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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
73816C628FB1-4784-4EBE-A249-006CB5BD7825ST734Adagio SentimentaleCavallini's "Adagio Sentimentale" is dedicated to the great Italian opera composer Gioacchino Rossini. It was contained in the second of three albums of works for clarinet and piano which Cavallini published after his return to Italy. The present edition is based on the 1870's G. Conte of Milan. Printing errors and inconsistencies between the score and solo part have been corrected.Clarinet and Piano
73826C63EAD4-9B7A-4AF1-B376-F0B69DF29820A012890VocaliseVocalise is the last of Rachmaninoff's Fourteen Songs, Op. 34. Written without words, it was intended to be sung using only a single vowel of the performer's choice. With no words to carry forward a musical idea, Rachmaninoff had to use all of the subtlety, skill, and tools at his command. The long, lyrical melody that is at the heart of this work has given Vocalise a long-lasting popularity.2, 2, 2, 2 - 4, 0, 0, 0, str
73836C649972-6321-44C4-8FFF-A0B68E64C1145273105115 Cello DuetsIncludes works by Bach, Handel, Telemann. Viola to 3rd position, shifting in cello through 4th position. Compatible with 15 Duets for Viola and Cello (52701323).Cello Duet
73846C67725F-CC44-420C-ABFC-E8C93839560D20703440Royal Fireworks Minuet(not set)Violin 1, Violin 2, Viola (opt. Vln. 3) and Violoncello/Bass
73856C6D7D84-C3C3-4C5D-9BB0-FE459A255072SC210Gather Your RosebudsSab
73866C6E30AA-4355-4CC3-9608-2E949EC7640DX222002Fanfare for TrumpetsAlso available for 2 trombones, arranged by Mark Scott.2 Trumpet
73876C720EAF-47B7-4707-B1DF-D8EA04483FC5MP814011Ancient Cabaret
73886C731F16-6961-4ACD-9F0D-3216B3413208A138402Il Matrimonio Segreto (The Secret Marriage): OvertureIL MATRIMONIO SEGRETO (THE SECRET MARRIAGE) by Domenico Cimarosa (1749-1801) is his only work still to be regularly performed today and arguably among the greatest 18th century opera buffa. The dramma giocoso was so well-received at the February 7, 1792 premiere at the Imperial Hofburg Theatre in Vienna, that Emperor Leopold II had supper served to the entire company followed by an immediate repeat performance of the entire opera. The Italian premiere took place at La Scala in Milan on February 17, 1793. More than one version of the overture exists, but this reprint edition is of the more popular and familiar. Instrumentation: 2.2.2.2: 2.2.0.0: Timp.BsDr: Str (9-8-7-6-5 in set).2.2.2.2: 2.2.0.0: Timp.BsDr: Str (9-8-7-6-5 in set)
73896C739832-4333-41F2-81F4-DE028DEB1BD2R01585I Too Bleed and Hope for BeautyAlma Rose, niece to Gustav Mahler and daughter of renowned violinist Arnold Rose, became a famous violinist and founder of a popular women's orchestra called "The Waltzing Girls of Vienna." After the Nazis came to power, she fled to the Netherlands and then to France, where she was arrested in 1943 by the Gestapo and deported to the concentration camp at Auschwitz. There, she became the conductor of the women's orchestra and, by the power of her spirit and determination, the ensemble became a path to survival, saving the lives of nearly 50 prisoners who otherwise would have died in the Nazi gas chambers. The title of this piece, "I too Bleed, and Hope for Beauty," is a quote by Manca Svalbova, a young Slovak doctor at the Auschwitz hospital, and a close friend of Alma. The quote is Svalbova's way of describing the message conveyed by Alma's violin playing. "I too Bleed, and Hope for Beauty" is a tribute to Alma Rose and the enduring power of music, which, even the worst of circumstances imaginable, offers hope and beauty. Commissioned and world premiered by ROCO.2(d2 Picc).2.2.2: 2.2.1.0: Mba.Vibrphn.Harp: Str
73906C75962D-291C-46F4-B545-E09F051A6B2910650459SidecarThomas Janson received his Doctor of Musical Arts degree from the University of Michigan in 1975. He taught composition and music theory at the Kent State University School of Music from 1980 to 2015. He has been a recipient of the Charles E. Ives award and a fellow of the National Endowment for Arts. His solo piece for marimba and vibraphone, titled Sidecar, will challenge advanced players with its rhythmic complexity and wide range of extended techniques.Marimba & Vibraphone Solo
73916C76B4EA-F46B-48D6-811A-7C251B9180D252734005La vie Parisienne: Tout TourneThematic material and difficulty is equally distributed throughout the parts in these arrangements for quintet, which are compatible between violin, viola, and cello versions.Cello Quintet
73926C88BE4E-D93C-4CDE-8D0E-5A2A6C7C7E17X410014Three Contemporary Interval StudiesPiano Solo
73936C8A7341-E4D1-4FDA-9585-918A4984B418LV724CBSong for Winds"Song for Winds" features a simple three note melody that shows off the different sections of the band. This piece is great for your intermediate band concert.Concert Band
73946C8BD413-ED50-44B9-B19D-06335873F54B20513289Procession and MarchClass 'C' high school in two movements with repeats and a coda; four part harmony in easy ranges. Procession is maestoso; March is moderato.Bb Trumpet Quartet
73956C934221-BCDC-43C9-A2D2-54A7279977F3M381791Nocturnes Nos. 7-13 (Dowling ed.)(not set)Solo Piano
73966C961CA4-CD85-4DEE-99C5-84FB2EEC7FEASC48Seal LullabySatb
73976C991856-A874-402D-99DF-FDAC9C04CC27ST597Four AllemandesExcellent examples of early Baroque Allemandes (medium-slow dances in quadruple meter) suitable for intermediate ensembles of trombones/ euphoniums (all parts bass clef).Trombone Trio
73986C9E4F73-D28A-42EE-B3BA-D968D971E2CE10800159Choral Bouquet, AThis setting of poems by Robert Herrick for SATB choir is dedicated to the composer's wife and two daughters. Poems: I. How Violets Came Blue; II. How Marigolds Came Yellow; III. How Roses Came Red.SATB
73996C9EDEC5-E1C6-437E-A4A3-84BB70D35746S1027CBVariations on a Theme by Glinka for Solo Oboe and Wind BandNikolai Rimsky-Korsakov’s VARIATIONS ON A THEME BY GLINKA was written for solo oboe accompanied by wind band. The theme of the Variations is in a fact a folksong melody which is still occasionally heard in Russia. This edition of VARIATIONS ON A THEME BY GLINKA is based on the full score published by the Russian state publishers and a number of editions of the same piece for solo oboe and piano. Adapted for the present day wind band, the corno basso accompaniment has been rescored for bass clarinet reinforced by the string bass. Saxophones have been added to the instrumentation in tutti sections, along with rehearsal numbers throughout the meticulously edited full score.Oboe Solo, Band
74006CA0D90C-C8CD-4305-8D64-677FAC95D8C8ST11HarobedA piece for unaccompanied clarinet in seven movements, with a variety of styles for an early intermediate student's first solos collection. Movements: I. Slowly and quietly moving, II. Gracefully, III. Gently flowing, IV. Happily, V. Sowly and very relaxed, VI. Like a march, VII. SlowlyClarinet Unaccompanied