Titles
Showing 7,181-7,200 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 7181 | 69776A07-0CF3-4104-9DAE-586D28F4D12E | SS458 | La Verginella (out-of-print) | Flute | ||
| 7182 | 697AC2C9-64F9-403F-9407-9F46602A064F | A118002 | Le Roi Lear (King Lear) Overture, Op. 4 | Hector Berlioz (1803-1869) wrote his overture King Lear (H 53), just after the abrupt dissolution of his engagement to Camille Moke. He had just arrived in Italy as the winner of the 1830 Prix de Rome, and hearing the news, decided to avenge himself by assassinating his ex-fiance, her mother, and her new fiance. Stopping in Nice, France, on his way to Florence, he changed his mind and began the process of rehabilitation. As he relaxed beside the Arno River, he read Shakespeare's play and it enthralled him so much, he later wrote that he rolled "around convulsively to give vent to my excitement". Two months later, the overture was complete. It premiered under the baton of Narcisse Girard at the Paris Conservatoire on December 22, 1833. Instrumentation: 2(2nd dPicc).2.2.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set). | 2(2nd dPicc).2.2.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set) | |
| 7183 | 6981C005-0A1E-462A-B2F8-6EE16A68E163 | ST155 | Twelve for Three for Woodwind Trio | These twelve trios for mixed woodwinds (flute/oboe, clarinet in Bb, bassoon) cover a wide range of styles and musical periods. Movements include: I. Intrada, II. Canon, III. Unison, IV. Romance, V. Scherzo, VI. Pastoral, VII. Sonatine, VIII. Barcarolle, IX. Invention, X. Perpetual Motion, XI. Pause, XII. Final Combination. Versions for clarinet trio and string trio are also available from the publisher. | Woodwind Trio (Flute or Oboe, Clarinet in Bb, and Bassoon) | |
| 7184 | 698217AC-49BF-4652-AA93-FB078181C3CA | 50100303 | The Bonnie Banks of Loch Lomond | Concert Band | ||
| 7185 | 698454A4-C30C-46FB-A3B7-0F1238720AE1 | SS549 | Sonata | This sonata is scored for two Bb clarinets (optional alto clarinet on the 2nd part) and bass clarinet. This is published under the Clifton Williams Master Composer Series, which includes carefully selected music arranged and transcribed for small woodwind and brass ensembles by a leading American composer-arranger. | Clarinet Trio: 2 Clarinet (sub. Alto Clarinet for 2nd part) and Bass Clarinet | |
| 7186 | 698E2FAC-2973-4A92-AD42-51CABE244EC9 | M217791 | Pieces de Fantasie, St. 2 | (not set) | Organ | |
| 7187 | 6991F95F-A359-4063-89AE-E62C09EEE5B1 | B386402 | Divertimento No. 4 in B-flat, K. 186/159b | The divertimenti in B-flat major, K. 186/159b and E-flat major, K. 166/159d, were both written for pairs of oboes, English horns, clarinets, horns, and bassoons, and are considered companion works. Although the origin and inspiration for such an ensemble with odd instrumentation is uncertain, they are considered the first stage in Mozart's development as a wind music composer. | 0.2+2EH.2.2: 2.0.0.0 | |
| 7188 | 69923FAF-CAF1-49C2-80AF-30DC00A1D7C4 | 10710168 | A Waltz Dream | Violin and Piano | ||
| 7189 | 699436DA-5E87-4592-A5E1-BBB789523EF7 | A210490 | Die Fledermaus: Tik Tak Polka Schnell, Op. 365 | Viennese Opera Dances Opera/Excerpts | 1+1, 2, 2, 2 - 4, 2, 3, 1, timp, perc, str | |
| 7190 | 6995634E-8A96-4DB7-A78B-AEA93122FE62 | SS65 | Pavane | This transcription for clarinet choir of the well-known pavane by Maurice Ravel was edited by David Hite. All the beauty of this excellent composition has been retained and adapted to the clarinet family. For extra sonority, the number of players per part may be doubled. | Clarinet Choir: 6 Bb Clarinets and Bass Clarinet | |
| 7191 | 69982CD6-2D30-414E-B19F-05EB0D08C000 | R00216 | Symphony of Delusions | 2+Piccolo.2.3+optional A Clarinet+Bass Clarinet+optional ContraBass Clarinet.1+ContraBassoon. AATB Saxophone Ensemble: 2.3.3.Baritone Horn.1: Timpani.Percussion(4).Piano | ||
| 7192 | 699A8703-9EB4-4D4B-BA73-54236FAAB471 | 10612100 | Trio for Snare Drums | For three snare drums with suspended cymbal and wood block, this trio emphasizes dynamic contrast and utilizes 5 and 9-stroke rolls. | Snare Drum 1,2,3; Wood Block; Suspended Cymbal | |
| 7193 | 699C446B-82FF-4463-BAD4-F54C1346DD05 | RMR18CB | Concert Fantasia on Verdi's Rigoletto for Clarinet and Band | Luigi Bassi (1833 - 1871) replaced Ernesto Cavallini as principle clarinet at the La Scala opera house in Milan in 1854. A graduate of the Milan conservatory, Bassi was considered one of the best Italian clarinetists of his day. As was common in nineteenth-century Italy, Bassi's clarinet works are mostly based on opera themes from the great opera composers of his day, Verdi, Bellini, Donizetti, and others. Today, his best-known work is the Concert Fantasia on Movtives from Verdi's opera "Rigoletto", which is but one of the 13 or so opera fantasies that he wrote for clarinet. | Clarinet Solo, Concert Band | |
| 7194 | 699E8FC2-B36A-4A35-A7AA-5437BDB25204 | LV417MB | Festival | (not set) | Marching Band | |
| 7195 | 69A6419B-FEFC-4AC6-A581-513DA8000341 | ST664 | Concertino | The required piece at the final examination for the horn students at the Conservatory of Lille, France in 1905, this concertino combines both the heroic and the singing nature of the horn, utilizes hand stopping techique and has contrasting slow melodic passages followed by fast technical passages, making it an ideal piece to show the many facets of a player's ability. | Horn and Piano | |
| 7196 | 69B2A668-2C16-4550-9F00-AEAE5102B918 | 20100260 | Sea Chanty Variations | Band | ||
| 7197 | 69B49D40-AC5D-48C2-9AB5-C4FEF2501716 | M804490 | Morning Song, Op. 15, No. 2 | Morning Song (Chanson de Matin) was probably composed in 1889 or 1890 and was originally written for violin and piano. The melodic nature of this sensitive work makes it a natural for string orchestra. Douglas Stroud has captured the rich depth of Elgar's original composition, which will highlight your group's sensitivity and musicality. | String Orchestra | |
| 7198 | 69BA9847-78B0-4E05-A213-5DE504B170D9 | SU123 | Jesu, Joy of Man's Desiring | A beautiful arrangement of one of Bach's most well-down melodies written as a quartet. Versions by Richard Thurston available from the publisher for other instrument quartets include: Flute, Clarinet, Saxophone (AATB), Trumpet, Horn, Tuba, Violin, Viola, and Cello. | Horn Quartet | |
| 7199 | 69BC3AFD-919A-4D2D-A09C-14330AF40F1F | O41JB | The Ten Minute Jazz Improv Vol. 2 | Volume 2 of the Ten Minute Jazz Improve emphasizes minor 7th and minor 9th jazz chords and the dorian mode. Includes tune "Dorian's Waltz". | Jazz Band | |
| 7200 | 69BE8778-D9D6-4676-9DED-BE4502C9BE39 | TC719 | Ave Maria | Tomas Luis de Victoria is generally regarded as a giant of his time, the most influential Spanish composer of religious polyphonic music and at least the equal of his better known contemporary, the Roman master Palestrina. Although much of Victoria's life was passed in residence in Italy, his Spanish origin remained intact, finding its expression in a personal language of ardent religious sentiment and profound Spanish mysticism. The AVE MARIA, on the composer's most moving and exquisite motets, is a tiny masterpiece which fully illustrates the immersion of Roman discipline in flowing contrapuntal lines of gentle simplicity and in homophonic textures of dance-like, rhythmic buoyancy. In this edition, note values have been halved and tempos and dynamics added as suggestions for modern performance. | Four-Part Chorus of Mixed Voices a Cappella |