Titles
Showing 8,221-8,240 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 8221 | 78A32A62-BCCB-4325-B5A1-50354B8DB628 | 50250170 | The Viol Habit: A Feature for Double Bass | This staple of the bass solo repertoire is now available as a feature for your bass section. The orchestral accompaniment is very light and requires good counting skills, but nothing over a grade 2. The robust, bouncy first theme in D major and 2/4 is followed by a lyric waltz section in G major. The first theme returns for the grade finale. | String Orchestra | |
| 8222 | 78a50572-9e3b-11f0-a418-0022482c9682 | R01662 | Fear Strikes Out for Solo Trombone and Wind Ensemble | Inspired by the legendary violent behavior of the notorious Major League Baseball icon Jimmy Piersall (b. 1929), FEAR STRIKES OUT is a dangerous whirlwind of paranoia, passion and explosive action for the soloist and the wind ensemble. Although later in his career he was traded around to Cleveland, New York and Los Angeles, Jimmy Piersall's primary team was the Boston Red Sox (1950-58), the team that was (is) also THE lifelong team for the director of this consortium, New England-native Gary Shaw. FSO was commissioned by Gary Shaw and a consortium of 20 American trombonists and wind ensembles. | Wind Ensemble: 2+Picc.2.2+BCl.2+CBsn: ATB Saxes: 4.2.3+2Euph.1: DB.Hp.Pno: Timp.Perc(5): Solo Tbn | |
| 8223 | 78A8157B-A1D2-4197-87CC-27F1FF5D18D0 | 10100568 | Imperial March | Gene Milford has once again delivered a solid edition of a Karl King March. Written in 1911 for a close friend, Imperial March is one of a number of marches published by Agnew under King's own name, instead of the pseudonym Carl Lawrence. Your band will love this! | Concert Band | |
| 8224 | 78A926D8-AF12-4F4A-9513-45A8F3C66FA3 | SO46C | Pair Of Soks, A | String Orchestra | ||
| 8225 | 78AAB221-C9D5-47CB-B4C7-AE49CAA6C40C | A904502 | Symphonic Prelude In E | Set | ||
| 8226 | 78add103-9e3b-11f0-a418-0022482c9682 | R01663 | Extraction on No. 9 | EXTRACTION ON No. 9 recreates the nerve wracking experience of a visit to the dentist! Commissioned for orchestra originally by the Albuquerque Youth Symphony under the title EXTRACTION ON No. 8, this version for large symphonic wind ensemble was requested by a consortium of universities across Illinois, Texas, and Indiana. The work is ideal for student ensembles. | Large Symphony Wind Ensemble: 2+Picc(3+).2.2+BCl.2+CBsn: AATB Saxes: 4.2.3+Euph.1: DB.Hp.Pno: Timp.Perc(4): 5-6 electric power drills.at least 1 gas-powered chain saw | |
| 8227 | 78AF9B64-C1FD-4B31-83DB-43970BF5A9B0 | S899 | Journey Down Niagara | The composer writes, "'Journey Down Niagara' was inspired by a trip to Niagara Falls, ON with my wife Kimberly. Celebrating our one-year wedding anniversary, we experienced the 'Maid of the Mist', 'White Water Walk', 'Journey Behind the Falls', as well as the falls themselves. The work attempts to musically capture the essence of thoese experiences. 'Journey Down Niagara' is dedicated to my wife, Kimberly Joan Tucker." This piece is third price winner in the 2006 MBM Frank Ticheli Composition Contests. Movements: I. Maid of the Mist, II. White Water Walk, III. Journey Behind the Falls, IV. Niagara Falls. | Concert Band | |
| 8228 | 78AFA71D-F9EA-428A-9B4E-BB9F60571ADC | X120009 | Playful Wind | This unaccompanied oboe solo was written for Misung Lee. | Oboe Solo | |
| 8229 | 78B3E68F-CCF1-4613-A0F6-862A34BF1E5D | 10730292 | Gavotte in D minor, Op. 67, No. 2 | "Gavotte in D minor" (Op. 67, No. 2) by Bohemian cellist and composer, David Popper, is here edited, bowed, and fingered by Francis Grant. | Cello and Piano | |
| 8230 | 78B44513-098A-4FF9-A8E8-5653DA1E0000 | 10250065 | Elegy | (not set) | String Orchestra | |
| 8231 | 78B4F0E0-A2CC-4E97-A93A-A152300D5DA4 | 50100142 | Gridlock | Can anything strike fear into more people than a traffic gridlock? Stuck in the car for eons with no one to talk to but the immediate family, cell phones not working, computers at home, horns blaring, tempers flaring...you get the picture. Michael Vertosk | Concert Band | |
| 8232 | 78b6f486-9e3b-11f0-a418-0022482c9682 | R01664 | Todo Terreno | "TODO TERRENO translates literally as 'all terrain.' Whether on foot, bike, or on a 4x4 vehicle, good parts of my childhood and adolescence were spent off-roading in the vast and wild countryside of my native Venezuela. As an adult, I have come to appreciate those early experiences that made me nature-savvy and afforded me an enviable sense of freedom. I titled the Los Angeles Philharmonic commission TODO TERRENO because I feel the music’s irregular rhythmic phrasing and unpredictable harmonic shifts capture the thrill of driving off-road. Digging deeper, I find that the off-road experience is a compelling metaphor for life, one that fools us into thinking that tools can make us immune to humanity’s frailty while at the same time making us acutely aware that our survival depends upon our respect towards and adaptability to our surroundings." -Ricardo Lorenz. Duration: 8'30" | 2+Picc.2+EH.2+ECl.+BCl.2+CtrBsn: 4.3.3(3rd BsTbn).1: Timp.Perc(4): Hp.Pno: Str | |
| 8233 | 78BA9BA1-DF98-4537-B2E1-556799349C0A | M147791 | Seven Chorale Preludes, Set 1 | (not set) | Organ Solo | |
| 8234 | 78BAF0D6-59EB-4B85-B0CE-6F20E8CBB8F5 | M1PA | Victor Method, Bk. 1 | Violin | ||
| 8235 | 78BBD113-8626-4727-967E-B1575D028867 | X063014 | Pezzo Serioso for Two Tubas and Percussion | (not set) | 2 Tuba, Percussion(1) | |
| 8236 | 78BDE19D-7E49-40D1-B915-85EB4C9CB26C | C49 | Piece in G Minor | |||
| 8237 | 78bf40a3-9e3b-11f0-a418-0022482c9682 | R01666 | Twas the Night Before Christmas for Narrator and Orchestra | This setting of the famous Christmas poem is for narrator with orchestra. | Narrator: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(1): Hp: Str | |
| 8238 | 78C06D47-D489-478D-AF5A-07878A0D5AB9 | M350591 | Two Cuban Dances | (not set) | Solo Piano | |
| 8239 | 78C3039B-9AEA-4436-AC91-7BB89528FF13 | M136991 | Passacaglia for Violin and Viola (No. 6 from Suite No. 7 in G minor, HWV 432) | Duet arrangement of Handel's Passacaglia from "Suite in G minor" HWV 432, originally for keyboard. Reprint edition. Versions for Violin & Viola and Violin & Violoncello available from the publisher. | Violin and Viola | |
| 8240 | 78C35B1A-9305-4670-9421-A81D0614D7AF | A639202 | Mother Goose (Ma Mere L'oye): Five Pieces for Children | Maurice Ravel’s (1875-1937) Ma mère l’Oye (“Mother Goose”) draws its inspiration from the fairy tales of Charles Perrault, Madame d’Aulnoy, and Jeanne-Marie Leprince de Beaumont. Ravel composed the first movement “Pavane de la Belle au Bois Dormant” in September of 1908, and after some encouragement from his publisher Jacques Durand, the remaining four movements were added between 1908 and 1910. The piece sought to both be performable by children and also to reflect the world of childhood. Dedicated to the two children of his friends the Godebskis, Ravel intended for them to premier the piece. However, when the piece proved too difficult for the pair, it was instead premiered at a concert in the Salle Gaveau in 1910 by 11-year old pianist Jeanne Leleu and 14-year old Geneviève Durony. In 1911, Ravel wrote an orchestral version of the suite, which became the basis of the ballet which was performed in January 1912. Instrumentation: 2(1dPicc).2(1dEH).2.2(1dCBsn): 2.0.0.0: Timp.Perc(4): Hp.Clst: Str(9-8-7-6-5 in set). Study score. | 2(1dPicc).2(1dEH).2.2(1dCBsn): 2.0.0.0: Timp.Perc(4): Hp.Clst: Str(9-8-7-6-5 in set) |