Titles
Showing 7,261-7,280 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 7261 | 6A99D7A1-3888-48C8-AA25-44911DD269AD | ST691CO | Petite Suite | This suite written for string trio can be played by either violin, viola, and cello or two violins and cello. Movements: I. Morning Dove II. Looking Back III. The Music Box IV. The Dancer | String Trio | |
| 7262 | 6A9AC63D-241A-4C04-A689-55FEF63B931D | W116891 | Moses Op. 67 | (not set) | Vocal | |
| 7263 | 6A9BE4FF-6391-4526-8AF7-8FAB77A49B93 | MP814040 | Lime Jello Marshmallow Cottage Cheese Surprise | "Lime Jello Marshmallow Cottage Cheese Surprise" is a satirical novelty song by the American composer William Bolcom. It is written for voice with piano or orchestra accompaniment (arranged by Michael Borowitz), and Bolcom frequently performs it with his mezzo-soprano wife, Joan Morris, accompanying her on the piano. Composed in 1980, It is based on his experiences, in his youth, of playing the piano for women's clubs, and being fed absurd and unappetizing cuisine, including foods resembling Jello salad. | Mezzo-soprano and Piano | |
| 7264 | 6A9C36BA-EA72-4032-84F5-FB6BACBBADFA | M981290 | Pavane Pour Une Infante Defunte (full orch.) | Full Orchestra | ||
| 7265 | 6AA0401C-6847-4B83-A8B4-FE7752017CAC | 50380004 | Four Songs, Op. 1 | (not set) | Voice and Piano | |
| 7266 | 6AA1D349-A0A3-4690-B75B-48C51E4941CB | M905302 | Villanelle for Horn or Euphonium and Band | Orchestrated by Donald Miller for Solo Horn or Solo Baritone/Euphonium and band. In French, the word "villanelle" implies a rustic song or dance. It was used during the 16th century to describe songs which used simple language and were of a pastoral nature. | Horn or Euph solo, Concert Band | |
| 7267 | 6AA30FF4-74FB-42B1-9E63-E70143689983 | A232802 | Dido and Aeneas, Z. 626 | English composer Henry Purcell's (1659-1695) Dido and Aeneas was definitely performed by Josias Priest's girls' school of London in 1689, though it may have been composed much earlier and have a previous performance. Purcell's only true opera, it tells the tragic story in three acts of Dido, the queen of Carthage, and her love for Aeneas of Troy. When they agree to marry, a sorceress plots the destruction of the marriage and Carthage by tricking Aeneas into believing that he must leave to create a new Troy. When he tells Dido this, she rejects him completely and forces him to leave despite his willingness to defy the gods and stay with her, and she dies soon after, though first singing the most well-known aria from the opera, "When I am laid in Earth," also known as "Dido's Lament." This edition is by William Hayman Cummings (1831-1915) from 1889, when the opera first saw the revival that continues to this day. The set of score and parts and the vocal score are available separately. | Hpchd (in FS): Str (2-2-2-1-1 in set): Vocal Soli (9 roles, SSSSSAATT): Chorus | |
| 7268 | 6AA318F9-E83F-4C2A-B70F-736D552DF2EF | ST140 | Aria and Dance | This piece is a challenge for both the soloist and ensemble trombones, with independent writing in all parts. | Trombone Quintet | |
| 7269 | 6AAA73BA-185E-4147-ABB3-CAD410DD99FA | X211002 | Circle Music IV | Fourth in series of pieces for solo instrument and piano. | Horn and Piano | |
| 7270 | 6AAF8974-7037-45F8-B44A-408363659F6A | A740102 | Acuarelas Valencianas | (not set) | string orchestra | |
| 7271 | 6AB34F5D-C207-4B81-B04F-91726D22FC91 | X990002 | Dor L'Dor | |||
| 7272 | 6AB61037-06ED-4CA0-9CF2-2DC7D10817A5 | ST659 | Etchings | A three movement piece for horn and piano in a Allegro-Adagio-Allegro format. A very accessible contemporary contest solo. | Horn | |
| 7273 | 6abca66c-9e39-11f0-a418-0022482c9682 | 52260378 | Festival for Solo Cello and String Orchestra | Looking for a cello feature that's out of the ordinary? Here it is. A Latin-tinged string orchestra with claves and maracas accompanies a vigorous medium level cello solo. | Solo Cello and String Orchestra | |
| 7274 | 6AC0DCA4-71B3-4FBB-9408-D53129B5F60E | MP504002 | String Quartet No. 8 (Quatuor y cordes No. 8) | Premiere: Quartet Max Bigot, Paris, France, April 1960. Second Performances: The Arditti Quartet, March, 2017. Indianapolis Muesum of Art and Montclair State University. Movements: 1. Very rhythmically, moderately fast, 2. Andante inquieto, 3. Adagio, 4. With force | String quartet | |
| 7275 | 6AC3329A-D5A6-447E-B939-38822B733CF3 | S707CB | Robert Burns Suite | (not set) | Concert Band | |
| 7276 | 6AC75772-ACEA-4CFA-A3E8-A6228CE5EB2A | M131691 | Gipsy Songs, Op. 55/ B. 104 (high voice, original keys, critical edition) | Antonín Dvo?ák (1841-1904) composed his cycle of songs entitled GIPSY SONGS, Op. 55, in 1880 four the outstanding German tenor Gustav Walter, who premiered them at his recital in Vienna on February 4, 1881. A setting of seven poems from Adolf Heyduk's collection of poems called GIPSY MELODIES, the works are among the most successful items in the concert repertory, particularly the 4th song, SONGS MY MOTHER TAUGHT ME. Song titles: 1. Má píse? zas mi láskou zní / My song rings out with love again; 2. Aj! Kterak trojhranec m?j / Hey, how my triangle; 3. A les je tichý kolem kol / The woods are silent all around; 4. Když mne stará matka / Songs my mother taught me; 5. Struna nalad?na / Now the string is tuned, lad; 6. Široké rukávy / Flowing sleeves and trousers; 7. Dejte klec jest?ábu / Give the hawk a cage. This critical edition by Otakar Šourek includes text in Czech, German, and English. Versions are available from the publisher for both high voice (original keys) and medium voice (transposed). | High Voice and Piano | |
| 7277 | 6AC7BB54-D061-41C8-B895-098E190D387B | A586902 | Introduction [Jubilate], RV 639 (Op. 108/1) and Gloria (Op. 109/7), RV 588 | Antonio Vivaldi (1678-1741) likely composed three settings of the hymn Gloria in excelsis Deo, though only two have survived. It was common for Vivaldi to write introductory motets to be performed before the Gloria itself. For RV 588, the last movement of the Introduction (Jubilate, o amoeni cori, RV 639) is connected thematically to the first movement of the Gloria itself. This Urtext edition has been translated and edited by Clayton Westermann and includes a preface to explain the manuscript sourcing and editorial approach. Instrumentation:0.2.0.0: 0.1.0.0: Str (2-2-2-1-1 in set): Continuo: Soli SAT: Mix Chor. Vocal/choral scores not included. | 0.2.0.0: 0.1.0.0: Str (2-2-2-1-1 in set): Continuo: Soli SAT: Mix Chor | |
| 7278 | 6AC86818-BA69-4AEB-9D2D-9661D8534B26 | M290391 | Nocturne in Eb minor, Op.33/1 | Flute,Two Oboes,Two Clarinets,Two Horns,TwoBassoons | ||
| 7279 | 6ACB7153-4C20-4AC4-B299-C90C07626EE5 | R00053 | Whispers of Yesterday | Flute (d Piccolo), Oboe (d English Horn), B-flat Clarinet, Bassoon, Horn, Crotales (played by Flute) | ||
| 7280 | 6AD6CA3D-CB97-400F-949E-F986B80AABCD | LV117CB | Calypso Carnival | (not set) | Concert Band |