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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
73216B710DE5-D9C7-44EC-9B96-4DAF35299524S586CBOuachitaThis tone poem for concert band is inspired by the Ouachita River of Arkansas and Louisiana.Concert Band
73226B759574-7295-438E-9ED3-BAB56521627D16732123Seven Moods For Three CellosThese seven stylistically different trios are perfect selections for advancing cellists, whether to perform at recital or contest, or just for fun!Cello Trio
73236B7C70E6-BAD4-4531-A1F5-7482BAA263DDM300391Sonata In Ab, Op. 107(not set)Clarinet and Piano
73246B7E0362-2D09-46D5-8754-D53F958790CEW109891Le Roi Des EtoilesChorus, Orchestra
73256B812E81-68EE-49D1-91C1-34C419AE22D2EBM0610243Rush for Alto Sax and Orchestra<div><font color="#303030">Kenneth Fuchs�s fifth Naxos recording with the London Symphony Orchestra conducted by JoAnn Falletta won the 2018 GRAMMY� Award in the category Best Classical Compendium. Among the works featured on the album is Rush (Concerto for Alto Saxophone), which was commissioned by Ryan Janus, principal saxophonist of the United States Air Force Academy Band, and a consortium of saxophonists and ensemble conductors. </font></div>

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<div><font color="#303030">The work is composed in a two-movement form, each about seven minutes in duration, connected by an extended cadenza for the saxophone soloist. The first movement, which begins with a short cadenza that introduces the thematic material of the work, is a rhapsodic Adagietto with transparent textures. The second movement, which begins with an extended cadenza that introduces blue notes into the harmonic language, is cast in the form of a jazz-inflected passacaglia with ten variations and a coda.</font></div>

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<div><font color="#303030">Versions for orchestra and band are available from the publisher, as well as a piano reduction.</font></div>
Alto Sax Solo: 2+Picc.2+EH.3.2: 4.3.2+BsTbn.1: Timp.4Perc.Harp: Str
73266B8478A9-61FF-498E-9F03-0E76F416522DB302Basic Technical StudiesMany players, professionals as well as students, suffer from problems with intonation, tone, stamina, or combinations of these areas. During Harold Meek's tenure with the Boston Symphony Orchestra, Dr. Serge Koussevitzky suggested that Meek write some simple studies of basic nature for horn players which would help them to acquire a beautiful tone, improve their intonation through study and practice of intervals, and aid stamina by carefully controlled breathing. The result was this set of studiesm basic to all horn technique.Horn
73276B85868C-8521-453B-A5D0-2B111A4DB861WM18560Valse Vanite for Solo Alto Saxophone and Saxophone ChoirRudy Wiedoeft (1893-1940) composed VALSE VANITÉ in A-flat for alto saxophone solo and piano in 1923. This version for alto saxophone and saxophone ensemble has been arrangd by Chad Smith.Alto Saxophone Solo and Saxophone Choir: Sopranino (sub. Sop.), 2 Soprano, 2 Alto, 2 Tenor, 2 Bar, Bass
73286B8614C1-B8C7-4824-8927-ADF7596F69ECM317191Summer Dreams, Op. 47Dedicated to the composer's niece, "Summer Dreams" is a suite of six pieces for piano four hands featuring poetic quotations at the head of each piece. Reprint edition.Piano Four-Hands
73296B8CB7E5-5781-4776-BA76-1BA7E6DFC88FMP647001Soliloquy III (2nd Movement of Concerto for Horn)A very atmospheric and free horn solo over a twittering texture created by three percussionists. Some improvisation by the horn player (or use the ossia written part). Full performance set is comprised of four small scoresHorn, 3 Percussion
73306B8D6366-F93A-46F8-9CB4-6D3A70CC4C72X504018String QuartetString Quartet
73316B8DBAAF-B4C4-4EC1-9171-D0318717B8B0SS275Concerto in g Minor(not set)Clarinet
73326B9559FA-6C74-40B6-8DD7-ABB6B9179CACM410591Duo for Viola and BassoonThis interesting selection for advanced players features mixed meters with modern tonality. Arranged for viola and bassoon duet.Viola and Bassoon
73336B97E8DF-E7ED-49B6-8BE4-89A59297D0A7R01591Da Pacem: Concerto for Cello and OrchestraHartke's cello concerto, Da Pacem, takes its title from a Latin hymn that begins “Grant peace in our day.” It is a reflection on these unsettled and unsettling times. As the work’s protagonist, the solo cellist journeys through a considerable variety of musical landscapes. Movements: I. Da Pacem (Fantasia) II. In diebus nostris (Scherzo) III. Quis pugnat pro nobis? (Introduction, Elegy, and Envoi) Commissioned by Oberlin College and Conservatory; the Saint Paul Chamber Orchestra; the Aspen Music Festival, Robert Spano, Music Director; and American Composers Orchestra.Cello solo: 2(1-2dPicc, 2dAfl).2(2d Oboe d'amore).2(2dBcl).2(2dCbsn): 2.2.0.0: Perc(1): Str(5.5.4.4.2 min)
73346B987D91-20C2-412D-9698-7558EF1651E9ST196Sonata No. 44This transcription of the Baroque keyboard sonata was arranged for SATB saxophone quartet by Fred Hemke and is a wonderful selection for saxophonists looking to play music that highlights their technical abilities.Sax Quartet (SATB)
73356B9D0725-D937-4CA0-B19D-896B7E51EB9D50250127Jingle JoyBeginners will be able to play a melody at your holiday concert by using this wonderful medley of How Great Our Joy, Joy to the World, and Jingle Bells. The key is D major and no rhythms other than quarter and half notes. Violin 1 stands alone, Violin 2 and Viola mostly double, as do Violoncello and Double Bass. Simple, yet effective, the arrangement has a piano accompaniment to help solidify the rhythm.String Orchestra
73366BA0F96E-2F06-4F52-A857-CE1DA7967025SU539Elegie: Tone and Performance Studies No. 10Julius Weissenborn was an esteemed 19th century bassoon player and pedogogue, whose compositions and studies are still a major part of a young bassoonists education today. This piece is part of his "Tone and Performance Studies", of which the publisher offers several other titles including: "Arioso", "Song Without Words", "Elegie", "Humoresque", "Adagio", "Notturno", "Scherzo", "Ballade", "Romance No.1", "Capriccio", and "Romance No. 2".Bassoon, Piano
73376BA267C5-0656-4609-9D5D-FE6502ABC3C3SS371Napoli for Trombone and PianoNapoli is perhaps the most famous solo by Sousa arranger and cornet virtuoso Hermann Bellstedt. Conceived as a theme and variations on a wildly popular 19th Century song, this edition by Bellstedt's student and Sousa band successor Frank Simon remains the one most performed today. This edition for trombone and euphonium by Tommy Fry comes with both bass and treble clef barts. Arrangements for trumpet and piano, trombone and piano, and trumpet or trombone and full orchestra are also available from the publisher.Trombone or Baritone (BC/TC), Piano
73386BB09EBA-7D18-4FD8-A7F5-25ED3C79CE9DM304991Jota Aragones, Op. 27(not set)Violin And Piano
73396BB2224C-7D19-4646-A41A-988336BB46C1M30199124 Inventions Op. 50(not set)Organ
73406BBFAF40-2E6E-4576-8C8E-1EAFD3821F70A399990Radetzky March, Op. 228Viennese Marches2+1, 2, 2, 2 - 4, 2, 3, 0, perc, str