Titles
Showing 7,481-7,500 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 7481 | 6DD38ACC-FC72-4433-A8A4-1974486CD5D7 | R00672 | Ely: Seven Studies In Nature | Flute(d Alto Flute), Percussion(1), Violin, Cello, Piano (d Celesta) | ||
| 7482 | 6DD6DBF4-A523-4DB7-ADE2-F8ED3B6FCA43 | SC302 | I Waited for the Lord (psalm 40) | 1 | ||
| 7483 | 6DDAD943-8FD5-4CE5-922A-7F09E81B9A65 | 50250138 | Artist March | Here is the perfect alternative for Pomp and Circumstance. It is much easier on the orchestra and everyone plays the melody. All parts shift and use chromatic fingerings, and there is great opportunity to work on dotted rhythms and hooked bowings. The optional timpani part and ample number of repeats allows for incredible flexibility. | String Orchestra | |
| 7484 | 6DDEE1B9-D85D-4E01-9F49-CC04F01460E4 | R188CB | Concerto No. 1 for Trombone and Band | An arrangement of the orchestral version of the original Sonata for Trombone and Piano, made by Virginia Allen for the Eastern Trombone Workshop. Includes a cadenza which was added for the orchestration. Duration ca. 22'. | Trombone, Band | |
| 7485 | 6DE64F8C-5C21-4DA3-8768-E99D8F333CD9 | B233 | Theory Work Book 3 (out-of-print) | Workbook | ||
| 7486 | 6DE71552-4184-46A9-8FB6-C4A23FE29A51 | 10470203 | Evening in the Country for Baritone Saxophone | This captivatingly beautiful solo by Bartok is artfully arranged for baritone saxophone by Floyd O. Harris, true to the original but just one minute shorter with some of the repetition removed. A short but interesting solo full of singing melody and quirky, fun, flashy rhythmic interlude. Perfect for a variety of settings and programs. | Saxophone and Piano | |
| 7487 | 6DF0A8F6-48EA-4BBF-905A-8417EDE77EE8 | R01408 | Symphony No. 2 | Dedicated to Maestro Leonard Slatkin and the Detroit Symphony Orchestra. Texts from the Book of Psalms; approximately 50 min. | SATB Chorus: 2+Picc.2.2.2: 4.4.4.1: Pec(5): 2 Hp: Str(16.14.12.10.8 min.) | |
| 7488 | 6DF0F75C-CCB0-4B95-B9FF-9591BEE572F4 | R01270 | Introduccion y Allegro Concertante, Op. 117 | (not set) | Piano 4 hands Soli: 1.1.1.1: 1.0.0.0: Percussion (1): Str (single or multiple) | |
| 7489 | 6DF6717D-F3C2-4E27-8266-F3A0B71B2A80 | S766CB | Legends of the Northern Wind | Inspired by the natural beauty of the Pictured Rocks National Lakeshore and the unique maritime legends of the Lake Superior coastline.The music conjures the mystery and beauty of this place with stereo percussion effects and wind sounds contributed by the sections of the band. Winner of the National Band Associatioin Merrill Jones Composition Contest | Concert Band | |
| 7490 | 6DF87E5C-9D53-4E74-91B9-56D435B5DE9A | A862990 | As Time Goes By | Instantly recognizable from the Warner Brothers film Casablanca, As Time Goes By has become one of the most beloved tunes of the film world. It is a true classic. Instrumentation: 3.1+EH.2+BCl.2: 4.3.3.1: Perc(3): Str (9-8-7-6-5 in set). | 3.1+EH.2+BCl.2: 4.3.3.1: Perc(3): Str (9-8-7-6-5 in set) | |
| 7491 | 6DF93B4A-6494-45A7-A554-D80864F23DCD | 52703557 | Wedding Album 4 - String Quartet | Don't let this title fool you...this collection of ten meditative preludes is useful for more than just weddings. For service introits, communion gatherings, memorials, funerals or prayer interludes these lovely settings will find a way to your folder throughout the year in church or concert venues. | String Quartet | |
| 7492 | 6DFEA559-01AB-4358-B132-5A26FE59AE14 | EBM0610049 | Evocations for Double Chorus and Orchestra | Text: Robert Hillyer [Part I] and Richard Hovey [Part II] Movements: 1. Visitants at Night, 2. Promise of Spring | SATB Chorus, Children's Chorus, 3333 4331 Timp Pc Str | |
| 7493 | 6E021833-B30D-4BA3-ACCE-CF7C44BA0C69 | MP664501 | Invocation and Dance for Soprano, Alto Saxophones and Hand Clappers | Corrected, engraved, and emended to the composer’s later wishes for a more “intense” interpretation, this classic work was commissioned by Sigurd Rascher, eminent saxophonist of the mid-20th century. The accompanimental clapping and stamping is performed in a semi-circle of eight persons (or fewer) behind the two saxists. | Soprano, Alto Saxophones & Hand Clappers (4) | |
| 7494 | 6E03A411-F5F9-4B42-BD54-CEB98022C179 | X412019 | Norteamexispanicumsake | Written for the duo-piano team Gerbert & Gregory, Norteamexispanicumsake for two pianos is a slightly shorter version of a work written for the Santa Barbara Symphony early in 1995 and titled Santa Barbara Overture. The two-piano version retains most of the ideas found in the overture and is in the same jovial mood. | 2 Pno | |
| 7495 | 6E12BD24-7500-459B-918D-8653E13B9388 | R00073 | Into the Sun | (not set) | High Voice Solo: 2(1d Picc).2(1d EH).2(1d BCl).2(1d Cbsn): 0.1.1.0: Timp.Perc(2).Pno.Celesta: Str | |
| 7496 | 6E138F1C-441E-4C33-ABBD-AF99F869E1AF | A820290 | The Planets, Op. 32/H125 No. 4: Jupiter, the Bringer of Jollity | Written between 1914 and 1917, Gustav Holst was initially inspired to compose THE PLANETS based on a conversation he had about astrology while on holiday in Spain with some friends in 1913. Intrigued by the concepts, he sought to write an orchestral suite for seven of these astrological signs based on the planets known to the world at the time and imbue the music with the appropriate astrological meaning. Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness. Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, "Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone color and knows how to use it." Both "Mars, the Bringer of War" and this excerpt of "Jupiter, the Bringer of Jollity" are the most popular and well-known movements in the suite. This critical edition of the "Jupiter" movement by Clinton Nieweg and Gregory Vaught is based on the composer's manuscript. Instrumentation: 2+2Picc.3+EH.3+BCl.3+CBsn: 6.4.3.2: Timp.Perc(4): Hp(2): Str(9-8-7-6-5 in set). | 2+2Picc.3+EH.3+BCl.3+CBsn: 6.4.3.2: Timp.Perc(4): Hp(2): Str(9-8-7-6-5 in set) | |
| 7497 | 6E19C0A7-937E-4C2F-9DB3-C9EA20068561 | SC19 | Unto Thee Do We Cry, O Lord | Ssa | ||
| 7498 | 6E1AD7EC-A6F5-406C-B71C-0BFF6474E70C | W723791 | Caprice, Op. 79 | (not set) | Flute, Oboe, Clarinet and Piano | |
| 7499 | 6E2AA733-7B5D-492A-B846-DCCDE1A96AD6 | B299 | Solo Studies, Bk. 2 | This book, the second in a series of three, is the result of the need expressed by concerned percussion instructors for repertory for the student who is making the big step from the snare drum to the drum set. The solos in this book provide a smooth transition from the snare drum to the drum set by emphasizing technique and musical concept. And they relieve motivation problems by providing solos that are intended to be played without accompaniment, are interesting to the player and an audience, and make very good pieces for use in a contest situation. | Drum Set | |
| 7500 | 6E2B74AE-D516-4AC9-82F2-E132DCAF7BB6 | M175191 | Three Songs on Poems by Paul Verlaine | (not set) | Voice and PIano |