A80 | ST353 | For My Children | Clarinet | ||
| 8184 | 782FC04A-E1BF-4617-AC0F-8D9744F500EB | B536SC | Jewish Wedding Music | Contains string quartet arrangements of the most beloved Jewish wedding melodies, including: Hana'ava Babanot (The Fairest of Maidens); Erev Ba (Evening Comes); Y'did Nefesh (Beloved of My Soul); Erev Shel Shoshanim (Evening of Roses); Dodi Li (My Beloved is Mine, and I am His); S'u Sh'orim (Look Up to the Gates); El Kabir (Almighty G-d); Medley: Od Y'shama & Mazel Tov; Siman Tov (Congratulations - Good Luck!) ; Nigun (Tune); Tum Balalaika (Play Balalaika) ; V'ha'er E'ne'nu (Enlighten Our Eyes to Your Torah); Hava Nagila (Let's Rejoice); Waves of the Danube "The Anniversary Waltz" ; Rabbi Elimelech Medley. Optional string bass part available for quintets and string orchestras. | String Orchestra Book | |
| 8185 | 7833BCBA-A109-4F4A-A3C0-B27E639A68A2 | M327591 | Trois Morceaux, Op. 31 | First published in 1885, Trois Morceaux, Op. 31 is a romantic set of pieces for violin and piano by the celebrated French composer and pianist Cécile Chaminade. Includes Andantino, Romanza, and Bohémienne. | Violin and Piano | |
| 8186 | 783A858B-F5E1-462B-B533-0A5D72E9C732 | A009790 | El Amor Brujo: Ritual Fire Dance | The ballet El Amor Brujo (The Bewitched Love) was composed by Manuel de Falla (1876-1946) in 1915, with revisions taking place throughout until 1920, resulting in several versions. In the ballet, which uses a libretto by María de la O Lejárraga García, a young Andalusian gypsy girl is haunted by the ghost of her dead husband. To be rid of the ghost, all of the gypsies form a circle around their campfire at midnight, while the girl performs the Ritual Fire Dance. When the ghost appears, she dances with him until he is drawn into the fire, vanishing forever. With its fast, repetitive trills and high energy, the section titled Ritual Fire Dance is the most popular music from the ballet. Today, concert versions of this mesmerizing work serve as an encore piece with the likes of Rimsky-Korsakov's Flight of the Bumblebee or Khachaturian's Sabre Dance. Instrumentation: 2+Picc.2.2.2: 4.2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set). | 2+Picc.2.2.2: 4.2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set) | |
| 8187 | 783C490C-6165-4611-8103-6E2AFBA1C434 | R00008 | Marita and Her Heart's Desire: A Chamber Music Fairy Tale for Large Ensemble and Actress | A charming story of a young girl who goes searching for her heart's desire, which only the moon atop Harper's department store can unveil to her. With enchanting music and a story by a writer for the Muppets and Sesame Street, Marita's a pure delight. | Actress (Narrator with multiple Voices), Piccolo, Oboe, Clarinet, Bassoon, Trombone, Perc(1), Harp, 2 Violin, Viola, Cello, Double Bass | |
| 8188 | 783EA790-78B0-4D58-937D-8B2284F46E4F | M101491 | En Habit De Cheval | (not set) | Piano Four Hands | |
| 8189 | 78427b39-9e3b-11f0-a418-0022482c9682 | R01649 | Symphony No. 2: Dramatic | This symphony for large orchestral forces by Ukrainian composer Yevhen Stankovych is subtitled "Dramatic." | 4(3rd,4th dPicc).3(3rd dEH).3(3rd dBCl).3(3rd dCBsn): 4.4.3(3rd BTbn).1: Timp.Perc(4): Hp.Pno(dClst): Str | |
| 8190 | 784A11CA-438D-4D1B-AA35-D17E52C09E55 | M381091 | Salvum Fac Populum Tuum, Op. 84 (Lord, Save Thy People) | French composer and organist Charles-Marie Widor (1844-1937) composed this powerful work for Brass, Organ, and Timpani in 1916 as his Opus 84. Titled SALVUM FAC POPULUM TUUM, which is alternately known as LORD, SAVE THY PEOPLE in English, was written for an Armistice service at Notre Dame Cathedral. While the work begins as a dark, foreboding march, the brilliant fanfare at the conclusion is breathtaking. Instrumentation: Three Trumpets, Three Trombones, Timpani and Organ. | Three Trumpets, Three Trombones, Timpani and Organ | |
| 8191 | 784b914d-9e3b-11f0-a418-0022482c9682 | R01650 | Concerto for Tuba and Orchestra | This elaborately orchestrated and challenging concerto was composed specifically for Chicago Symphony Orchestra tubist Gene Pokorny in 2016. Lalo Schifrin notes that this exhilarating piece “uses a musical language that oscillates between baroque, 20th century music and American jazz.” Highlighting that the massive brass instrument can be beautiful and melodic too, the work also makes good use of an elaborate percussion section, celesta, harp, and harpsichord. The work premiered on March 3rd, 2018 by Gene Pokorny with the Redlands Symphony Orchestra under Ransom Wilson. | 2+Picc(dAFl).2+EH.2+BCl.2+CBsn: 4.3.2+BTbn.0: Timp.Perc(3): Hp.Clst/Hpchrd: Str: Solo Tuba | |
| 8192 | 784C3E3A-7AD3-4050-8FCC-F37C3C9AD7A6 | R01051 | Dreamscape | 1.1.1.1: 1.1.1.0: Percussion(2): Strings | ||
| 8193 | 784E13CA-F28F-4267-8ECF-2CDB0085C0F8 | A299502 | Boheme, La: Act II, Musetta's Waltz: Quando me'n vo' (soprano) | LA BOHÈME, one of the most beloved and commercially-successful operas, is based on the 1851 novel Scenes of Bohemian Life by Henri Murger. With a libretto by Luigi Illica and Giuseppe Giacosa, Giacomo Puccini (1858-1924) worked on it from 1893 to 1895. It first appeared at the Teatro Regio in Turin on February 1, 1896, conducted by 28-year-old Arturo Toscanini. Weighed negatively against Turin’s recent Italian premiere of the Wagner opera GÖTTERDÄMMERUNG, it received a lukewarm response from audience and critics. A few months later, concertgoers filled opera houses on both sides of the Atlantic to hear it. In Act II, Musetta sings the flirtatious Quando me’n vo’, alternately known as Musetta’s Waltz, bragging of her beauty which evokes yearning and desire in those who stop to look. Instrumentation: 2+Picc.2+EH.2+BCl.2: 4.0.0.0: Timp: Hp: Str (4.4.3.3.3 in set): Solo S, opt. Soli SBB. | 2+Picc.2+EH.2+BCl.2: 4.0.0.0: Timp: Hp: Str (4.4.3.3.3 in set): Solo S, opt. Soli SBB | |
| 8194 | 78508A45-7F76-4C6F-8910-096426A1219C | RCSS206 | Suite in B Minor | Flute, Piano | ||
| 8195 | 7851DC78-5854-4DC0-B454-BE613BB3AF68 | S448CB | Two Russian Songs | (not set) | Concert Band | |
| 8196 | 7853702B-FA59-4230-B025-7A3ED96AEECB | 10300202 | The All American Drummer | 150 rudimental solos that have been used by countless drummers over the years. | Snare Drum | |
| 8197 | 785542d6-9e3b-11f0-a418-0022482c9682 | R01651 | Louisiana Blues Strut: A Cakewalk for Violin and Orchestra | Originally written for unaccompanied violin, the very popular LOUISIANA BLUES STRUT: A CAKEWALK was recorded by Ashley Horne on Cedille Records "Coleridge-Taylor Perkinson: A Celebration." This arrangement for solo violin with chamber orchestra accompaniment by David Krivit is a great toe-tapping showpiece for any violinist, whether for the middle of the program or as an encore. And the well-written accompaniment creates a wonderful balance between the soloist and orchestra. | 1.1.1.1: 1.1.2(2nd BsTbn).0: Perc(2): Hp: Str: Solo Violin | |
| 8198 | 7855B131-B811-4701-A61E-B0902CA1E15F | SC244 | To a Cousin (an Den Vetter) | This SSA choral arrangement of Haydn's lively "An Den Vetter" (To a Cousin) is part of the Trinity University Choral Series. Both the original German text and the English translation is provided to give flexibility to the performers. | Ssa | |
| 8199 | 78564399-5E58-4F25-8926-92FB9E26E1F0 | B399902 | Sing America | (not set) | Concert Band | |
| 8200 | 785BFF3D-C6AB-4C87-9C38-808D4F4C1066 | 60410001 | Valse Romantique for Flute and Piano, CD 79/L.71 | Claude Debussy (1862-1918) composed VALSE ROMANTIQUE (F minor; CD 79/L.71) in 1890 for solo piano, during a period when he was short piano works in traditional genres, seeking his own style. Unlike the impressionism for which he later became known, this waltz is written in a late romantic style. Not particularly difficult, it is ideal for teaching or for a recital. This transcription for violin or flute and piano was created in 1924 by Alexandre Roelens. Reprint edition. | Flute and Piano |