Titles
Showing 7,161-7,180 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 7161 | 6945BF0C-3BE7-43F8-B397-F7DDC31B6D17 | A243602 | Suite No. 3 in G, Op. 55 | The longest and best known of Peter Ilyitch Tchaikovsky's (1840-1893) four orchestral suites, SUITE NO. 3 in G Major, Op. 55 was written and orchestrated between April and July 1884. Unoriginally uncertain if his new large scale work would be best approached as a symphony or a piano concerto, Tchaikovsky eventually settled on a third orchestra suite after a walk in his garden on April day. Originally intended to have five movements, the intended first movement caused the composer so much consternation that he eventually rejected it altogether and opted for a four-movement suite instead, though he used the material from the rejected first movement - "Contrastes" - in his CONCERT FANTASIA for piano and orchestra, which he began while still orchestrating SUITE NO. 3. The suite was received warmly by concertgoers at the January 24th, 1885 premiere in Saint Petersburg, Russia, under the baton of Hans von Bülow. Following the premiere, Tchaikovsky wrote to his patroness that "reality far exceeded my expectations. I have never before experienced such a triumph. I saw that then entire mass of the audience was moved, and grateful to me. These moments are the finest adornment of the artist's life. Thanks to these it is worth living and laboring." In 1970, co-founder and founding choreographer of the New York City Ballet, George Balanchine, created a ballet set to the music of SUITE NO. 3. Instrumentation: 3(3dPicc).2+EH.2.2: 4.2.3.1: Timp.Perc(2-3): Hp: Str(9-8-7-6-5). | 3(3dPicc).2+EH.2.2: 4.2.3.1: Timp.Perc(2-3): Hp: Str(9-8-7-6-5) | |
| 7162 | 69491DA3-52F0-4269-943B-0F69EEB3CE3E | SC186 | Hark the Vesper Hymn Is Stealing | Satb | ||
| 7163 | 694A8319-B533-45B9-A71F-8D7CC8C7FFF9 | 10440177 | Country Gardens and Amaryllis for Clarinet and Piano | This collection of two songs have been arranged by Floyd O. Harris. The first, COUNTRY GARDENS, is a Morris Dance without clear authorship. The second song, AMARYLLIS was written originally by Henri Ghys, and it is one of his most successful works, although it was mistakenly attributed to the French King Louis XIII for some time, and is also titled AIR LOUIS XIII. Versions for oboe solo, clarinet solo, clarinet duo, clarinet trio, violin solo, violin duo, and violin trio, all with piano accompaniment, are available from the publisher. | Clarinet and Piano | |
| 7164 | 6952E795-DFC1-4BE2-BA0B-BB052F34B8F3 | 50420003 | Oboe Concerto | Adapted and arranged from BWV 1056, this is a particularly intriguing addition to the oboe solo literature. The string accompaniment has been carefully transcribed for piano and is without the technical challenges of Baroque ornamentation. The soloist, on the other hand, will have to contend with the usual array of period ornamentation. | Oboe, Piano | |
| 7165 | 69561967-4BA9-454C-AE74-E13DB88AC64B | A242002 | Tancredi (La Pietra del Paragone): Overture | 2, 2, 2, 2 - 2, 2, 0, 0, timp, str | ||
| 7166 | 695707d6-9e38-11f0-a418-0022482c9682 | 10300110 | The Ludwig Drum and Bugle Manual | This manual for drum and bugle corp was written and edited by William F. Ludwig, with music arrangements by John C. Zeran, Andrew V. Scott, and Edwin Riemer. Contents: Drum Instructions, Drum Exercises, Marching Taps, Drum Solos (Street Beats), Bugle Exercises, Drum and Bugle Marches, Drill and Maneuver Instructions, Bass Drum and Cymbals, Tenor Drum, and care of Drum and Bugle. | Percussion and Bugle | |
| 7167 | 69575251-530B-4E4C-8091-196B6633CC30 | EBM0610240 | Piano Concerto: Spiritualist, After Paintings by Helen Frankenthaler | World Premiere March 12, 2016, Springfield (MA) Symphony Orchestra, Jeffrey Biegel, piano, Kevin Rhodes, conductor The titles of each movement are drawn from the titles of Frankenthaler paintings. The first movement, Spiritualist, is optimistic and playful in spirit and is cast in sonata-allegro form. The second movement, Silent Wish, is introspective and reflective in spirit, cast in a modified rondo form. In a similar form, the third movement, Natural Answer, is a buoyant affirmation of the spiritual journey of the first two movements, bringing mottoes and themes heard throughout the concerto together in a jazzy climax. | Piano Solo: 2(2dblPicc).2.2(2dblACl).2: 2.2.1(BTbn).0: Timp.Perc(3): Hp: Str | |
| 7168 | 6962C0C7-CA97-4B18-95CC-8706DA3E45DA | S113005 | Trio in F Major | Mercadante's Trio in F is a rare gem in the flute chamber music repertoire. Editor Ginevra Petrucci has provided parts for both Flauto d'Amore and alto flute for the middle voice of the trio. | Flute, Fauto d'amore (or Alto Flute), and Cello | |
| 7169 | 6962CF83-4246-4AB4-B1EB-E1EAAB0AB6D2 | SC471 | Will You Walk With Me? | Texas University Interscholastic League Sightreading for 3C Middle School Mixed Mixed (SAB) Choirs | SAB | |
| 7170 | 696316F3-4FF3-4375-9FC8-2FBC7BBB0F31 | R00651 | Three of a Kind (Wind Symphony) | (not set) | Clarinet, Piano, Percussion Soli: 3.2.5+BCl.2.AATB Saxes: 4.4.4.Euph.1: Perc(3).Synth(opt): DB(opt) | |
| 7171 | 69656C39-C580-45AA-B2CA-85CA2E1FDEE3 | M990190 | Water Music Overture and Hornpipe | Full Orchestra | ||
| 7172 | 69668980-8DBD-49A5-9CA1-4EA09661A201 | S154003 | Mood Music 1 | An original composition | Sax 4tet | |
| 7173 | 696B8C8F-83D4-4477-89CE-87D0EE2F453A | S629 | Of Sailors and Whales | "Of Sailors and Whales" is a five-movement work based on five scenes from Herman Mehlville's "Moby Dick". It was commissioned by and is dedicated to the California Band Directors' Assocation, Inc., and is sub-dedicated to Robert Lanon White, Commander USN (Ret.), who went to sea as a simple sailor. It is designed so that any portion of the five movements may be used. Movement titles include: I. Ishmael, II. Queequeg, III. Father Mapple, IV. Ahab, V. The White Whale | Concert Band | |
| 7174 | 696BA5F6-80C4-4F93-B8AB-BFBEF3269E47 | SU252 | Take Me Out to the Ball Game | Clarinet Duet | ||
| 7175 | 696DCECA-DF9D-499B-A7BC-F3A0B1DEE51B | A464902 | Hear My Prayer (Hor' mein Bitten) in G Major, WoO 15 | While Felix Mendelssohn (1809-1847) modestly refers to Hear My Prayer (Hör' mein Bitten) in G Major, WoO 15, as "a trifle," it is among his most popular works for chorus. On the autograph score, he inscribed the following: "A sacred Solo, for a Soprano and Chorus, with Organ accompaniment, composed for W. Bartholomew, Esq., by Felix Mendelssohn Bartholdy." William Bartholomew wrote the text, which is derived on Psalm 55, and requested that Mendelssohn set it to music. This version premiered on January 8, 1845, at Crosby Hall in London. In 1847, Mendelssohn orchestrated the work, but he passed before he could hear this version, which premiered on December 21, 1848, in Dublin. Score and parts for orchestral accompaniment available separately. This edition adds reheasal numbers that match between the score, parts, and choral score. | Solo Soprano: Mix Chorus: Organ Accomp. | |
| 7176 | 69701925-9FFD-41BF-9DD3-8F01A114C5E2 | ST620 | Quintet No. 1 | Brass Quintet | ||
| 7177 | 6971BF0D-2BB2-4B73-B47A-C7B390F613E5 | ST698 | Wedding Music | This collection of three pieces are perfect for any wedding ceremony and offers opportunities to repeat for different needs. Movements: I.Processional, II. Recessional, III. Rejouissance. Versions for flute, oboe, and piano and flute, clarinet, and piano are available from the publisher. | Flute, Oboe, Piano | |
| 7178 | 697342A8-058E-4B6A-B832-857E17564E76 | X504004 | Three American Portraits | Rhythms and harmonies from the folk tradition. Movements: I. Greeting, II. As One, III. Rumble | String Quartet | |
| 7179 | 6974F54D-0830-4263-BC0E-EE1571F1347C | R00334 | Serenade for String Orchestra | Robert Layton's review of the Koch Records release of Gerber's Serenade praised it as "memorable and individual...splendidly inventive theme and variations, deftly using the techniques of minimalism." "This is real music, splendidly played and recorded, and this (recording) cannot be too highly recommended to those who, like us, welcome the end of the twentieth-century's disastrous experiment with 'twelve-tone' writing." | String Orchestra | |
| 7180 | 69756DF1-4D6A-4051-BFD7-4CD373D5BB05 | R01085 | The Great Soap Opera | An opera for college and adult audiences in five acts and five commercials. A musical spoof of traditional opera and television soaps, it is a tale of mistaken identities, sordid love triangles, lascivious affairs, hospital hijinks and great confusion. T | 3 Soprano, Mezzo-Soprano, 2 Tenor, 2 Baritone Alto Saxophone (d Soprano Saxophone), Euphonium, Percussion(1), Piano, Violin, Double Bass |