Titles
Showing 7,421-7,440 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 7421 | 6CEB98AF-D723-4D1C-95B5-7AC0C6CC1AFA | 10100279 | Mock Morris for Band | Evoking 'jog trot' images and moving steadily from beginning to end, this wonderful tune, first presented by the woodwinds in a variety of colorful voicings and punctuated by brass voices, eventually, is classic Grainger. Explicitly edited in this edition, it is a fitting addition to any concert or contest program. | Concert Band | |
| 7422 | 6CEC5B8F-3D97-4D9B-A55B-8E3A02F144EB | 50100254 | Hot Donut Express | Fun and catchy, this clever work will have both your band and audience tapping their toes and bouncing in their seats. Its rhythmic pulse and melodic and harmonic inventiveness are a sheer delight. | Concert Band | |
| 7423 | 6CEE1E87-9DE7-4AC5-BD39-B2C4E3F547CE | X814049 | 24 Songs for Medium Voice and Piano | Containing over 90 minutes of music, Gerber's album beatifully explores themes encompassing nature and the human experience with some of the best poetry ever written in the English language. The collection for medium voice and piano includes contemporary tonal settings of texts by W.B. Yeats, Robert Frost, Walt Whitman, Ralph Waldo Emerson, Shakespeare and more. This volume is an important addition for any singer that is interested in expanding their repertoire of thoroughly singable modern vocal music. | Medium Voice, Piano | |
| 7424 | 6CF1E31B-7E69-450C-8B37-E8A2A99F8D60 | S720CB | Reflections on a Theme By Mozart | This arrangement is a reflection of the delightful, lyrical melody found in Mozart's 2nd movement of the Symphony No. 40 in G minor. | Concert Band | |
| 7425 | 6CF9A063-C917-4F5E-A3DB-E5B77113E688 | S245CB | Strategic Air Command (SAC) | Was written at the suggestion of and as a tribute to the United States Strategic Air Command. Two editions of the Strategic Air Command March are published: the complete Concert March version, and a quick-step size which serves as the Service Version, beginning with the introduction to the Trio and adaptable to being sung by a male chorus. | Marching Band | |
| 7426 | 6CFC5471-B5FC-47AF-8FCB-D885B9C1CDC1 | SU69 | Divertissement | This edition of Eugene Bozza's Divertissement, Op 39, can be performed on either baritone or alto saxophone. The work is in a single movement, encompassing sections of varying tempi, keys and styles. | Baritone Sax, Piano | |
| 7427 | 6CFEC25F-1CDC-4953-A12E-FA3DC0BE5F55 | SC241 | Men of Iwo Jima | Text by Leonard Waggoner. | Tb | |
| 7428 | 6CFF4BCC-203B-4480-B949-AFFA6166BCAF | M352991 | Four Songs, Op. 51 for High Voice | (not set) | High Voice and Piano | |
| 7429 | 6D022967-C133-44A5-B3EF-3668198EB2A8 | A788490 | O Holy Night (Cantique de Noel - original key) | Adolphe Adam’s (1803-1856) ever popular Oh Holy Night was penned in 1847 and has remained a classic holiday carol ever since. The text comes from French poet Placide Cappeau’s Christmas poem, to commemorate the 1843 renovation of Roquemaure church’s pipe organ. It premiered in Roquemaure in 1847, sung by opera singer Emily Laurey. This arrangement by Adam Harris includes full orchestra and mixed chorus. Instrumentation: 2+Picc.2.2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(2): Hp: Str (9-8-7-6-5 in set): SATB Chor. | 2+Picc.2.2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(2): Hp: Str (9-8-7-6-5 in set): SATB Chor | |
| 7430 | 6D1211B8-13AD-403E-AC0D-E04120B7C535 | R01282 | Concerto for Violin and Orchestra | Violin Solo2.2.2.2: 4.2.3.0: Timpani.Percussion(1).Harp: Strings | ||
| 7431 | 6D13BEF4-4A67-43D7-8937-B4DE7BAF9AD2 | SS209 | Gigue (out-of-print) | Flute | ||
| 7432 | 6D13D33E-9B28-4A85-A21E-A85D6C519ACA | SO105C | Christmas Sinfonietta | This original work was inspired by the feeling of waking up to a new Christmas morning. With the chiming of tubular bells and jingling of sleigh bells, this piece is a perfect addition to the time-honored favorites for your Holiday Concerts! | String Orchestra | |
| 7433 | 6D14012F-F68A-41A3-9D61-8BCF44DD7AFD | M125391 | Vedic Hymns, Op.24 | (not set) | Voice and Piano | |
| 7434 | 6D1A0D9E-448F-4E3A-8BE2-780781FCCD78 | SS123 | SONATA NO. 2 (OUT-OF-P | |||
| 7435 | 6D218861-732D-4E7F-9DBF-27DD3A387FE8 | SS704 | Berceuse | Alto Flute | ||
| 7436 | 6D22F614-52AC-4D9E-8E38-9DA4C7578063 | 10503648 | Harlech Castle | Harlech Castle, built in the 13th century by King Edward I of England to help control the rebellious Welsh, is located in the town of Gwynedd in the north of Wales. The song "March of the Men of Harlech" (Rhyfelgyrch Gwyr Harlech) was composed to commemorate the seige of the castle in 1486 by the forces of Edward IV. That traditional march has been arranged into a fanfare and march for brass quartet by Gene Milford. An optional horn part has been included to substitute for trombone I, and trombone II may also be played on euphonium. | Brass Quartet | |
| 7437 | 6D2BC388-BFF4-470C-8A55-3406DD0FF3E9 | X505021 | Shoorafkand (Calligraphy No. 20) for Santoor and String Quartet | Shoorafkand (Calligraphy No. 20) is part of Reza Vali’s "Calligraphies" series, an ongoing cycle of works based on the Persian modal system, the "Dastgâh", which he has been composing since 2000. | Santoor and String Quartet | |
| 7438 | 6D2D83A9-8FAB-4D52-8282-10A79987CED1 | MP530001 | Variations for Cello Alone | A work in four movements of advanced difficulty for unacommpanied cello. | Solo Cello | |
| 7439 | 6D318E57-AF4F-4707-8B27-81B7E86F33C1 | S541FS | Grace Praeludium | The overall style of this piece is one of dramatic romanticism. It was commissioned by the Arkansas Bandmasters Association in celebration of Ruth and Raymond Brandon for what they have meant to Arkansas bandmasters. Raymond Brandon was one of the most important friends and supporters that the composer had in his early career, and it is with love and admiration that this work is dedicated to him. | Concert Band | |
| 7440 | 6D31E66E-14E8-4D9B-8A13-73B4B01DEDE4 | X154013 | Skylines | This single movement saxophone quartet (SATB) takes players and audience through a range of musical emotions to be represented in the playing, including: spirited, driving, radiant, foreboding, darker, lighthearted, introspective, fiery, menacing, luminous, ebullient, and buoyant and animated. | Saxophone Quartet (SATB) |