Titles
Showing 7,321-7,340 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 7321 | 6B710DE5-D9C7-44EC-9B96-4DAF35299524 | S586CB | Ouachita | This tone poem for concert band is inspired by the Ouachita River of Arkansas and Louisiana. | Concert Band | |
| 7322 | 6B759574-7295-438E-9ED3-BAB56521627D | 16732123 | Seven Moods For Three Cellos | These seven stylistically different trios are perfect selections for advancing cellists, whether to perform at recital or contest, or just for fun! | Cello Trio | |
| 7323 | 6B7C70E6-BAD4-4531-A1F5-7482BAA263DD | M300391 | Sonata In Ab, Op. 107 | (not set) | Clarinet and Piano | |
| 7324 | 6B7E0362-2D09-46D5-8754-D53F958790CE | W109891 | Le Roi Des Etoiles | Chorus, Orchestra | ||
| 7325 | 6B812E81-68EE-49D1-91C1-34C419AE22D2 | EBM0610243 | Rush for Alto Sax and Orchestra | <div><font color="#303030">Kenneth Fuchs�s fifth Naxos recording with the London Symphony Orchestra conducted by JoAnn Falletta won the 2018 GRAMMY� Award in the category Best Classical Compendium. Among the works featured on the album is Rush (Concerto for Alto Saxophone), which was commissioned by Ryan Janus, principal saxophonist of the United States Air Force Academy Band, and a consortium of saxophonists and ensemble conductors. </font></div> <div> </div> <div><font color="#303030">The work is composed in a two-movement form, each about seven minutes in duration, connected by an extended cadenza for the saxophone soloist. The first movement, which begins with a short cadenza that introduces the thematic material of the work, is a rhapsodic Adagietto with transparent textures. The second movement, which begins with an extended cadenza that introduces blue notes into the harmonic language, is cast in the form of a jazz-inflected passacaglia with ten variations and a coda.</font></div> <div> </div> <div><font color="#303030">Versions for orchestra and band are available from the publisher, as well as a piano reduction.</font></div> | Alto Sax Solo: 2+Picc.2+EH.3.2: 4.3.2+BsTbn.1: Timp.4Perc.Harp: Str | |
| 7326 | 6B8478A9-61FF-498E-9F03-0E76F416522D | B302 | Basic Technical Studies | Many players, professionals as well as students, suffer from problems with intonation, tone, stamina, or combinations of these areas. During Harold Meek's tenure with the Boston Symphony Orchestra, Dr. Serge Koussevitzky suggested that Meek write some simple studies of basic nature for horn players which would help them to acquire a beautiful tone, improve their intonation through study and practice of intervals, and aid stamina by carefully controlled breathing. The result was this set of studiesm basic to all horn technique. | Horn | |
| 7327 | 6B85868C-8521-453B-A5D0-2B111A4DB861 | WM18560 | Valse Vanite for Solo Alto Saxophone and Saxophone Choir | Rudy Wiedoeft (1893-1940) composed VALSE VANITÉ in A-flat for alto saxophone solo and piano in 1923. This version for alto saxophone and saxophone ensemble has been arrangd by Chad Smith. | Alto Saxophone Solo and Saxophone Choir: Sopranino (sub. Sop.), 2 Soprano, 2 Alto, 2 Tenor, 2 Bar, Bass | |
| 7328 | 6B8614C1-B8C7-4824-8927-ADF7596F69EC | M317191 | Summer Dreams, Op. 47 | Dedicated to the composer's niece, "Summer Dreams" is a suite of six pieces for piano four hands featuring poetic quotations at the head of each piece. Reprint edition. | Piano Four-Hands | |
| 7329 | 6B8CB7E5-5781-4776-BA76-1BA7E6DFC88F | MP647001 | Soliloquy III (2nd Movement of Concerto for Horn) | A very atmospheric and free horn solo over a twittering texture created by three percussionists. Some improvisation by the horn player (or use the ossia written part). Full performance set is comprised of four small scores | Horn, 3 Percussion | |
| 7330 | 6B8D6366-F93A-46F8-9CB4-6D3A70CC4C72 | X504018 | String Quartet | String Quartet | ||
| 7331 | 6B8DBAAF-B4C4-4EC1-9171-D0318717B8B0 | SS275 | Concerto in g Minor | (not set) | Clarinet | |
| 7332 | 6B9559FA-6C74-40B6-8DD7-ABB6B9179CAC | M410591 | Duo for Viola and Bassoon | This interesting selection for advanced players features mixed meters with modern tonality. Arranged for viola and bassoon duet. | Viola and Bassoon | |
| 7333 | 6B97E8DF-E7ED-49B6-8BE4-89A59297D0A7 | R01591 | Da Pacem: Concerto for Cello and Orchestra | Hartke's cello concerto, Da Pacem, takes its title from a Latin hymn that begins “Grant peace in our day.” It is a reflection on these unsettled and unsettling times. As the work’s protagonist, the solo cellist journeys through a considerable variety of musical landscapes. Movements: I. Da Pacem (Fantasia) II. In diebus nostris (Scherzo) III. Quis pugnat pro nobis? (Introduction, Elegy, and Envoi) Commissioned by Oberlin College and Conservatory; the Saint Paul Chamber Orchestra; the Aspen Music Festival, Robert Spano, Music Director; and American Composers Orchestra. | Cello solo: 2(1-2dPicc, 2dAfl).2(2d Oboe d'amore).2(2dBcl).2(2dCbsn): 2.2.0.0: Perc(1): Str(5.5.4.4.2 min) | |
| 7334 | 6B987D91-20C2-412D-9698-7558EF1651E9 | ST196 | Sonata No. 44 | This transcription of the Baroque keyboard sonata was arranged for SATB saxophone quartet by Fred Hemke and is a wonderful selection for saxophonists looking to play music that highlights their technical abilities. | Sax Quartet (SATB) | |
| 7335 | 6B9D0725-D937-4CA0-B19D-896B7E51EB9D | 50250127 | Jingle Joy | Beginners will be able to play a melody at your holiday concert by using this wonderful medley of How Great Our Joy, Joy to the World, and Jingle Bells. The key is D major and no rhythms other than quarter and half notes. Violin 1 stands alone, Violin 2 and Viola mostly double, as do Violoncello and Double Bass. Simple, yet effective, the arrangement has a piano accompaniment to help solidify the rhythm. | String Orchestra | |
| 7336 | 6BA0F96E-2F06-4F52-A857-CE1DA7967025 | SU539 | Elegie: Tone and Performance Studies No. 10 | Julius Weissenborn was an esteemed 19th century bassoon player and pedogogue, whose compositions and studies are still a major part of a young bassoonists education today. This piece is part of his "Tone and Performance Studies", of which the publisher offers several other titles including: "Arioso", "Song Without Words", "Elegie", "Humoresque", "Adagio", "Notturno", "Scherzo", "Ballade", "Romance No.1", "Capriccio", and "Romance No. 2". | Bassoon, Piano | |
| 7337 | 6BA267C5-0656-4609-9D5D-FE6502ABC3C3 | SS371 | Napoli for Trombone and Piano | Napoli is perhaps the most famous solo by Sousa arranger and cornet virtuoso Hermann Bellstedt. Conceived as a theme and variations on a wildly popular 19th Century song, this edition by Bellstedt's student and Sousa band successor Frank Simon remains the one most performed today. This edition for trombone and euphonium by Tommy Fry comes with both bass and treble clef barts. Arrangements for trumpet and piano, trombone and piano, and trumpet or trombone and full orchestra are also available from the publisher. | Trombone or Baritone (BC/TC), Piano | |
| 7338 | 6BB09EBA-7D18-4FD8-A7F5-25ED3C79CE9D | M304991 | Jota Aragones, Op. 27 | (not set) | Violin And Piano | |
| 7339 | 6BB2224C-7D19-4646-A41A-988336BB46C1 | M301991 | 24 Inventions Op. 50 | (not set) | Organ | |
| 7340 | 6BBFAF40-2E6E-4576-8C8E-1EAFD3821F70 | A399990 | Radetzky March, Op. 228 | Viennese Marches | 2+1, 2, 2, 2 - 4, 2, 3, 0, perc, str |