Titles
Showing 7,201-7,220 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 7201 | 69C29B58-41DE-4FC9-B384-1477A0B51FD9 | A282602 | Messiah, HWV 56: Part I, No. 4, Chorus: And the Glory of the Lord (Prout) | This edition of George Frideric Handel's (1685-1759) most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offers an explanation of what specific edits were made to AND THE GLORY OF THE LORD and why he made them. Instrumentation: 0.2.2.2: 2.0.0.0: Org: Str (4.4.3.3.3 in set): Chorus. Reprint edition. | 0.2.2.2: 2.0.0.0: Org: Str (4.4.3.3.3 in set): Chorus | |
| 7202 | 69C71BF0-EF6A-4588-BCCB-9CDF4B489F97 | SS343 | Concerto No. 4, K495 | Two solo parts are provided, one for horn in F and one for horn in Eb. | Horn | |
| 7203 | 69CC3732-AA79-4F98-A80E-6BE96033E847 | 50703012 | Hungarian Dance No. 5 for String Quartet | Brahms composed 21 Hungarian Dances beginning in 1869. All were composed for piano, but many of them have been orchestrated and are performed by symphony orchestras. They are based on Hungarian folk songs and dances, and No. 5 is the most popular. Standard interpretation includes many tempo changes with the Violin 1 part requiring more advanced technique. | Violin 1, 2, Viola and Violoncello | |
| 7204 | 69D4F28F-22D9-4E2F-AC20-55E197F2C5A1 | 50100118 | Midnight Sun | (not set) | Concert Band | |
| 7205 | 69D5AD7D-A0DC-4A0D-8889-39E47D6E530B | S942CB | March of the Toys, arranged for Young Band | This Victor Herbert classic has been thoughtfully reimagined in this new arrangement for young band by Nathan Jones. Parts have been tailored to better suit the abilities of developing players, considering all aspects of performance including range, rhythms, time signature, key, and overall length while keeping the overall feeling and charm of this holiday favorite! Grade 2.5, ca. 3' | Concert Band | |
| 7206 | 69D74F68-6853-4B2C-917D-C71F52A1F43C | EBM0610450 | Wall, The for Orchestra | World Premiere of the orchestral version of The Wall: The National Symphony Orchestra, Leonard Slatkin, cond., Sept.1, 1996, U.S. Capitol. | 3(3dPicc).2(+EH).2(+BCl).(+CBsn): ASax: 4.4.3(+BTbn).1: Timp.Perc(3): Hp.Pno: Str | |
| 7207 | 69D7E43D-34D5-4C3F-AE85-52FE8BE2630E | B121 | Eight ( 8) Etudes (out-of-print) | Horn | ||
| 7208 | 69DA649B-4D59-4CBF-AA7A-E23D121E1D61 | A587302 | Trumpet Concerto in B flat minor, Op.41 | Alexander Fyodorovich Goedicke was a Russian composer and pianist. Goedicke was a professor at Moscow Conservatory. With no formal training in composition, he studied piano at the Moscow Conservatory with Galli, Pavel Pabst and Vasily Safonov. Despite his lack of traditional guidance, his compositional efforts were rewarded when he won the Rubinstein Prize for Composition at the young age of 23. His Concerto for Trumpet is a shorter work in just a single movement, published in 1930. Written in a Romantic style, it showcases the composer's gift for lyric and idiomatic solo writing. | Trumpet, Orchestra | |
| 7209 | 69DAB9FA-A6CF-478F-A520-340607C7FA8C | 52701001 | Six Duos for Concert and Contest | Fresh duets in a variety of styles and musical periods for your high school students or the perfect addition to any concert (especially encores). Pieces included: 1. Gigue from Three Canons, Op. 34 (Liadov); 2. Gigue (Chaminade); 3. Allegro (Pergolesi); 4. Scherzetto (Ibert); 5. Gigue from English Suite No. 1 (J.S. Bach); 6. Capriccio, HWV 481 (Handel). | Violin and Cello | |
| 7210 | 69DD5DA3-4471-4ECF-A6ED-17933C671BBE | 18412006 | Castle Music | CASTLE MUSIC is a short three-movement work for flute trio. It is part of Vaclav Nelhybel's Music for Young Players and Singers Ensemble Series. For developing to intermediate students, the music requires fairly independent players. With a standard fast-slow-fast form, it is perfect for use in contest or on recital. | Flute Trio | |
| 7211 | 69DE1F9B-5A7A-4DC2-94A1-912A7BCF18CD | SS131CO | Four Little Pieces | (not set) | Horn Quartet | |
| 7212 | 69DED5C1-27FA-4A87-ADF5-503FBE892B0C | W113391 | Classical Manuscripts, Bk. 3 (Nos. 13-17) | This multi-volume collection of Classical Manuscripts includes eighteen violin solos with piano accompaniment, each written in the style of another composer. Book 2 includes: 13. Preghiera in the Style of Padre Martini; 14. Tempo di Minuetto in the Style of Gaetano Pugnani; 15. Aubade Provençale in the Style of Louis Couperin; 16. La Chasse in the Style of Jean-Baptiste Cartier; 17. Grave in the Style of Friedemann Bach. | Violin and Piano | |
| 7213 | 69E03542-25B4-4DC5-A20C-9D7F26F13F9A | 51250613 | Wayfaring Stranger | String Orchestra | ||
| 7214 | 69E33D94-A6CA-4623-9691-D503E5746FB5 | M184891 | Allegro de Concierto, Op. 46 | The ALLEGRO DE CONCIERTO in C? major, Op. 46, is a virtuosic showpiece for piano by Enrique Granados, composed between 1903 and 1904. This is a grand, eloquent and flowing concerto, with melodies full of Spanish flavor. Its lyricism and technical brilliance, reminiscent of Franz Liszt, have made it one of the composer's most popular works. The editing and fingering of this reprint edition has been done by the composer himself. | Piano Solo | |
| 7215 | 69E512AB-51BB-4B40-A482-2B1785735FCD | M260691 | Esquisses Byzantines | French composer and organist Henri Gabriel Mulet (1878-1967) composed one of his most notable works, Esquisses byzantines, between 1914 and 1919. Dedicated to the Sacré-Coeur, which was close to where Mulet was raised, each of the individual ten pieces in the larger work describes a specific part of the church itself or the liturgical function for which the church is used. The ten pieces are titled: 1. Nef, 2. Vitrail, 3. Rosace, 4. Chapelle des Morts, 5. Campanile, 6. Processionm, 7. Chant funèbre, 8. Noël, 9. In paradisum, and 10. Tu es petra et portæ inferi non prævalebunt adversus te. Reprint edition. | Organ | |
| 7216 | 69E63E34-EE2C-4C2A-A555-5AEB96AFD311 | SS950 | Sarabande (out-of-print) | Sax Quartet | ||
| 7217 | 69EBD411-0182-476A-A785-FF8D650D78E2 | M326891 | Children's Album, Op.36 | |||
| 7218 | 69F0E228-6B6A-413A-8CE0-CCAB0D0E589E | A235002 | Der Fliegende Hollaender (The Flying Dutchman) | DER FLIEGENDE HOLLÄNDER (THE FLYING DUTCHMAN), WWV 63, had two sources of inspiration for Richard Wagner (1813-1883). The first was a short story by Heinrich Heine, based on the folk legend of a sea-captain doomed to roam the seas for eternity. The second was an 1839 voyage that Wagner took on board the Thetis, a Norwegian ship, from Riga to London. The first performance took place at the Königliches Hoftheater in Dresden on January 2, 1843, under the baton of the composer. Expecting more of the pageantry and conflagration of RIENZI, the first Dresden audience reacted with indifference. The production lasted only four performances. In the 1870s, as listeners grew used to the innovations of his mature works, it finally grew in popularity and has become one of his most-performed operas today. Vocal score. | Vocal soli (6 roles, SATTBB): Chorus: Keyboard or Orchestra accompaniment | |
| 7219 | 69F78308-B5D2-47F0-88F5-F3B307935B3F | A109102 | Suite Argentina No. 1 (Primera Suite Argentina) | Argentine composer Alberto Williams (1862-1952) wrote PRIMERA SUITE ARGENTINA around 1923. Movements: 1. Hueya; 2. Milonga (Santos Vega bajo un sauce llorón); 3. Vidalita; 4. Gato. | Str (8-8-5-5-5 in set) | |
| 7220 | 69F80F2F-119F-4A80-BA73-684A83C9557B | A764602 | Printemps: Suite Symphonique | PRINTEMPS: SUITE SYMPHONIQUE is a two-part orchestral suite by Claude Debussy (1862-1918), produced during his residency at the Villa Medici after having won the 1884 Prix de Rome. Sent back to his mentors in Paris, the work puzzled them for its exploration of color at what they perceived to be a loss of formal structure. The original manscript, which included a wordless chorus, was eventually lost. In 1912, Henri Büsser created an orchestration from the sole surviving source, a reduction for chorus and piano duet. Rhené-Baton conducted its premiere at the Société nationale de musique in Paris on April 18, 1913. Instrumentation: 2(2nd d. Picc). 2(2nd d. EH).2.2: 4.2.3.0: Timp.Perc(2): Hp.Pno4hd: Str (9.8.7.6.5 in set). | 2(2nd d. Picc). 2(2nd d. EH).2.2: 4.2.3.0: Timp.Perc(2): Hp.Pno4hd: Str (9.8.7.6.5 in set) |