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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
8061763B446B-5D0E-441B-A6E3-3F83696D6B47R01016Four Movements for String Quartet and OrchestraCommissioned and recorded by Cuarteto Latinoamericano and The Carnegie Mellon Philharmonic, New Albion Records, NA 077. (1993) ca. 30'String Quartet Soli and String Orchestra
806276495C5D-9145-42E8-9A3A-3428FEDC397CM268691Old Dutch Masters of the Organ Book 2(not set)Organ
80637649A08C-B4DC-4BA9-9484-4559D8D6089650100272Hymn of Freedom (from Symphony No. 1)Seldom do young students get to perform music by the master composers. This theme from Brahms’ first symphony is an exception. Of sublime beauty, the theme has been arranged in a truly age appropriate manner for grade 1 players.Concert Band
8064764BA420-9353-4EA8-810B-3470D4CC72AAR223FOAlarm: The Call To Duty (for the Heroes of 9/11) for Orchestra
8065764C70AB-7724-4D50-816A-CC2C62A8EC77SU572Fanfare for Tuba QuartetThis brilliant fanfare was written for the 2008 International Tuba/Euphonium Conference. Instrumentation: 1st Euphonium (T.C. or B.C.), 2nd Euphonium (T.C. or B.C.), 1st Tuba (preferably F or Eb Tuba), and 2nd Tuba (preferable CC or BBb Tuba).Tuba Quartet: 1st Euphonium (T.C. or B.C.), 2nd Euphonium (T.C. or B.C.), 1st Tuba (preferably F or Eb Tuba), and 2nd Tuba (preferable CC or BBb Tuba).
80667654C416-7D4B-43A3-A7D5-A1ED749F0498ST885Pastoral SuiteFlute
806776588AB9-2F05-42B8-8461-86FAD133E5BCJ93102Little Fire(not set)Treble
8068765BB18E-05E5-4D3B-9682-6BED731680A6M211291Sonatina In Tre Tempi(not set)Piano Solo
8069765EF5C2-37D3-43C7-ABA9-C88F06B5CABBM157491Trio No. 7 In Eb Op. 96(not set)Violin, Violoncello and Piano
8070766109A0-2557-461E-B1D2-B42B86F4E3F1ST812SoundingsThis piece for the advanced saxophonist includes a great many altissimo sections and makes use of quarter tones in multiple passages.Alto Sax and Piano
8071766187B7-EE6B-4A84-A7B3-B0D0FD1C47AC10800230Invoking the PowersSATB
8072766337EA-B69D-492C-841B-52D44387D9F6RMR1CBFireworks, Op. 4An early work written in 1908 while the composer was still studying with Rimsky-Korsakov, "Fireworks" is dedicated to his teacher's daught Nadia and her husband Maximilian Steinberg, and gave the young composer his first experience in the handling of a large orchestra. Though lasting less than four minutes, "Fireworks" has an importance altogether beyond its intrinsic merits; for it is the work which, at its premiere in 1909, first drew Diaghilev's attention to Stravinsky and so led to the lenghthy collaboration which produced such masterpieces of bellet as "The Firebird", "Petrouchka", and "The Rite of Spring".Concert Band
807376683C95-1BDE-4CBD-9881-B4D0A0D5C59152702015Six String Trios: Trio III in F MajorThese trios cover a variety of friendly keys and now have full scores. Helpful, playable trio repertoire for concert or contest. Violin 1 gets most of the action, but other parts have moments to shine.Violin 1, Violin 2 /Viola and Cello
80747675D143-C529-4232-99F4-641157220295X503030Ladders to the SkyThis three-movement work was inspired by photographs of Mesa Verde National Park. This 18-minute piano trio tells a story of a place, of peoples who once inhabited a place and of their aspirations. Movement titles: I. Signs of Life II. Seasons III. From Darkness to LightPiano Trio
80757676B6C5-1EA2-465D-9177-941C33890158A766202AmericanaThis medley of well-known American melodies has been arranged for orchestra by Arthur Harris. Melodies included: When Johnny Comes Marching Home (Patrick Gilmore); Shenandoah (traditional); Camptown Races (Stephen Foster); Deep River (African American spiritual); Yankee Doodle (traditional). Instrumentation: 2+1(Picc).2.2.2: 2.3.3.1: Timp.Perc(2): Hp: Str (9.8.7.6.5 in set).2+1(Picc).2.2.2: 2.3.3.1: Timp.Perc(2): Hp: Str (9.8.7.6.5 in set)
80767678F9F0-8E7E-4F07-8B81-FBBD9C1F972AEBM0690015DUPLICATE; SEE EBM0670038: Wedding, A: (full orchestration)Based on the motion picture by Robert Altman and John Considine. World Premiere: Lyric Opera of Chicago, Dennis Russell Davies conducting, Dec. 11, 2004 “A Wedding is his best operatic score to date: accessible, singable, eclectic, consistently inventive and great fun.” — Chicago Tribune “…half ironic, half tender, and fully enchanting…” — The New Yorker “Audience laughter sprang not only from the hilarious plot situations but from the witty, perceptive libretto by Arnold Weinstein and [Robert] Altman, as well as from Bolcom’s frothy concoction of musical styles … Bolcom’s music swings and sways. It rocks and rolls. It dances a snappy samba. The wedding ceremony reels to a pompous march. It’s all in good fun — sort of a Bernstein meets Gershwin meets the Beatles.” —Charles H. Parsons, Opera News Online [Indiana University production, February 2008] Reduced Orchestration also available: 2*2*2**2 22**11* 2Perc(Timp) Kybd Str; onstage 5-pc dance bandCast of 14: 3(Pi)3(EH)3Eb A Bs)3(Cbsn) 4331 Timp 3Pc Hp(opt) Kbd Str, onstage 5-pc dance band
807776853C2E-9BD8-4747-9993-F0EC6310FB8CX105005Kaleidoscope(not set)Woodwind Quintet
80787686CCD7-6BE2-4522-8712-1D2A380288C7X511021Time - Piece(not set)Violin, Piano
80797689B03E-07E1-4F91-85D1-0633E847D83FA144202Elegy for Cello and Orchestra, Op. 24 (composer's orchestration)Gabriel Fauré (1845-1924) originally intended his ELEGY (ÉLÉGIE) for VIOLONCELLO AND ORCHESTRA, OP. 24 as the slow segment of a planned cello sonata. Although the sonata was never finished, he published the movement as a stand-alone work for cello and piano, premiered by cellist Jules Loeb in 1883 with Fauré himself at the Société Nationale de Musique. Years later, Fauré agreed to complete an orchestration at the behest of conductor Édouard Colonne. Pablo Casals gave the first performance in April 1901 under the baton of the composer. Instrumentation: 2.2.2.2: 4.0.0.0: Str (9.8.7.6.5 in set): Solo Vc.2.2.2.2: 4.0.0.0: Str (9.8.7.6.5 in set): Solo Vc in set
8080768E78D6-1951-4132-93A8-50200BE3150252099010Elegie, Op. 24 for Violoncello and String OrchestraElegie, Op. 24, was written by the French composer Gabriel Faure in 1880, and first published and performed in public in 1883. Originally for cello and piano, the piece was later orchestrated by Faure. This player-friendly arrangement by Lynne Latham allows orchestra directors the opportunity to perform this popular work with solo cello and just strings.Cello, String Orchestra