Titles
Showing 7,221-7,240 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 7221 | 6A069692-C40C-48F6-8340-A63B28859002 | SC415 | Let the People Praise Thee | (not set) | Tbb | |
| 7222 | 6A0B2848-6767-401D-8B53-1510A2C59F96 | F704 | Musidex File Set Solos and Ensembles, 400-numbers | Forms | ||
| 7223 | 6A0B99FB-D02B-420F-8829-2C1E379014C5 | B490 | Duet Fun, Bk. 1 | This collection of duets for young flute players is ideal for contest or recital. Includes selections by: Mozart, C.P.E. Bach, Tulou, Corelli, Gabrielsky, Altes, Puschnekov, Kummer, Devienne, Granger, Dorus, Carulli, Chedeville, Corrette, Geminiani, Pleyel, Stahl, Furstenau, Popp, Tessarini, Rameau, and Weidemann. | Flute Duet | |
| 7224 | 6A147A3F-7A88-4D7A-8949-6BEB236187CA | SC26 | I Love a Sousa March | Satb | ||
| 7225 | 6A18A312-DC12-4C5C-96D2-45627FB0FDFE | SS943 | Fantasy | Philippe Gaubert (1879 - 1941) was a noted French musician, performer on the flute, a respected conductor and composer. This edition for flute and piano was edited by Arthur Ephross. | Flute and Piano | |
| 7226 | 6A221AC4-1FED-4C7F-9563-5D4D2FE9EEC8 | EBM0610195 | In Memoriam | In Memoriam (1993) by Larry Hochman for Chamber Orchestra. Duration ca. 21' | 1(Pi)111 2000 Timp Pc Str | |
| 7227 | 6A235E14-3224-4C88-8A58-3AE2BEF17B3F | SS394 | Chimney of King Rene (la Cheminee Du Roi Rene) | Movements: I. Â Cortege, II. Â Aubade (Morning Serenade), III. Â Jongleurs (Jugglers), IV. Â La Maousinglade, V. Â Joutes Sur L'Arc (Jousts on the Arc), VI. Â Chasse A Valabre (Hunting at Valabre), VII. Â Madrigal-Nocturne | Woodwind Quintet | |
| 7228 | 6A24F27E-758F-47C3-9DAC-540E5F24D1DA | X503022 | Poppies for Violin, Viola and Cello | The titles of the three movements use phrases form Marry Oliver's poem POPPIES. Movement titles: 1. Orange Flares 2. Black, Curved Blade 3. Deep, Blue Night | Violin, Viola, Cello | |
| 7229 | 6A266606-40BE-401A-9E95-37FC385BFC74 | MP944012 | Lift Every Voice and Sing | The poem “Lift Every Voice and Sing” was written by acclaimed African American poet James Weldon Johnson in 1900 and set to music by his brother John Rosamond Johnson in 1905. The Edward B. Marks Music Company first published the song in 1921, which remains strongly associated with social justice and patriotism, particularly in African American communities. While at one time it could be found pasted to the back of some hymnals used in African American Churches, today the song is formally printed under headings such as “national songs” or “social justice” in many modern hymnals. Other versions include a concert setting published in 1978 for SATB chorus and piano by Roland Carter, a setting by Hale Smith for SATB chorus and orchestra also dating from the 70s, and a modern R&B recorded version released in 1990 featuring Dione Warwick, Stevie Wonder and Take 6. This newly engraved edition of the Hale Smith will make the music accessible to more organizations. | SATB and Piano | |
| 7230 | 6A2688B2-DE97-4AC3-A8D3-1F72A2F68978 | SS201 | Vicarswood | Woodwind Trio | ||
| 7231 | 6A30FBAD-A3A0-4B5B-A37F-3516666DC3FD | M234591 | Souvenir De Moscou | (not set) | Violin and Piano | |
| 7232 | 6A36AB79-ECEB-499D-A4F5-3B6CD7B36E47 | EBM0610140 | Occasions | Movements available separately. Commissioned by the U.S. National Endowment for the Arts for the Madison Symphony. Premiere: November 23, 1978, Madison, Wisconsin, Madison Symphony, Roland Johnson, conductor. Movements: 1. Sunday Daydream, 2. Celebration, 3. 3 AM on the Square | 3222 4331 3Pc 2Hp Cel Str | |
| 7233 | 6A374D3A-11C7-461B-B50B-0CF693B34B15 | 10100565 | Good King Wenceslas | Only the creative mind of John Tatgenhorst could turn this famous carol into a swinging powerhouse for the season. The innocent opening immediately begins transformation harmonically (passing from F concert to A-flat, and ultimately B-flat) until the only option left is to swing the roof off! | Concert Band | |
| 7234 | 6A3AD8D8-4A65-4280-AA7F-45CBA2F8B35F | A820490 | Concerto for Cello in E minor, Op. 85 | <div>Considered the last notable work of Sir Edward Elgar (1857-1934), his Cello Concerto is a cornerstone of the solo violoncello repertoire. Composed in the aftermath of World War I, it premiered in October of 1919. The premier was reportedly quite the debacle, as Elgar (as director) and the performers of the London Symphony Orchestra had not been allotted proper rehearsal time from director Albert Coates, who overran his rehearsal time at Elgar�s expense. Composed in the summer of 1919, the first theme supposedly came to Elgar during a dangerous procedure to remove an infected tonsil. Upon waking from sedation, he asked for a pencil and paper and began sketching out the melody. The Cello Concerto did not achieve popularity until the 1960�s, where a recording by renowned cellist Jacqueline du Pr� made it into a classical best-seller, driving a popularity that remains through today. Instrumentation: 2(2dPicc[opt]).2.2.2: 4.2.3.1[opt]: Timp: Str (9-8-7-6-5 in set): Solo Cello.</div> | 2(2dPicc[opt]).2.2.2: 4.2.3.1[opt]: Timp: Str (9-8-7-6-5 in set): Solo Cello | |
| 7235 | 6A3C0CD6-4012-4876-9E45-00B75ABE5DE9 | B451 | Melodious and Progressive Studies, Bk. 2 for Clarinet | A collection of preparatory studies to prepare the student for the more advanced Rose (Artistic Studies) Etudes (03770550). Includes: 20 Caprices (Gambaro); 16 Specialized Studies (var.); 15 Etudes from Opus 37 (Dont). | Clarinet | |
| 7236 | 6A3E5853-493C-4947-9E09-955004BB17AE | X814010 | Ecstatic Songs, Part 1 | Text by Walt Whitman, from 'Song of Myself'. Commissioned by Jonathan Mack for the NATS National Convention, 1989. | High Voice, Piano | |
| 7237 | 6A435104-9DB8-449D-B7AC-AD818E260313 | MP511010 | Pastorale | |||
| 7238 | 6A485D59-9860-448D-970D-2C3BF37AB4FA | LV137CB | Grandfather's Clock | This piece is part of the "Easy to Play" Band series, a series dedicated to providing familiar folk songs, carefully selected and properly arranged for the elementary band program, in an effort to maintain and increase interest in beginning programs. | Concert Band | |
| 7239 | 6A4F8F60-3A08-4CAF-B67F-832EBFECF44E | 51250901 | Round Robin | String Orchestra | ||
| 7240 | 6A543068-8D67-46EF-BB94-16C5ECE4679E | S945CB | Credo, Op. 153 | Credo is an ideal piece for young bands, particularly those with a large percussion section. It is very carefully scored and cross-cued, so that almost any size band can perform it. Composed in sonatina form, it is highly energetic and tuneful, and the bass instruments have lots of fun, easy things to play. Like Prairie Winds Festival, Credo is very safely scored, with Piccolo, 2nd Oboe, 2nd Bassoon, Contra-Alto Clarinet, 3rd Trombone and Double Bass parts optional. Ranges are very reasonable; the only sixteenth notes in the piece are in the snare drum. | Concert Band |