Titles
Showing 7,341-7,360 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 7341 | 6BC01D95-C723-459D-8132-86E13FB744A0 | A701690 | Concerto for Piano No. 4 in G minor, Op. 40 (Second revised version, 1939-41) | Rachmaninoff's Piano Concerto No. 4 in G minor, Op. 40, was completed in 1926. The work exists in three versions. Following its unsuccessful premiere, the composer made cuts and other amendments before publishing it in 1928. With continued lack of success, he withdrew the work, eventually revising and republishing it in 1941 (Second revised version, most generally performed today). The original manuscript version was released in 2000 by the Rachmaninoff Estate to be published and recorded. The work is dedicated to Nikolai Medtner, who in turn dedicated his Second Piano Concerto to Rachmaninoff the following year. | Solo Pno: 2(+Picc).2(+EH).2.2: 4.2.3.1: Timp.Perc: Str | |
| 7342 | 6BC1089F-725F-4732-B9EE-651662ED3BED | A573190 | Manon: Minuet and Gavotte [transcription] | MANON, written by Jules Massenet (1842-1912) was composed in 1883 and premiered the following year on January 19 at the Opéra-Comique. It tells the story of a young woman who, despite being a good person, plays with the emotions of men as she falls in love with the jewelry and luxury of a Parisian life. This excerpt from the beginning of Act 3 features two dances, a Gavotte and a Menuett. It opens on the promenade of the Cours-la-Reine in Paris with the sparkling Gavotte, followed by a chorus of street vendors. The townspeople sing cheerfully about the holiday and the laughter and drinking it brings. The excitement settles into a graceful and dignified Menuett. Instrumentation: 1.2.2.2: 2.2Crnt.1.0: Timp.Perc(1): Str (9-8-7-6-5 in set): CS (Pno-Cond) in set. Reprint edition of the transcription for orchestra of the Minuet and Gavotte by Theodore Moses Tobani. | 1.2.2.2: 2.2Crnt.1.0: Timp.Perc(1): Str (9-8-7-6-5 in set): CS (Pno-Cond) in set | |
| 7343 | 6BC86C74-B442-44C3-994A-59EE64291D05 | LV721CB | Slavonic Dance, Op. 46 | (not set) | Concert Band | |
| 7344 | 6BC86FAD-ACC6-4C4A-8EB0-8D6BCC92858D | SS395 | Quintet, K452 | Woodwind Quintet | ||
| 7345 | 6BD1BAA9-496E-4C75-8BD2-DE8AA594D2C4 | V90 | Three Byron Songs | Vocal | ||
| 7346 | 6BD6D74D-73D2-4A47-9C2E-9D3DD9B08265 | A310102 | Morgen from Four Songs, Op. 27/4 [composer's transcription in G] | Richard Strauss (1864-1949) wrote Four Lieder (Four Songs), Op. 27 for voice and piano originally in 1894, and they are among his greatest songs, when taken as a set. While the text came from a trio of radical political activists with whom he was friends, Strauss managed to consistently select their love poems over the more rabble-rousing text they might have preferred. The original four songs: 1. Ruhe, meine Seele! (Henckell), 2. Cäcilie (Hart), 3. Heimliche Aufforderung (Mackay), 4. Morgen! (Mackay). While the 1st, 2nd, and 4th were orchestrated at various times by the composer, the Heimliche Aufforderung was not. Morgen! (Morning!) is serenely rapturous and remains one of Strauss' best-known and widely recorded works, with Strauss' 1897 orchestration also remaining very popular over the years. Instrumentation: 0.0.0.0: 3.0.0.0: Hp: Str (9-8-7-6-5 in set): Solo Vn: Solo Voice. The original songs with piano accompaniment are available in Richard Strauss' Collected Songs, Volume 3 (M125591) from LudwigMasters. | 0.0.0.0: 3.0.0.0: Hp: Str (10-8-7-6-5 in set): Solo Vn: Solo Voice | |
| 7347 | 6BD7F950-91F0-4B89-A7B9-E7ED7C0185CD | A166802 | Concerto for Piano No. 2 in D minor, Op. 23 | The first major piano concerto written by an American, CONCERTO FOR PIANO NO. 2 IN D MINOR, OP. 23 by Edward MacDowell (1860-1908) manages to be quite original, although some similarities to the concertos of Grieg, Saint-Saens, and Liszt may be found. Although it remained unperformed for the first few years after its completion in late 1885, it did finally receive its premiere in 1889, with the New York Philharmonic under Theodore Thomas, and the composer at the piano. Although many of MacDowell's smaller works continue to be performed regularly, MacDowell's PIANO CONCERTO NO. 2 is the only large-scale composition to remain in standard repertoire. Instrumentation: Solo Piano in set: 2.2.2.2: 4.2.3.0: Timp: Str(9-8-7-6-5 in set). Solo piano and piano reduction playing score. Reprint edition. | Solo Piano with Piano Reduction | |
| 7348 | 6BDCDDF1-5E8D-4DA0-8289-AE1DE991529C | W718591 | Musical Recreation: Suite No. 1 in F and Suite No. 2 in C minor | This collection of six suites for two violins and basso continuo (keyboard and violoncello) were written as chamber dinner or dance music. Editor Fritz Zobeley has updated these works to notate common performance practices of Pachelbel's time. A total of three volumes, with two suites in each, are available from the publisher. | 2 Vn, Vc, & Kbd. | |
| 7349 | 6BE18F0F-010A-4755-BA0B-99F1B797C91B | M326291 | Five Songs, Op. 38 | (not set) | Voice and Piano | |
| 7350 | 6BE2B112-B39C-4075-BF13-940F31273C4B | S336 | Loysville Orphan's Home Boys Band (out-of-print) | Marching Band | ||
| 7351 | 6BE6DACB-3CDA-44B7-8090-1F6C2BAEE8D7 | SS480 | Rondo | Rondo by Alexander Von Kreisler is the perfect vehicle for recital or contest for the intermediate player. Versions for bass/contrabass clarinet, tuba, and contra alto clarinet are available from the publisher. | Bass Cl/Contrabass Cl | |
| 7352 | 6BE7CE55-8E12-41C1-8542-CB10C2E65A3E | S153003 | Trio No. 3 Op. 59 (SA) | An original work suitable for recitals and music festivals. | Soprano Saxophone, Alto Saxophone, and Piano. | |
| 7353 | 6BED21A1-BAB8-4D97-A3D4-58EDA3973EFC | X305002 | Dream Catcher | Combines traditional African rhythms and Western tonalities, with flexible instrumention that can be customized for different ensembles. | 5 Percussion, details: Marimba (4.6), Vibraphone, Crotales, Djembe, Congas, African Bell, Shakers, Rain Sticks, Wind Chimes | |
| 7354 | 6BEF0765-7524-4848-8C8B-6921B77B4A02 | 10100285 | Fanfare For The Hour Of | (not set) | Concert Band | |
| 7355 | 6BF83730-1BF1-4628-B08F-3CDF28E1014D | X637301 | Nocturne for Cello, Piano and Percussion | Recorded by The Core Ensemble, Bending the Light, New World Records CD 80559-2. | Cello, Piano, Percussion**Percussion includes: Crotales, GlockEnsemblepiel (Orchestra bells), Vibraphone(with Double Bass bow for ÒarcoÓ playing), Marimba, and large Tam-Tam | |
| 7356 | 6C010ABA-9612-4A8B-ACFF-77AF18658EB3 | 50380002 | Three Songs, Op. 71 (medium) | (not set) | Mediun Voice and Piano | |
| 7357 | 6C01B05B-2DBE-4447-8E3A-47CAD0E152A9 | M984090 | Danse Bacchanale | Full Orchestra | ||
| 7358 | 6C026C83-2761-4D80-B13D-C065647FD6E4 | 10250138 | Aria | Antonio Tenaglia (c.1616-1661) was a well-known composer and keyboardist during the Baroque era. Very little of his music has survived the ravages of time, however, among his output are many beautiful melodies, including this aria from one of his 67 cantatas. Written in ABA form, it starts in G minor and moves to G major before returning to the original key. The limited divisi in the second violins adds body to the ensemble. Gerald Doan's artistic arrangement is a worthwhile addition to the string orchestra repertoire. | String Orchestra | |
| 7359 | 6C02BCE9-ACFD-4D6B-9022-BB13DDF91D2B | M172191 | Eight Russian Folksongs | (not set) | Flute, Oboe, Clarinet, Horn and Bassoon | |
| 7360 | 6C0AD0EF-7043-434F-B172-7586C65D937D | O4 | HUNGER PAINS (OUT-OF-P |