Titles
Showing 7,381-7,400 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 7381 | 6C628FB1-4784-4EBE-A249-006CB5BD7825 | ST734 | Adagio Sentimentale | Cavallini's "Adagio Sentimentale" is dedicated to the great Italian opera composer Gioacchino Rossini. It was contained in the second of three albums of works for clarinet and piano which Cavallini published after his return to Italy. The present edition is based on the 1870's G. Conte of Milan. Printing errors and inconsistencies between the score and solo part have been corrected. | Clarinet and Piano | |
| 7382 | 6C63EAD4-9B7A-4AF1-B376-F0B69DF29820 | A012890 | Vocalise | Vocalise is the last of Rachmaninoff's Fourteen Songs, Op. 34. Written without words, it was intended to be sung using only a single vowel of the performer's choice. With no words to carry forward a musical idea, Rachmaninoff had to use all of the subtlety, skill, and tools at his command. The long, lyrical melody that is at the heart of this work has given Vocalise a long-lasting popularity. | 2, 2, 2, 2 - 4, 0, 0, 0, str | |
| 7383 | 6C649972-6321-44C4-8FFF-A0B68E64C114 | 52731051 | 15 Cello Duets | Includes works by Bach, Handel, Telemann. Viola to 3rd position, shifting in cello through 4th position. Compatible with 15 Duets for Viola and Cello (52701323). | Cello Duet | |
| 7384 | 6C67725F-CC44-420C-ABFC-E8C93839560D | 20703440 | Royal Fireworks Minuet | (not set) | Violin 1, Violin 2, Viola (opt. Vln. 3) and Violoncello/Bass | |
| 7385 | 6C6D7D84-C3C3-4C5D-9BB0-FE459A255072 | SC210 | Gather Your Rosebuds | Sab | ||
| 7386 | 6C6E30AA-4355-4CC3-9608-2E949EC7640D | X222002 | Fanfare for Trumpets | Also available for 2 trombones, arranged by Mark Scott. | 2 Trumpet | |
| 7387 | 6C720EAF-47B7-4707-B1DF-D8EA04483FC5 | MP814011 | Ancient Cabaret | |||
| 7388 | 6C731F16-6961-4ACD-9F0D-3216B3413208 | A138402 | Il Matrimonio Segreto (The Secret Marriage): Overture | IL MATRIMONIO SEGRETO (THE SECRET MARRIAGE) by Domenico Cimarosa (1749-1801) is his only work still to be regularly performed today and arguably among the greatest 18th century opera buffa. The dramma giocoso was so well-received at the February 7, 1792 premiere at the Imperial Hofburg Theatre in Vienna, that Emperor Leopold II had supper served to the entire company followed by an immediate repeat performance of the entire opera. The Italian premiere took place at La Scala in Milan on February 17, 1793. More than one version of the overture exists, but this reprint edition is of the more popular and familiar. Instrumentation: 2.2.2.2: 2.2.0.0: Timp.BsDr: Str (9-8-7-6-5 in set). | 2.2.2.2: 2.2.0.0: Timp.BsDr: Str (9-8-7-6-5 in set) | |
| 7389 | 6C739832-4333-41F2-81F4-DE028DEB1BD2 | R01585 | I Too Bleed and Hope for Beauty | Alma Rose, niece to Gustav Mahler and daughter of renowned violinist Arnold Rose, became a famous violinist and founder of a popular women's orchestra called "The Waltzing Girls of Vienna." After the Nazis came to power, she fled to the Netherlands and then to France, where she was arrested in 1943 by the Gestapo and deported to the concentration camp at Auschwitz. There, she became the conductor of the women's orchestra and, by the power of her spirit and determination, the ensemble became a path to survival, saving the lives of nearly 50 prisoners who otherwise would have died in the Nazi gas chambers. The title of this piece, "I too Bleed, and Hope for Beauty," is a quote by Manca Svalbova, a young Slovak doctor at the Auschwitz hospital, and a close friend of Alma. The quote is Svalbova's way of describing the message conveyed by Alma's violin playing. "I too Bleed, and Hope for Beauty" is a tribute to Alma Rose and the enduring power of music, which, even the worst of circumstances imaginable, offers hope and beauty. Commissioned and world premiered by ROCO. | 2(d2 Picc).2.2.2: 2.2.1.0: Mba.Vibrphn.Harp: Str | |
| 7390 | 6C75962D-291C-46F4-B545-E09F051A6B29 | 10650459 | Sidecar | Thomas Janson received his Doctor of Musical Arts degree from the University of Michigan in 1975. He taught composition and music theory at the Kent State University School of Music from 1980 to 2015. He has been a recipient of the Charles E. Ives award and a fellow of the National Endowment for Arts. His solo piece for marimba and vibraphone, titled Sidecar, will challenge advanced players with its rhythmic complexity and wide range of extended techniques. | Marimba & Vibraphone Solo | |
| 7391 | 6C76B4EA-F46B-48D6-811A-7C251B9180D2 | 52734005 | La vie Parisienne: Tout Tourne | Thematic material and difficulty is equally distributed throughout the parts in these arrangements for quintet, which are compatible between violin, viola, and cello versions. | Cello Quintet | |
| 7392 | 6C88BE4E-D93C-4CDE-8D0E-5A2A6C7C7E17 | X410014 | Three Contemporary Interval Studies | Piano Solo | ||
| 7393 | 6C8A7341-E4D1-4FDA-9585-918A4984B418 | LV724CB | Song for Winds | "Song for Winds" features a simple three note melody that shows off the different sections of the band. This piece is great for your intermediate band concert. | Concert Band | |
| 7394 | 6C8BD413-ED50-44B9-B19D-06335873F54B | 20513289 | Procession and March | Class 'C' high school in two movements with repeats and a coda; four part harmony in easy ranges. Procession is maestoso; March is moderato. | Bb Trumpet Quartet | |
| 7395 | 6C934221-BCDC-43C9-A2D2-54A7279977F3 | M381791 | Nocturnes Nos. 7-13 (Dowling ed.) | (not set) | Solo Piano | |
| 7396 | 6C961CA4-CD85-4DEE-99C5-84FB2EEC7FEA | SC48 | Seal Lullaby | Satb | ||
| 7397 | 6C991856-A874-402D-99DF-FDAC9C04CC27 | ST597 | Four Allemandes | Excellent examples of early Baroque Allemandes (medium-slow dances in quadruple meter) suitable for intermediate ensembles of trombones/ euphoniums (all parts bass clef). | Trombone Trio | |
| 7398 | 6C9E4F73-D28A-42EE-B3BA-D968D971E2CE | 10800159 | Choral Bouquet, A | This setting of poems by Robert Herrick for SATB choir is dedicated to the composer's wife and two daughters. Poems: I. How Violets Came Blue; II. How Marigolds Came Yellow; III. How Roses Came Red. | SATB | |
| 7399 | 6C9EDEC5-E1C6-437E-A4A3-84BB70D35746 | S1027CB | Variations on a Theme by Glinka for Solo Oboe and Wind Band | Nikolai Rimsky-Korsakov’s VARIATIONS ON A THEME BY GLINKA was written for solo oboe accompanied by wind band. The theme of the Variations is in a fact a folksong melody which is still occasionally heard in Russia. This edition of VARIATIONS ON A THEME BY GLINKA is based on the full score published by the Russian state publishers and a number of editions of the same piece for solo oboe and piano. Adapted for the present day wind band, the corno basso accompaniment has been rescored for bass clarinet reinforced by the string bass. Saxophones have been added to the instrumentation in tutti sections, along with rehearsal numbers throughout the meticulously edited full score. | Oboe Solo, Band | |
| 7400 | 6CA0D90C-C8CD-4305-8D64-677FAC95D8C8 | ST11 | Harobed | A piece for unaccompanied clarinet in seven movements, with a variety of styles for an early intermediate student's first solos collection. Movements: I. Slowly and quietly moving, II. Gracefully, III. Gently flowing, IV. Happily, V. Sowly and very relaxed, VI. Like a march, VII. Slowly | Clarinet Unaccompanied |