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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
75616EEBBF0E-FDDA-4A9B-B186-7A0E983773EFS628Pagan DancesThe "Pagan Dances" completes the cycle of four "primitive" works for symphonic band that also includes "Visions Macabre", "Invocation and Toccata" and "Torch Dance". All of these works employ highly dissonant harmonies, repetitive melodic material and driving rhythm. The work was premiered by the University of Central Arkansas. Movement titles: I. Ritual, II. Mystics, III. The Master of the SwordConcert Band
75626EEC9D1D-A309-425A-8088-2A404D4EAEE9R01362Night in Jerusalem(not set)2dPicc.1+EH.2(2d Cl in A).2: 2.2.0.0: Perc(2): Str
75636EEE3EAD-C34A-4309-9A4F-DB82BF83BCB7SC669SeasonsWords and music by Anna Marie Gonzalez.SSA
75646EF9FDDF-F7C6-4DD8-B075-EAAFF242BE84ST622ChansonViolin
75656EFF1D25-94F7-4BB9-9DCF-166B23E64C90M177191Violin Concerto in B minor, Op. 61One of his longer works and the last to see immediate popularity, Edward Elgar's (1857-1934) Violin Concerto in B minor, Op. 61 has always found its way on concert programs, even when Elgar's works fell out of fashion for much of the 20th century. The work was commissioned by the Royal Philharmonic Society in 1909 after the violinist Fritz Kreisler praised Elgar as "the greatest living composer... I wish Elgar would write something for the violin." The concerto was a personal favorite of Elgar's, and he conducted the premiere at the Royal Philharmonic Society concert on November 10th, 1910, with Fritz Kreisler playing the solo, accompanied by the London Symphony Orchestra. This piano reduction was created by Elgar and was actually performed before the premiere at a private party, with W. H. "Billy" Reed of the London Symphony Orchestra playing the solo (and Elgar at the piano), as Reed had helped in offering violin technical advice during the composition.Violin and Piano
75666F018BA2-0A5F-4E61-B4EB-09B97A6CEF62ST138COSuiteThis suite for trombone choir is written with 12 unique parts. Challenging both to the individual players and at the ensemble level, the suite as a whole or any of its five movements would prove to be a wonderful recital selection for an advanced trombone studio or high school section. Movements: I. Exposition, II. Hymn, III. Allegro scherzando, IV. Lento, V. Con brioTrombone Choir
75676F026E3E-2DCE-4919-9099-3FCFB0DE7FA1X504002Fantasy VariationsRecorded on CRS Records CRS-8532.String Quartet
75686F04DC74-83BB-4A5F-8479-949C35ADF818ST881Te' AmimAlto Sax Unaccompanied
75696F06AD2D-93A7-4C40-ACFE-24F89EEC2418A359002Don Giovanni, K. 527: No. 4, Act I, Aria: Madamina! Il catalogo (bass)Wolfgang Amadeus Mozart (1756-1791) wrote the two-act opera DON GIOVANNI, K. 527, in 1787 following a commission from Prague impresario Pasquale Bondini. With the success of THE MARRIAGE OF FIGARO, Mozart turned to the librettist for that opera, Lorenzo Da Ponte, for this new project. The opera tells the story of Don Giovanni, an arrogant and promiscuous nobleman who abuses everyone he meets, killing the father of a woman he assaulted, attempting to seduce other women and abandoning the one he has already seduced. At the end, the man he had killed returns as a ghost and demands Don Giovanni's repentance. Don Giovanni refuses, and is dragged to Hell, with the cast telling the audience that "Evildoers always come to an evil end." The opera premiered in Prague at the Estates Theatre on October 29th, 1787, with Mozart conducting, and was very successful. The opera remains not only one of the best by Mozart, but it is considered one of the crown jewels of the opera repertoire. In Act I, Leporello sings through the long list of his master’s amorous exploits in "Madamina, il catalogo è questo", also known as the Catalogue Aria. Instrumentation: 2.2.0.2: 2.0.0.0: Str (4.4.3.3.3 in Set): Solo B.2.2.0.2: 2.0.0.0: Str (4.4.3.3.3 in Set): Solo B
75706F0AA327-300D-428D-A332-9B1344A580B7R01593Chamber Concerto No. 1 for Clarinet and Ten PlayersDedicated to clarinetist, David Shifrin, who premiered the work on July 6, 2019, with Chamber Music Northwest. In three movements: I. Playing with friends (Jeux d'enfants); II. Arietta; III. Rondo all'ebraicaSolo Clarinet: 1(d. Picc).1.0.1: 1.0.0.0: Perc(1): Str(1-1-1-1-1)
75716F0AF657-5762-4650-89A5-4E28FEFF379352701159Kid's Counterpoint 1: Violin and Cello Duets(not set)Violin and Cello
75726F0B069F-4A17-446B-8ECD-E82934BD481C10100429Brother John RocksConcert Band
75736F0F230F-AF11-41BE-B9D9-1F3903FE5291R01236ObsessionsCommissioned by and dedicated to Pilsen Conservatory of Music, Czech Republic, on the occasion of its fortieth birthday.2+Picc.2+EH.3+Eb Clar+BCl.2+Cbsn.SATB Saxes: 4.2.3+Euph.2: Timp.Perc(4). DB
75746F12B610-E7C9-436C-A092-97B670D36CC450100076QuartetsFourteen quartets of various instrumentations are featured in this exciting and vibrant work. The work varies both mood and texture, all the while moving forward with urgent rhythms and compelling harmonic and melodic drive. This is Roger Cichy at his best.Concert Band
75756F14C154-DD95-4CA7-8D0C-0E04459EEFA0A931690Humoresque No. 2, Op. 87Jean Sibelius (1865-1957) clearly enjoyed writing the six humoresques for violin and orchestra in 1916-1917. They were not performed until 24th November 1919 together with the first performance of the final version of the fifth symphony. The soloist for the Humoresques was Paul Cherkassky. According to the critics, he came close to being drowned out by the orchestra. This publication is the first quality reprint edition of the Humoresque No. 2 in D Major. Solo Violin: 0.0.0.0: 2.0.0.0: Timp: Str(8.8.5.5.5 in set).Solo Violin: 0.0.0.0: 2.0.0.0: Timp: Str(8.8.5.5.5 in set)
75766F17EFA9-63B1-4A2F-9402-7DE53DB80C21SU236Ode to Joy BluesOpening with the full melody played entirely by solo baritone sax, this arrangement for SATB saxophone quartet follows with a very standard harmonization and voicing of Beethoven's most famous melody before moving to a swing feel. Much of the varying jazz styles are explicitly written, including solos, but chord changes are offered to players who prefer a more improvisational approach.Sax Quartet (SATB)
75776F1970FE-7916-45FD-9E62-9D10529045C4D511072Concerto No. 4 in D major, Three Cadenzas (all)Violin
75786F1A24C5-9345-4A16-BD95-7ED7C21FD4A510470339Gavotte for Baritone Saxophone and PianoThis solo for beginners is perfect for contest or recital and is available for several instruments, including flute or piccolo, clarinet, alto saxophone, baritone saxophone, and cornet/trumpet. Versions for instrument duet and piano are also available from the publisher.Baritone Saxophone and Piano
75796F1AF5A3-7682-4AFE-B2E1-EA8DE38C3845S110003Tone Development Through Extended TechniquesDaily studies for developing resonance and the embouchure.Flute
75806F1CF736-F714-4F58-96EA-EA446F2AEF56ST454Solfeggio in c Minor(not set)Marimba Unaccompanied