Titles
Showing 7,521-7,540 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 7521 | 6E6E6571-C0A7-4D8E-924C-C4F772A67E38 | ST407 | Agnus Dei | This arrangement by Arthur Ephross for flute choir is from "Manzoni" Requiem. The vertical rhythms and homophonic writing allows an ensemble of intermediate players to focus on intonation and blending. | Flute Choir | |
| 7522 | 6E731B57-D1D2-4C5F-B442-956142326B23 | 60852003 | Album of Songs, Vol. 2: Seventeen Songs, Book 3 (17 Songs) Low Voice | A reprint edition of these important vocal works by the turn-of-the-century French composer, Cécile Chaminade (1857-1944). Affiliating herself with nationalist composers such as Saint-Saëns and Gounod, her style was very much rooted in both Romantic and French tradition. Her tuneful and highly accessible works were also tremendous favorites in the United States. Chaminade's Album of Songs was originally published between 1892 and 1893 and included thirty-seven total songs across two volumes, with versions for both high voice and low voice made available. LudwigMasters has made all thirty-seven songs available, with three books for each volume, totaling six books each for both high and low voices. Included in Volume 2, Book 3: Viens, mon bien aimé (W290, 1892); Si j’étais jardinier (W296, 1893); Le Noël des Oiseaux (W297, 1893); Berceuse (W287, 1892); À l’inconnue (W288, 1892); Serenata (W272, 1888); L’Amour captif (W292, 1893). | Low Voice and Piano | |
| 7523 | 6E78DE74-3EAE-4989-A1F6-538B9A523C88 | SS816 | Sonata No. 1 for Alto Saxophone | This sonata for alto saxophone and piano is part of the Contemporary Saxophone Series, edited by Ceecil Leeson. It is dedicated to Sarah Jane Anderson. | Alto Sax; Piano | |
| 7524 | 6E7BE0B1-2D83-40E7-AE7A-303D7C429322 | 51250603 | Little Bow Peep | String Orchestra | ||
| 7525 | 6E7D03CA-E689-44AE-9929-33D9C4A8AFB3 | MP652701 | Whisper Moon for Mixed Quintet | Commissioned and Premiered by the Aeolian Chamber Players, Whitney Museum, New York City, April, 1971. Available to rent or purchase. Note: a set is comprised of five scores. There are currently no parts. | Alto Fl., Cl., Vln., Vcl., Pno | |
| 7526 | 6E7DA8FA-0B30-43F0-909A-3CE113888763 | A917902 | Summer Nights, Op. 7 (Les nuits d'ete): 6. L'isle Inconnue (transposed in E-flat) | The song cycle LES NUITS D’ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its facets, progressing from youthful innocence to loss and renewal. Originally composed in 1841 for solo vocalist and piano, Berlioz completed orchestration of each of the six songs in 1856. While regrettably neglected for many years, this song cycle was rediscovered in the 20th century and has become one of the composer's most popular works. The songs in the original keys (1. A; 2. B; 3. F minor; 4. F-sharp; 5. D; 6. F) are available from the publisher both as a complete set (A2573) and individually. Robert Sutherland has edited five of the songs in the cycle and has transposed each in multiple keys to expand the work to more vocalists. Songs completed by Robert Sutherland: 1. Villanelle (E, F, and G), 4. Absence (Db, D, Eb, and E), 5. Au Cimetie?re, Clair de lune (Bb, B, and C), and 6. L'lle inconnue (D, Eb, and E). A transposition of 2. Le Spectre de la rose to D and a transposition of 3. Sur les Lagunes to g minor is also available from the publisher. L'île inconnue (The Unknown Island) asks for the unattainable, a place where love is eternal. Instrumentation: 2.1.2.2: 3.0.0.0: Str (9-8-7-6-5 in set): Solo Voice (medium voice). Newly engraved edition. | 2.1.2.2: 3.0.0.0: Str (9-8-7-6-5 in set): Solo Voice (medium voice) | |
| 7527 | 6E7F3222-82AA-40C5-99BA-C593E225A2B0 | X205022 | Balkan Brass | Trumpets in C, doubling on Flugelhorns and Piccolo Trumpets in B-flat. | Brass Quintet | |
| 7528 | 6E806999-57B7-44F1-9260-62215856022E | 50100086 | Barnum and Bailey's Favorite | Only an expert on Karl King could make this classic believable at the beginning level. It has the melody and style captured admirably, yet with expertly adjusted ranges and simplified rhythms. Don't miss the opportunity to let your students experience thr | Concert Band | |
| 7529 | 6E884153-7095-44E5-B300-D72DA389FB44 | S415CB | March Dramatic | This march is a great contest selection for the intermediate band. Dedicated to Mrs. Judy Justus and the Perrysburg High School Band. | Concert Band | |
| 7530 | 6E8A9133-A31A-438E-9C4A-8C8F02BF643D | 50100127 | Polka (Bureaucrat's Dance) from The Bolt, Op. 27 | This arrangement for concert band of Dmitri Shostakovich's (1906-1975) POLKA from his ballet, THE BOLT, has been completed by Donald Hunsberger. | Concert Band | |
| 7531 | 6E8BBC27-9797-43F0-BC9B-72258C9A6520 | LL121 | Shall We Gather At the River | Satb | ||
| 7532 | 6E8C7E36-DBC1-43DD-B484-1A60ADCE1827 | A742502 | Fruehlingsstimmen Walzer, Op. 410 (Voices of Spring) | <div>JOHANN STRAUSS II (1825-1899) initially wrote FR�HLINGSSTIMMEN, Op. 410 (VOICES OF SPRING) as a concert aria. He dedicated the piece, with a libretto by Richard Gen�e, to pianist-composer Alfred Gr�nfeld. When Bertha Schwarz (stage name, Bianca Bianchi) sang the first performance at the Theater an der Wien on March 1, 1883, the audience loved it so much that they demanded an encore. The composer wasted no time in arranging a purely orchestral version, which the Strauss Orchestra premiered only seventeen days later. The waltz achieved great success during his Russian tour in 1886. This edition for reduced orchestra was arranged by Adolphe Dumont. Instrumentation: 1.1.2.1: 2.2.1.0: Perc(2): Pno Cond Sc in set: Str (9-8-7-6-5 in set). Reprint edition.</div> | 1.1.2.1: 2.2.1.0: Perc(2): Pno Cond Sc in set: Str (9-8-7-6-5 in set) | |
| 7533 | 6E8DF106-83FB-4ADF-84C3-2F330E627FE4 | ST716 | Divertimento No. 8 | The "Divertimento #8 in F Major" (K. 213) was originally written for a sextet of two oboes, two horns and two bassoons in 1775. This arrangement for horn quartet by Marvin Howe is part of the The Complete Hornist series, edited by Thomas Bacon, and is musically rewarding and easily playable. Movements: Allegro Spiritoso, II. Andante, III. Menuett, IV. Molto Allegro | Horn Quartet | |
| 7534 | 6E956F31-AE7E-48E8-B3B0-86A7F16842E8 | E7 | Omea 1994 District Sight Reading | Choral | ||
| 7535 | 6E9CEC77-4300-4753-AA39-2AA4A3DCA4DD | LV439MB | Old Friends | (not set) | Marching Band | |
| 7536 | 6EA0715D-294A-482C-A037-E725A17273B1 | MP816501 | Morning and Evening Poems for Voice and Quintet | Morning and Evening Poems (1966) by William Bolcum is a musical setting of poems by William Blake for Contralto, Tenor, or Counter-tenor with Alto Flute, Harp, Piano, Viola and Percussion. Duration ca. 8' | Contralto or Tenor or Counter-tenor with Alto Fl, Hp, Pno, Vla, Perc(1) | |
| 7537 | 6EA5970E-B07D-4CFE-A34D-31CB6FE99CA7 | 50100176 | Blue Hornets, The | A tuneful delight to the ear with a satisfying array of teaching points for the band director, "The Blue Hornets" makes a superb concert or festival selection. At home in any place in a program, the work is sure to become a favorite. | Concert Band | |
| 7538 | 6EAA17FD-F593-43CD-AE49-C409A5D749C4 | EBM0660028 | Chacona for Piano Trio | Chacona (1976) for Violin, Cello and Piano by Mario Davidovsky. Duration ca. 10' | Piano Trio | |
| 7539 | 6EABE3ED-FD9F-42AA-ABF5-A4894C51A5DA | SC364 | Lullaby, Oh Lullaby | Ssa | ||
| 7540 | 6EAF0A8D-7A47-4B90-A47E-A4952ACC6B55 | A240602 | Spanish Dances, Op. 12; Nos. 2 and 5 [arrangement] | While less known today, German composer Moritz Moszkowski (1854-1925) was a popular and respected composer during his life. Known best for his piano compositions, his most popular work is his Spanish Dances, Op. 12, composed for piano four-hands in 1876, which he later arranged for solo piano himself. Consisting of five pieces, Moszkowski stated that none of the themes are based on any known Spanish melodies, but they are entirely his own creations, written in a Spanish style. The work was so popular that Moszkowski's friend Ludwig Philipp Scharwenka (1847-1917) orchestrated Nos. 2 and 5 in 1879, while Valentin Frank (1858-1929) orchestrated Nos. 1, 3, and 4 in 1884. Each of these orchestrations is available from the publisher. Instrumentation: 2+Picc.2.2.2: 4.2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set). | 2+Picc.2.2.2: 4.2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set) |