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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
8141776ED0A3-B502-4D18-B3F8-643341D1C74052710518Bag o' Tricks(not set)Violin and Piano
81427772B8A9-1EAC-42EE-9D0D-A6C8E8EAF24B20100271Mesozoic Plaything(not set)Concert Band
81437775A45D-E720-4720-9180-71980BB30E8BSS162Nocturne in D, Op. 28, No. 3Louis Gianella (ca. 1778 - 1817) was an Italian flutist and composer. He was engaged in 1790 as an instrumentalist in the Orchestra of La Scala. He went to Paris in about 1800 and earned his living by playing in various theater orchestras. This edition of his "Nocturne in D" (Op. 28, No. 3) for two flutes and violoncello (or bassoon) was edited by Elwyn Wienandt.Woodwind Trio: 2 Flutes and Bassoon (sub. Violoncello)
81447776AF5A-9A64-41FE-90E3-F555547C7C4CR00041PortraitsWritten for Barbara Ford. Soprano and chamber ensemble version available on rental.Soprano, Piano
8145777A1BA7-0F61-4539-909A-FF9FBB232266M189191Two Pieces(not set)Violin and Piano
814677823467-3881-48A9-914F-F878C47E1920A542402African Suite, Op. 35, No. 4: Danse NegreSamuel Coleridge-Taylor (1875-1912) wrote his four movement AFRICAN SUITE for piano in 1898, two years after the success of his BALLADE in A minor, as a result of meeting African-American poet Paul Laurence Dunbar, who encouraged the young man to explore his African heritage. "Danse nègre," the high-energy fourth and final movement in the suite, is also the most familiar. Instrumentation: 2+Picc.2.2.2: 4.2.3.0: Timp.Perc(2-3): Str (9-8-7-6-5 in set). Reprint edition.2+Picc.2.2.2: 4.2.3.0: Timp.Perc(2-3): Str (9-8-7-6-5 in set)
81477782605C-0341-4359-8A3F-27A86AB13030S840CBProrockiev(not set)Concert Band
81487784321D-E7EC-4C8D-8998-27CF00A22B32A171002Midsummer Night's Dream, A: Incidental Music, Op. 61 (Ein Sommernachtstraum); No. 1: ScherzoFelix Mendelssohn (1809-1847) wrote music for William Shakespeare's play A MIDSUMMER NIGHT'S DREAM on two separate occasions. He first wrote the concert overture in E Major, Op. 21 in 1826 at the age of seventeen for no other reason than the love that he and his siblings had for Shakespeare’s stage works. He wrote the incidental music, Op. 61 (likely the best-known incidental music in the repertoire) in 1842 as a commission from King Frederick William IV of Prussia. In creating the complete later version, the composer incorporated the original overture, Op. 21 as the overture for the incidental music and the first of the 14 numbers. Starting with what must be four of the most evocative and memorable chords in music, the work also is the origin of the Wedding March (No. 9) used in so many ceremonies today, commonly referred to as "Here Comes the Bride." The work was premiered in Potsdam, Germany on October 14, 1843 by the Leipzig Gewandhaus Orchestra, conducted by the composer. The "Scherzo" movement, No. 1 after the overture is here excerpted for those looking for a lighter and shorter piece to work into a program. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set).2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set)
8149778B0780-4BFA-4C71-A779-08CED071CF39A864490Moondust (American Sketches No. 6)Mike Lewis takes a variety of tunes and styles and mixes them in original and unusual ways, giving us a fresh look at some beloved American standards: "Moonlight Serenade," "Blue Moon," and "How High the Moon." Instrumentation: 3.1+EH.2+BCl.2: 4.3.3.1: Timp.Perc(2): Str (9-8-7-6-5 in set).3.1+EH.2+BCl.2: 4.3.3.1: Timp.Perc(2): Str (9-8-7-6-5 in set)
8150778B0C3B-06A5-43E1-BC27-BA18000A181110550468The RoosterThis work for the beginning instrumentalist, available for numerous different solo instruments with piano, includes a piano accompaniment that can be performed by a one or two year private study middle-school level piano student. The variety of solo instrument parts makes it possible for one student to accompany many different students. A preparatory "warm-up" exercise for young accompanists is printed on the last page of the piano part. This solo can also be found in all instrument versions of the Competition Solos series, Book 1.Tuba and Piano
8151778BAC10-A41B-4203-860F-8B9820CBA582LL122We Plow the FieldsSatb
8152778E463F-E82D-4038-8FDD-E919E03BD9E3MP657001Thorgard's Song for Horn and Percussion Ensemble
8153778EBE7D-29E4-4FEE-8579-FDF6B730DCEBA275802Norma: Act I, Scene 1, Aria (soprano, chorus): Casta Diva; Ah! bello a me ritorna (F) (excerpt)Norma is a two-act lyric tragedy by Vincenzo Bellini (1801-1835). A leading example of the bel canto genre, the opera premiered at La Scala in Milan on December 26th, 1831. The story tells of a love triangle between Norma, the High priestess of the druids, her Roman lover, and a younger priestess for whom the Roman has fallen. This excerpt occurs in the first scene of Act I. Norma leads the druids and priestesses in their grove, advising caution in dealing with the invading Romans. She then prays to the moon in her aria "Casta diva" / "Chaste goddess" to bring heaven's peace to the earth. After dismissing all else, she declares that she cannot hurt the Roman Pollione, the father of her two children, wishing that things would return to how they used to be in "Ah! bello a me ritorna" / "Return to me, O beautiful one." This excerpt is in the original key of F. A transposed version to E is also available from the publisher as A9028.2(both dPicc).2.2.2: 4.2.3.1: Timp.Perc(1): Str (4-4-3-3-3 in set): Solo Soprano: Mix Chor
8154778F9359-FD11-4B8C-90FB-AB592E2185CDSS877Four Pieces(not set)Flute Trio
81557792D706-EF06-4114-AD61-4C1913B798DCSS648Saturday Nightmare2 Snare Drums
81567794DC27-0C54-4201-BDDC-4E867CB21E06R01101Visions and Revelations (wind ens. vers.)Also available for orchestraHorn Solo: 2.2.3+BCl.2.AATB sax: 0.3.3.Euph.1: Perc(3).Pno(d Clst): DB
815777953CDF-8D77-4906-A879-CA9466DC2600R01167Timepiece for Wind EnsembleRecorded by North Texas Wind Symphony, Eugene Migliaro Corporon, Time Pieces, Klavier Records.2+Piccolo.2.3+E-flat Clarinet+Bass Clarinet.2+ContraBassoon.SATB Saxophone: 4.3+Piccolo.3.Euphonium.1: Timpani.Percussion(4).Piano: Double Bass
8158779CAD36-2680-4E21-8046-CA6755CA6B52A185302The Fair at Sorochyntsi: Introduction(not set)3d1, 2+1, 2, 2 - 4, 2, 3, 1, timp, perc, str
8159779E0286-D611-41C5-8C3E-B71097FCA49CST121FiestaThis lively piece in a fast triple meter is suitable for recital and contest alike.Brass Quartet: 2 Cornets (or Trumpets) and 2 Trombones
816077B42A36-31B8-4854-9198-6B5C0DB6C13252702209Cantiques de NoelIncludes optional Violin 2 for Viola. French carols; advanced intermediate level. First Noel, Il Est Ne, Pat a Pan, 'Twas in the Moon of Wintertime, Bring a Torch, Shepherds, Shake off your Drowsy Sleep, March of the 3 Kings, The Friendly Beasts.Violin 1, Violin 2 or Viola and Cello