Titles
Showing 7,441-7,460 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 7441 | 6D3D8DC8-2F10-42DE-833E-FA14B5B4C988 | S91MB | March Lone Star | (not set) | Marching Band | |
| 7442 | 6D438DCE-9E05-4D74-9EF8-18E49531D3DB | 52711357 | Hymns of the Nativity v. 2 | This collection of Christmas hymn arrangements is a wonderful educational, worship or concert resource for teachers, church musicians, or anyone who enjoys playing hymns, playing with friends, and celebrating the birth of Jesus with music. Presented in 2 volumes, the Violin 1 part is lower to middle intermediate level and is where the melody is always most clearly presented and most prominent, while the Violin 2 part is for the more adept player, full of harmonic and the occasional obbligato-style accompaniment. Written for two violins and piano (optional), both a viola and cello part are include to substitue for the Violin 2. Volume 2 includes: 1. O Come, O Come Emmanuel, 2. It Came Upon a Midnight Clear, 3. He is Born (Il Est NE), 4. Infant Holy, Infant Lowly, 5. We Three Kings, 6. O Little Town of Bethlehem, 7. What Child Is This?, 8. Sing We Now of Christmas | Violin Duet and Piano with optional Viola and Cello | |
| 7443 | 6D44CD79-22B0-4A04-8C71-3615EB105403 | B579 | Paris Conservatory Album: 16 Short Lyric Pieces for Flute and Piano | This collection is the first-ever publication of selected 19th-20th Century exam pieces composed for the Paris Conservatory, meticulously compiled, arranged and edited over the course of many years by accomplished flutist Nancy Andrew. All 16 pieces include solo flute part with piano accompaniments. Optional digital downloads are available as well of the original cello/ string ensemble accompaniments where avaialble. Sir James Galway's introduction to the album states: "It is my great pleasure to present this collection of pieces originally intended as the sight reading exam for the flute class of the Paris conservatoire. Each piece is a little jewel and could be used as an encore to a recital or even in the main part of a recital. Nancy Andrew has done a magnificent job of preparing them for publication. I look forward with great joy to include them in my future recitals." Works included: Charles Colin 1873 Allegretto Ernest Guiraud 1874 Allegretto Scherzando Emile Paladilhe 1875 Allegretto moderato Jules Cohen 1878 Andantino Theodore Dubois 1880 Allegretto Jules Duprato 1882 Allegro Moderato Adrien Barthe 1886 Andante 1891 Moderato 1895 Allegretto Georges Marty 1893 Allegretto Paul Vidal 1894 Allegro Moderato Raoul Pugno 1896 Tres doux et tres tranquille Alphonse Duvernoy 1897 Allegretto Alphonse Duvernoy 1899 Allegro Moderato Gabriel Pierne 1918 Modere Jules Mouquet 1924 Andantino | Flute and Piano (sub violoncello) | |
| 7444 | 6D474496-EC7D-47C5-876D-E76BB5511949 | ST102 | Andante and Allegro | The nice contrast between sections makes this an effective contest or recital solo for the intermediate tuba player. | Tuba | |
| 7445 | 6D4D3DEB-FBB6-4F91-8387-411F66377428 | X814054 | Gather Round the Table | Written as a yearning for normal times during the COVID-19 pandemic, composer Bruce Adolphe worked with poet Pireeni Sundaralingam to set this poem to music. It was recorded by soprano Susanna Phillips with pianist Myra Huang. | Soprano and Piano | |
| 7446 | 6D504D18-8A6E-4F07-A494-091EDE19C13C | ST104 | Sonata No. 1 in G, BWV 1027 | Sonata No. 1 in G major, BWV 1027 was originally written for viola da gamba and harpsichord. This version for euphonium and piano was arranged by Robert Marsteller, and may also be played on trombone. Parts of the solo are written in tenor clef. | Euphonium and Piano | |
| 7447 | 6D58F607-CA0F-4D14-9796-A6F5F27F61D9 | A556102 | L'Arlesiana: Lamento di Federico | (not set) | 2, 1+1, 2, 2 - 4, 0, 0, 0, hp, str | |
| 7448 | 6D5C836D-AA2F-49F4-B7D9-8E2E04E13DAB | 10100160 | American Pastiche | (not set) | Concert Band | |
| 7449 | 6D610C3E-B6B0-40E3-8390-FA1DDEAC3466 | X411007 | Sonata for Piano Four-Hands | This three-movement work was written for the piano duet team of Anna Polonsky and Orion Weiss. The work has a rather "symphonic" character with contrasting sonorities spanning the entire range of the instrument. Movement titles: 1. Intrada: Un poco inquieto, 2. Buck and Wing: Allegro vivace, 3. Pastorale: Molto semplice. Duration ca. 14' | One piano, four hands | |
| 7450 | 6D64BFC5-F89B-4CCF-A28A-391BF99B40F1 | R01571 | Eclipse for Twelve Instruments | For Durward Music Ensemble, University of Illinois at Normal. | Flute, Clarinet, Alto Sax, Trumpet, Trombone, Percussion (3), Piano, Violin, Viola, and Cello | |
| 7451 | 6D6702C0-EF7F-44D6-868F-1E0C7342E905 | A864890 | Runnin Wild | A medley of popular tunes from a bevy of great American songwriters, this particular arrangement will swing your orchestra to new heights. There is one tempo throughout, with seamless transitions from one tune to the next. Timpani and xylophone add color and a drum set adds the drive. | Orchestra | |
| 7452 | 6D67BAE5-C30E-433C-A279-D5378621157F | S104 | 13 Stars in a Field of Blue (out-of-p | Concert Band | ||
| 7453 | 6D69C6F3-ABF9-4C4E-BFEB-0215E7293979 | 20403002 | The Blue and Gold Rag | (not set) | Flute, Oboe, Bb Clarinet and Basson | |
| 7454 | 6D6B8362-1C69-46B5-8ACE-7865A5DC74DC | SU104 | String Quartet Rag | (not set) | Brass Quintet | |
| 7455 | 6D75E46D-A541-4608-863D-38216BB8BF8E | S365 | Triumphal March (out-of-print) | Marching Band | ||
| 7456 | 6D77B3FE-F2BB-46BF-B195-35AE3B258274 | M912002 | Fanfares, Marches, Hymns and Finale - Second Edition | Though best known for his television and film scores (ten Emmys, plus an Oscar nomination for Silverado and a Grammy nomination for Young Sherlock Holmes) Bruce Broughton has also composed a distinguished body of concert music, including several concertos and works for the Los Angeles Chamber Orchestra and the Debussy Trio. Fanfares, Marches, Hymns & Finale was composed for the Bay Brass in 2002, and was premiered and recorded by that ensemble with the composer conducting. This title is eminently self-descriptive of the style or attitude of each movement, which also correspond roughly to a classical symphony. The energetic Fanfares form a bright and positive opening. The jazz-inflected Marches make a sort of scherzo, off-kilter in a Prokofiev manner, and the Hymns are the slow movement, featuring expansively lyrical horns and prominent percussion decoration in a broad, Coplandesque soundscape. The dramatic Finale is the dark side of the opening movement, a relentlessly driven tour-de-force of tightly integrated ensemble and individual virtuosity. - Program Note from Los Angeles Philharmonic Brass concert program, May 5, 2016. | Brass Choir (4.4.4.1), Timpani, 2 Percussion | |
| 7457 | 6D78C9B7-FB85-41C1-8DBC-45131FEBC5B1 | RCSS224 | Sonata No. 3 in G | Flute, Piano | ||
| 7458 | 6D7A1560-0B77-458C-B0D2-9AD24861A3C9 | 52721001 | Six Variations on "Twinkle, Twinkle, Little Star" | Grade 3 fun for two players, perfect for recruiting or end of year recitals. Twinkle morphs through major, minor, arpeggiated, and chromatic variations. The viola and cello versions are compatible. | Viola Duet | |
| 7459 | 6D7F717B-9D28-4F13-BDFD-812DDF63AFBA | S372CB | Pioneers, The (from Saga Of A Pioneer)(on-rental- | Concert Band | ||
| 7460 | 6D816A3C-8C29-4867-B312-F336BB598531 | 10100359 | Night Dances | A piece that works extremely well for good middle school bands as well as high school bands. Not outrageously demanding, with some very exciting percussion parts, it is a great combination of artistry, musicality, and technical accessibility. | Concert Band |