Titles
Showing 7,281-7,300 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 7281 | 6AD76AD9-1A94-4C6A-9C22-965CE9A8F8D0 | V44 | Kansas Can and Kansas Will | Piano/vocal | ||
| 7282 | 6AD94C94-515F-49B9-B4E7-64E17238C21B | SC814 | Come My Beloved One | Texas University Interscholastic League Sightreading for 2A, 1A, and 3B Varsity Mixed (SAB) Choirs and 5A, 4A and 3A Non-varsity Mixed (SAB) Choirs. SATB arrangement is also available from the publisher. | SAB | |
| 7283 | 6ADBD081-01B7-47CA-9DCC-394CBD9D7E84 | Z269291 | Regina Coeli K. 276 | Voice, Piano | ||
| 7284 | 6ADFFCEF-6C45-4AE1-B111-FCB0D0E851CA | V40 | Invitation to Love | Piano/vocal | ||
| 7285 | 6AE3BD60-01A1-445D-A0C6-EAF6503C1B91 | SU31 | Rose and the Nightingale, The | This lyrical cantabile solo is a delightful intermediate contest or recital work. Published versions available for flute, alto flute, oboe, English horn, clarinet, alto clarinet, alto saxophone, tenor saxophone, violin, viola and cello. This is part of the Andrew Gurwitz Memorial Series of Music for Strings. | Violin and Piano | |
| 7286 | 6AE3BEA2-1042-4943-ABE4-680DEEDD2A65 | 50443008 | Adagio Cantando (from Fünf Klavierstücke) | (not set) | Bb Clarinet 1, 2, 3 and Bb Bass Clarinet | |
| 7287 | 6AEB4AEA-8A43-44E8-84B0-69AC4E4C4121 | M113891 | Prelude, Theme and Variations | (not set) | Horn and Piano | |
| 7288 | 6AEBDC46-8733-4214-AF88-13FAFD804A51 | ST601 | Suite | Guitar Unaccompanied | ||
| 7289 | 6AEC1182-0415-4462-A0FC-449F31184D4F | A128990 | Romance for Violin and Orchestra No. 2 in F, Op. 50 | Ludwig van Beethoven (1770-1827) wrote two romances for violin and orchestra, one in F and one in G. While the Romance for Violin and Orchestra No. 2 in F Major, Op. 50, was published later and has a higher opus number, it was actually composed earlier (1798) than No. 1 in G. Thought by some to be the middle movement of a violin concerto that Beethoven either abandoned or lost, it is believed that the work was first performed in 1798. Pastoral in nature, the work is a conversation between the soloist and the modest orchestra, with elegantly simple melodies that require a tender expression from the soloist. Instrumentation: 1.2.0.2: 2.0.0.0: Str (9-8-7-6-5 in set): Solo Violin in set. | 1.2.0.2: 2.0.0.0: Str (9-8-7-6-5 in set): Solo Violin in set | |
| 7290 | 6AF5B370-BDD4-4496-A695-B1DD349962C8 | 10250091 | Rondeau | (not set) | String Orchestra | |
| 7291 | 6AFF012C-BA63-4E82-90FE-14E21CE2D27E | X511049 | Norma's Variations | Written as a memorial to his life partner Norma Hymes, Gerber's theme and variations for violin and piano is hauntingly elegaic. Length ca. 4' | Violin, Piano | |
| 7292 | 6B046700-44D2-41AC-A9AB-337D6A62A4F1 | B129 | 12 Etudes | This collection of twelve progressive etudes for horn has been revised by Frederick Gumbert. | Horn | |
| 7293 | 6B0646F0-C7E3-4C96-A921-5767BEC829F3 | ST459 | Studio Espressivo | Clarinet, Piano | ||
| 7294 | 6B067877-4902-4F4D-B196-227F7B8661DB | SO89C | A Rose for Emily | This work was inspired by the short story by William Faulkner of the same name. It is a slow bittersweet impression of the story. "A Rose for Emily" was commissioned by and written expressly for Sandra Dackow. | String Orchestra | |
| 7295 | 6B0D50C4-4C0E-4CED-AC57-493BA24C6A67 | SU788 | A Hymn for the Lost and the Living for Trombone Choir | The several days which followed the tragedy of September 11, 2001, New York became a city landscape of empty streets and impromptu, heartbreaking memorials mourning our lost citizens, friends and family. A Hymn for the Lost and the Living portrays those days of supreme sadness and surprising resilience as the country mourned a great loss while coming together for help, comfort, and strength. This arrangement was created by Chris Sharpe for the 2013 University of North Texas Trombone Choir premiere which took place on September 11th. | 12 trombones | |
| 7296 | 6B135AA8-E3FB-4AC0-9ABF-57614CA289C9 | X511037 | Two Pieces for Violin and Organ | A collection written for and dedicated to violinist Elizabeth Juliana Cok. Both pieces take inspiration from the ascension referred to in the Apostle's Creed. | Violin, Organ | |
| 7297 | 6B1483F1-1090-4BE4-97B0-9CB67D569DC1 | R00502 | Concerto for Violin and Orchestra | Lorenz's Concerto for Violin was commissioned by and dedicated to violinist Andres Cardenes. The 28-minute work consists of three movements: Deciso e a battuta, Lullaby: Drume Mobila, and an animated finale "Poco Piu Mosso". | Violin Solo: 1(d Picc).0.2(1d BCl).1: 0.2.1.1: Timp.Perc(3).Pno(d Clst): Str | |
| 7298 | 6B14980D-FFB4-4C42-B0AA-3C05ADB4F07B | SO192C | ***NOP withdrawn Around the Campfire | |||
| 7299 | 6B1E4382-D532-4E1D-8A9E-33129F125C94 | 52099009 | Allegro Appassionato, Op. 43 for Violoncello and String Orchestra | Printable score and parts in PDF form for string orchestra to feature a cellist in this exciting work from the standard cello repertoire. | Cello, String Orchestra | |
| 7300 | 6B223507-F3E7-4757-9854-3421A00953A0 | A608202 | Daphnis and Chloe: Suite No. 1 | Ravel's longest work at almost an hour, the complete one-act ballet Daphnis et Chloe was described by the composer as a "symphonie choregraphique" (choreographic symphony). Ravel began the work, a romance about the Greek goatherd Daphnis and the shepherdess Chloe, upon receiving a 1909 commission from famed Russian ballet impresario Sergei Diaghilev, and the premiere in 1912 included Vaslav Nijinksky and Tamara Karsavina in the title roles. Full of lush harmonies typical of the impressionist movement and musical leitmotifs, the work is considered among Ravel's most passionate and best compositions. Ravel extracted the music from the ballet to make two orchestra suites, which can be performed with or without chorus. Instrumental parts are included as substitutions for performances with no chorus. Instrumentation: 3(2&3dPicc)+Picc+Afl.2+EH.2+BCl+EbCl.3+CtrBsn: 4.4.3.1: Timp.Perc(9 parts): Hp(2): Clst: Str (9-8-7-6-5 in set): Hn&Tpt behind scene (opt.): Mx Chor. | 3(2&3dPicc)+Picc+Afl.2+EH.2+BCl+EbCl.3+CtrBsn: 4.4.3.1: Timp.Perc(9 parts): Hp(2): Clst: Str (9-8-7-6-5 in set): Hn&Tpt behind scene (opt.): Mx Chor |