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712168CB7150-27E5-4B34-B727-FC425704A2F3A142302Slavonic Dances, Op. 72/B. 147 Book II (Nos. 5-8)2d1, 2, 2, 2 - 4, 2, 3, 0, timp, perc, str
712268CBD45A-7575-470A-A88A-F701C3B362F2M298391Two SongsPiano Trio
712368D80943-F5EB-402F-85D4-56F886F4EA63B24860 Musical Studies, Bk. 2The second book in the series, these studies are meant, in general, for the student who wants to develop greater fluency through legato playing, in many keys, in the middle and low registers. Only guidelines in tempo and dynamic markings have been chosen by the editor. The student is encouraged to treat these exercises with as much freedom as is needed for a musical interpretation.Tuba
712468D85510-9C06-4D7F-A30F-F31A11A22943SJ772006Bossa 4
712568E0EB76-C98D-4069-BC29-D979C9D461F5S814022An American Song Album Vol. 1Songs: 1. Shady Grove (Trad. Appalachian), 2. Buttermilk Hill (Trad. Revolutionary War Song), 3. The Morning Trumpet (From The New Harp of Columbia, 1867; additional lyrics by Edward Barnes), 4. The Evening Train (Trad. Railroad Song, additional lyrics by Edward Barnes), 5. Wondrous Love (from The Sacred Harp, 1840), 6. Git Along, Little Doggies (Trad. Cowboy Song, additional verses by Edward Barnes), 7. Sweet Betsy from Pike (Trad. Gold Rush Song, additional verses by Edward Barnes), 8. Hey Ol' Mister Death (lyrics by Edward Barnes), 9. Lips that Touch Liquor (Prohibition Era Song; additional verses and chorus by Edward Barnes), 10. Candle in the Snow (lyrics by Edward Barnes), 11. Heavenly Union (based on a song in the Southern Harmony and Musical Companion, 1835; Lyrics by Edward Barnes), 12. The Lady and the Gypsy (Trad. Appalachian; additional lyrics by Edward Barnes)Voice, Piano.
712668E1DF11-717D-4CA1-A790-C9893DFBCFFAA218302Sleeping Beauty, The: Suite from the Ballet, Op. 66aThe Sleeping Beauty ballet in 3 acts, which tells the story of conflicting forces of good and evil, incorporates various fairy-tale characters from the Brothers Grimm and French fairy tales. Tchaikovsky's (1840-1893) longest ballet, the work was met with a favorable response following the January 15th, 1890, premiere at the Imperial Mariinsky Theatre in St. Petersburg, but the composer would not live to see the work become the mainstay of the ballet repertoire that it has enjoyed for over one hundred years. The suite, which includes five movements (1. Introduction et La Fée des Lilas, 2. Pas d'Action, 3. Pas de Caractère, 4. Panorama, 5. Valse) was an idea that Tchaikovsky considered in February of 1890. However, unable to settle on which sections to include, the composer rejected the idea for himself, preferring to have each individual number released in succession. Following his death, this five-movement suite (Op. 66a) was released from the publisher Jurgenson, likely edited by Aleksandr Ziloti. This this version has been edited and reengraved by Carl Simpson. Instrumentation: 2+Picc.2+EH.2.2: 4.2+2Crnt.3.1: Timp.Perc(2): Hp: Str (9-8-7-6-5 in set).2+Picc.2+EH.2.2: 4.2+2Crnt.3.1: Timp.Perc(2): Hp: Str (9-8-7-6-5 in set)
712768E4C5D7-B4E4-4C2C-B125-FEAA01BDAFC8A353302Romeo and Juliet, Act II, Aria: Ah! Leve-toi, soleil (tenor)Charles Gounod (1818-1893) completed the five-act opera Roméo et Juliette (Romeo and Juliet) in 1867. With a libretto by Jules Barbier and Michael Carré, the opera tells the tragic story of Shakespeare's play with little deviation. The work is well-known for the series of four duets sung by the main characters and the waltz song Ah! Je veux vivre as sung by the soprano lead. It premiered on April 27, 1867 at the Théâtre Lyrique in Paris, Adolphe Deloffre conducting. Among the most popular aria in this opera, "Ah! Leve-toi, soleil" is sung by Romeo (tenor) at the beginning of the 2nd act of the opera. Instrumentation: 2.1+EH.2.2: 4.0.0.0: Timp: Hp(2): Str (4-4-3-3-3 in set): Solo Tenor (not in set).2.1+EH.2.2: 4.0.0.0: Timp: Hp(2): Str (4-4-3-3-3 in set): Solo Tenor
712868E697DE-9D7E-4159-A449-1AE89B936C4ES934CBPegasus: Fanfare from the Spirit SleepingPegasus is the winged horse of Greek mythology that carried his rider into many daring exploits. Zeus rewards his heroism by making him a constellation in the stars. In Medieval times he became a symbol of wisdom and remains one of the most recognized icons in the world today. The fanfare "Pegasus" was written for the Dallas Wind Symphony in honor of the city of Dallas.Band
712968E7413A-FD32-4DAC-B037-0397AB375609A738002Two Sinfonias: Nos. 1 (Op. 204, RV 719) and 2 (RV 146/F.XI: 41)These editions of two of Antonio Vivaldi's (1678-1741) SINFONIAS (RV 146 and RV 719) was completed by Ludwig Landshoff. Violin 3 parts are also included as a substitution for the viola. Instrumentation: Str (8-8-3/5-5-5 in set): Hpchd in set. Reprint edition.Str (8-8-3/5-5-5 in set): Hpchd in set
713068E770AD-A0AE-4468-913F-D98585710248R00370Two Songs for an Uncertain Age(not set)Soprano  Solo: 3.3.3.3: 4.3.3.1: Timp.Perc(2).Pno.Clst.Hp: Str
713168E9A2C1-DA78-40BF-88E4-309A00BA06D9S714CBWildwood Overture(not set)Concert Band
713268EB22BB-6FE1-4BC2-859D-F819875D561BRCB42024 Instructive Studies Op. 30Flute, Piano
713368EFA394-5A98-468A-A65A-FE80D570F6C1A116902Sonate a Quattro: Sonata No. 3 in C(not set)2vns, vc, bass
713468F1D1AC-1B92-4226-A139-60F9DD20DB8620250003Valse From La Perich(not set)String Orchestra
713568F5BE6C-7E1C-4FFE-9E28-464ECFD93412B12712 Grand Etudes BrillantesHorn
713668F72A00-35D5-461C-AE8E-C5756C71F87DSC152BirthdaysSsa
713768F860AA-79CD-45A5-8EBC-4C5767B3BE77ST900And the Strange Unknown FlowersThe title is a quotation from Thomas Wolfe's "No Door: A Story of Time and the Wanderer." The performer is given a great deal of flexibility in how to interpret and play the music, though the composer offers performance notes as a guide.Flute Unaccompanied
713868F9561A-BB45-44B6-99E2-D086FDD07BF6SU794The Encore SoloSir James Galway became acquainted with this short but brilliant encore of Reichert's while visiting Albert K. Cooper at his home in south London. This new exclusive edition presents the work as performed by James Galway himself.Flute
713969004F2C-3259-42DC-8F8E-C9AFE52DBA95A941390Suites Anglaises du XVI Siecle: 1st SuiteFrench composer Henri Rabaud (1873-1949) composed the incidental music for an adaptation of Shakespeare's THE MERCHANT OF VENICE (LE MARCHAND DE VENISE) by writer and Rabaud librettist Lucien Népoty. For the incidental music, Rabaud arranged and orchestrated pieces composed by the various musicians of Queen Elizabeth's court. From this music, Rabaud extracted three SUITES ANGLAISES DU XVI SIECLES (ENGLISH SUITES OF THE 16TH CENTURY). This 1st Suite is in four movements: I. Allegro (music by John Bull; II. Andante (music by William Byrd); III. Allegro (music by Giles Farnaby); IV. Lent (music by Giles Farnaby). Instrumentation: 1.1.0.1: 0.2.0.0: Perc(1): Harp.Org(Harmonium).Hpschrd(Clavecin): Str (9-8-7-6-5 in set). Reprint edition.1.1.0.1: 0.2.0.0: Perc(1): Harp.Org(Harmonium).Hpschrd(Clavecin): Str (9-8-7-6-5 in set)
71406901E608-416B-494D-BDE9-20EEB4673D44V20Texas Our Texas (in C)Piano/vocal