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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
816177B54F86-6F36-4A77-A907-A13A1246F5B1R01558Quad Concerto for Clarinet, Violin, Cello, Piano and OrchestraThis single movement, soli concerto for four instruments, clarinet in Bb, violin, violoncello and piano, and orchestra, was commisoined by the SOLI Chamber Ensemble. This item includes the soloists score and solo parts.Clarinet, Violin, Violoncello and Piano
816277BDBD92-BB4D-4550-9C97-51F9651EF60FM255891Trois Petites Pieces(not set)Piano Four-Hands
816377BEFB4D-1CEC-49B0-A607-E40AC3FC32F1S226Fantasia Funiculi FuniculaConcert Band
816477C16714-83ED-4FAF-875E-CBEAB8C79EB3X126001Sonata for English Horn and Piano(not set)English Horn, Piano
816577C709B4-531E-4D61-A54D-126DF4E268DFMP944005Psalm 24 for SSAA Chorus and PianoCommissioned by and Dedicated to Epsilon Chapter - Sigma Alpha Iota. Versions with string accompaniment (rental) and piano accompaniment are available from the publisher.SSAA Chorus and Piano
816677C7F137-9CBF-4860-9FE5-7AF3FC5654B6A932290Impressioni dal Vero (Impressions from Life): Suite No. III, IGM 14IMPRESSIONI DAL VERO (IMPRESSIONS FROM LIFE) consists of three, three-movement suites of strikingly colored, harmonically arresting, melodious music. Gian Francesco Malipiero (1882-1973) describes these pieces as a ”musical echo of certain sensations,” not an exact reflection of what he had seen or heard. The titles give some impression of these atmospheric pieces: I. Festa in Val d’Inferno (Festival in the Valley of Hell); II. I Galli (The Cockerels); III. La tarantella a Capri (The Tarantella in Capri). Instrumentation: 3(3rd dPicc).2+EH.2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(5-6): Clst.Hp: Str (9.8.7.6.5 in set). Reprint edition.3(3rd dPicc).2+EH.2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(5-6): Clst.Hp: Str (9.8.7.6.5 in set)
816777CBA23A-A7D7-463D-982F-D76A6B873CC850250215River RunRiver Run by Thom Sharp is a quick-paced grade 3 string orchestra piece in e minor. The first A section has most of the orchestra providing a syncopated rhythmic underpinning while the first violins take the lead with a flowing melody. The first B section is scored in the relative major and features long, flowing independent melody in the upper three voices. When the A section returns, we hear the melody first in the first violins. Then the celli and double basses take the melody while the upper three voices provide a voiced counterpoint. The B theme returns, played in octaves by the violins while the lower voices provide a rolling arpeggiated accompaniment. The final A section features an ostinato figure in the first violins while the second violins and the violas take the melody. The texture thins out as the pace slows to the final cadence.String Orchestra
816877CC1760-39CB-4663-A9FA-0E683E3B0040ST778Grand Solo No. 14(not set)Flute
816977D7CE85-7A80-4935-B60C-D97EAEF52D08ST528Jeda Night(not set)Snare Drum Unaccompanied
817077DAE315-CD3B-4A0E-ACC8-CAC04CD6276B52792955Tunes with Changes You Can Use(not set)String Orchestra with Rhythm
817177DC23B3-7508-4457-94D3-99254D1E3117SS613Rocket RangersSnare Drum Unaccompanied
817277E150D5-EECA-439D-AA55-3DAA42EA70E150250081Jingle Bells At The EquatorThe addition of claves and egg shaker gives this traditional Christmas favorite an unexpected twist. No one will be able to resist the infectious atmosphere. In fact, they will want to hang mistletoe from the palm trees.String Orchestra
817377EE5CB3-C7D2-4FFA-AB23-E111FE61ABBCA271602Mass No. 2 in G, D. 167 (1815)This is the second of six Masses composed by Franz Schubert (1797-1828), also referred to frequently as the "Mass in G," and it remains the best known of the three shorter settings titled "Mass." Composed in 1815, it was originally scored for choir, string orchestra, organ, and the soloists and remained one of the composer's less-noted works, not even being printed until 1845. But the Mass's later popularity also led Franz' brother Ferdinand to add winds and timpani after Franz' death. And a 1980s discovery of a set of parts that include trumpets and brass, in addition to some minor changes, suggests that Schubert intended something grander than the original scoring. The current edition may be played with the original strings and organ only or with the addition of the oboe/clarinets, bassoons, trumpets, and timpani. Apart from some passages for the soprano, this Mass has only modest solo passages, and it is written in a devotional mood. Instrumentation: 0.2(opt.subCl).0.2(opt): 0.2(opt).0.0: Timp(opt): Org: Str (4-4-3-3-3 in set): Solo SATB: Mix Chor. Reprint edition. The full score, orchestra accompaniment, and vocal score with piano reduction are available separately.0.2(opt.subCl).0.2(opt): 0.2(opt).0.0: Timp(opt): Org: Str (4-4-3-3-3 in set): Solo SATB: Mix Chor
817477F3A45E-777D-46E0-AE0F-778A9F731E40B260Tuba Duets and Trios16 ensembles for two and three tubas were transcribed from First Lessons in Bach, compiled by Walter Carroll. Most first appeared in the Clavier Book of Anna Magdalena Bach, the composer's second wife. The music lends itself quite well to almost any sort of bass clef brass instrumentatioin, including configurations where trombone or baritone play the upper parts which rarely go below an F below the staff.Tuba Duo, Trio
817577F3EB36-1B23-470E-BBE8-28337C40018CBSMIS113Five Little Pieces (Five Whimsies) for Flute and PianoProgram note by Mark Carlson: FIVE WHIMSIES began as a work for my younger sister, Lisa, then a flutist in high school, and Awakening was written as a 15th birthday present for her in 1976. As the rest of the pieces progressed, I began to think of them more as performance pieces for me. In fact, I premiered Sally’s Wedding as the bride’s processional at my cousin Sally Boni’s wedding in 1977. For many years entitled FIVE LITTLE PIECES—a sort of grad-student joke, since when used in German (Fünf Kleine Stücke) for the title of a Webern work, it sounds profound to us Americans—I retitled it when I realized that flutists took its name to mean that the pieces are easy. But in the same way that Schumann’s Kinderszenen conveys the naivete and playfulness of childhood without actually being easy to play, these pieces are intended for a flutist with chops.Flute, Piano
817677F86C88-7F7B-4890-B51F-1C8DF3173462X153001Between DreamsGrade IV.Alto Saxophone, Tenor Saxophone, Piano
817778023821-CE13-4CE1-B027-51D799343AD6SC59Tide Rises, The Tide Falls, The (out-of-print)Satb
81787808787A-4DC5-46AF-92C9-F138A9D36347MC4639Tongue Twister (It's Not What You Say, But How You Say It)This fun choral piece for SA or SSA choirs and piano or guitar accompaniment includes several well-known tongue twisters including: Peter Piper picked..., A big black bear..., She sells seashells..., Can you cook a crock of proper coffee..., The city sheriff..., and Betty Botter mixed a batch…SA or opt. SSA with piano or guitar
81797808975D-6550-49A9-A533-2CABEB44E1EFR00112Brevities of Experience: Symphony No. 12.2.2+Bass Clarinet.2: 4.2.2.1: Timpani.Percussion(3).Piano.Harp: Strings
81807809BD7C-766A-4521-AF62-762C68B1E953X504040Sixth String QuartetStock's Sixth Quartet aptly employs a six-movements architecture, all played with minimal pause, displaying masterful passages of close counterpoint.String Quartet