Titles
Showing 8,321-8,340 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 8321 | 7A0BDA1A-9F99-486A-A0D9-354C66532DA1 | SS702 | Sarabande and Bouree | Brass Choir | ||
| 8322 | 7A0C8746-40A1-45E2-8A63-39D466517E2D | SU213 | Six Folksong Studies, Set 1 | Clarinet | ||
| 8323 | 7A0D9C54-0540-43C8-A208-D5DFAFBF0E83 | X504021 | String Quartet No. 2 | String Quartet | ||
| 8324 | 7A1DDCB6-DFD5-4790-8457-9793F2C23D26 | EBM0610001 | Diversions for Viola, Cello and Orchestra | Dr, Grant Beglarian (1927-2002) was born in Georgia, Russia and studied viola and composition in the Royal Conservatory of Music in Tehran, Iran before moving to the United States in 1947. | Viola, Cello, 2222 2220 Timp Pc Str | |
| 8325 | 7A1F3809-ABE3-4318-84A4-C7E16F8CCB1E | A641702 | Don Giovanni, K. 527: Overture [composer's ending] | Wolfgang Amadeus Mozart (1756-1791) wrote the two-act opera DON GIOVANNI, K. 527, in 1787 following a commission from Prague impresario Pasquale Bondini. With the success of THE MARRIAGE OF FIGARO, Mozart turned to the librettist for that opera, Lorenzo Da Ponte, for this new project. The opera tells the story of Don Giovanni, an arrogant and promiscuous nobleman who abuses everyone he meets, killing the father of a woman he assaulted, attempting to seduce the other women that he meets, and abandoning the women he has already seduced. At the end, the man he had killed returns as a ghost and demands Don Giovanni's repentance. Don Giovanni refuses, and is dragged to Hell, with the cast telling the audience that "Evildoers always come to an evil end." The opera premiered in Prague at the Estates Theatre on October 29th, 1787, with Mozart conducting, and was very successful. The opera remains not only one of the best by Mozart, but it is considered one of the best in the opera repertoire, with regular performances continuing throughout the world. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9.8.7.6.5 in set). | 2.2.2.2: 2.2.0.0: Timp: Str (9.8.7.6.5 in set) | |
| 8326 | 7A205191-B3C5-4A8D-9A40-F0827CE4029F | M390991 | Four Pieces from Op. 35 | A collection of short, romantic works for Horn and Piano. With moderate difficulty and pleasing melodies, these pieces serve well as both a teaching tool and an addition to a recital for the younger performer. | Horn And Piano | |
| 8327 | 7A208962-A4D1-469E-BDB8-E5E995E46BFE | A635190 | String Quartet No. 1, Op. 11: Andante Cantabile | string orchestra | ||
| 8328 | 7A221CEF-DCE7-488E-A43B-B3597FB7EF06 | M116091 | Serenata in Vano, CNW 69/ FS 68 for Mixed Quintet | Carl Nielsen (1865-1931) composed SERENATA IN VANO in 1914 on short notice for a commission from Ludvig Hegner of the Royal Theatre for a tour of the Danish provinces. Nielsen wrote of the piece: "SERENATA IN VANO is a humorous trifle. First the gentlemen play in a somewhat chivalric and showy manner to lure the fair one out onto the balcony, but she does not appear. Then they play in a slightly languorous strain (Poco adagio), but that hasn't any effect either. Since they have played in vain (in vano), they don't care a straw and shuffle off home to the strains of the little final march, which they play for their own amusement." Written for a quintet of clarinet, bassoon, horn, cello, and double bass. Reprint edition. | Clarinet, Bassoon, Horn, Violoncello and Double Bass | |
| 8329 | 7A2ACC67-EDD5-4487-9D6F-58C54E58C276 | 52722468 | Intermediate Viola Trios | (not set) | Viola Trio | |
| 8330 | 7A2BDB04-FECC-498B-9E75-44487D3BC019 | EBM0610066 | Concerto for Tuba and Orchestra | Concerto for Tuba (1981) by Robert Jager. Duration ca. 13'. Band version and piano reduction also available from the publisher. | 3232 4330 Timp Perc Hp Str | |
| 8331 | 7A2C8D1D-70A3-47C8-9CA5-120897A22734 | ST402 | Suite Mexicana | This three movement (fast-slow-fast), four mallet composition is an ideal contest or recital piece for intermediate players. | Marimba Unaccompanied | |
| 8332 | 7A2E11FB-568A-4D98-AC7F-2C6088A555D7 | A015890 | Spanish Dance No. 4 | Full Orchestra | ||
| 8333 | 7A34C7C5-B587-4B0D-B392-E7DD06137EC4 | EBM0630530 | Suite from Julius Caesar | This adaptation of Handel's Julius Caesar Suite was arranged for Harpsichord and Strings by Heinz Freudenthal. Duration ca. 16' | Harpsichord, String Orchestra | |
| 8334 | 7A3675A0-2BA2-4DC7-8319-7A6612525E3E | ST666 | Nobel Class Brass | Brass Quintet | ||
| 8335 | 7A373228-3A22-45E7-9CFE-73D5F69B648D | 20530502 | Angel's Serenade | Wonderful class 'C' trombone or baritone solo with piano accompaniment. A lyrical work that allows for work on legato style and breath support. | Trombone and Piano | |
| 8336 | 7A3A1220-3001-4744-B272-3AB23A192ACE | 50160007 | Danza Capriccio | |||
| 8337 | 7A4092F2-9DE4-44FD-9C50-22F191632D18 | 50512002 | Steal Away Little David | Percy Hall has arranged two spirituals for easy trumpet trio to create the perfect first contest or festival work. | Bb Trumpet 1, 2 and 3 | |
| 8338 | 7A4180E9-AF4F-4688-B09C-D71646A7DF3D | TC202 | O Mistress Mine | (not set) | Four-Part Chorus of Mixed Voices a Cappella | |
| 8339 | 7a4e72dd-9e3c-11f0-a418-0022482c9682 | X945404 | Memory Believes (a requiem) | Memory Believes (a requiem) is a seven-movement work for chamber choir and string quartet dedicated to the memory of the composer's brother, Jonathan Adolphe (1952-2022). Four Meditation movements, each for solo violin, solo cello, solo viola, and the entire string quartet, are interspersed with three movements that include the choir and quartet. The texts set are "Because I could not stop for Death" (Emily Dickinson), "Are there not a thousand forms of sorrow" (Ethan Canin), and "Memory Believes (William Faulkner). The string quartet score and parts and the choral score are available separately. | Chamber Choir and String Quartet | |
| 8340 | 7A50CD5B-D142-4C61-9E31-C1736A77D6D4 | 52783005 | Home For Christmas | (not set) | Piano Trio |