Titles
Showing 7,601-7,620 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 7601 | 6F613541-33BA-444E-9E31-062D4B4D254A | R152.13 | Sketches of a Sunday: 13. Children's Play (Juegos De Ninos) | Children's Play (Juegos De Ninos) is excerpted from Jacob Datshkovsky's 14 movement suite entitled Sketches of a Sunday (Bosquejos de un Domingo). | 2+1.2+1.2+Bcl.2+1: 4.3.3.1: Timp.Perc(2).Hp: Str | |
| 7602 | 6F63043B-1B5B-4B07-B025-35B69E1954A7 | 50250134 | Round Dance | A short piece this one, but it is packed with valuable teaching points. It is a dance in D minor that introduces 16th notes and two-note slurs, some of which include string crossings. Upper strings use low 1s and 2s, cellos low 1s, and basses half position. A more lyric theme combines with the opening idea for a dramatic ending. | String Orchestra | |
| 7603 | 6F68158E-2F45-429E-B4AF-37A73440CAD1 | M386391 | Le Bonheur est Chose Legere (from Le Timbre d'Argent, 1877) | This well-known aria "Le Bonheur est Chose Légère" (ICS 30) was part of Camille Saint-Saëns (1835-1921) four-act opéra fantastique Le timbre d'argent, which was written in 1865. This version for voice and piano with violin obbligato was created in 1877. Reprint edition. | Voice, Violin and Piano | |
| 7604 | 6F685551-4852-4D71-895A-6D19835BA0EB | ST552 | Grande Fantaisie on Themes from Mignon By Thomas | Flute, Piano | ||
| 7605 | 6F69C69A-3540-4747-B911-AEF7E77D9F71 | X154011 | Prelude and Fugue | (not set) | SATB Saxophone Quartet | |
| 7606 | 6F6E48B9-27C6-4564-9EFA-7F18FB06ACB9 | 50760015 | Bagatelles | (not set) | Piano Solo | |
| 7607 | 6F709801-14E9-433A-8ED8-3FE11699C9CF | 20456430 | Skating on North Lake | This trio was written to provide a basic ensemble experience for developing saxophone players that would emphasize legato playing, which is the characteristic sound of the instrument. Work on developing a rich resonant tone in all three parts as you think of gliding along while ice skating. It is scored for alto, tenor and baritone saxophones and all three parts are quite melodic and within the limits of basic range. The 4 measure introduction is quite slow, and then it blossoms into the tempo and style of a Viennese Valse. | Alto, Tenor and Baritone Saxophone Trio | |
| 7608 | 6F77B708-35A4-4C35-BFE4-5E464E873F27 | X627002 | Chant with Bells for Tuba and Glockenspiel | (not set) | Tuba, Glockenspiel | |
| 7609 | 6F78448C-FF5C-494F-85D0-193E8F786A73 | RCST86 | Concerto No. 2 in E Flat, Op. 74 | Clarinet, Piano | ||
| 7610 | 6F7CA775-17A9-4AAC-901D-FEF0AA205A16 | M254791 | Von Himmel Hoch | Brass Quintet | ||
| 7611 | 6F7DA463-D67D-4F61-BE01-574DD3DA2545 | RMR101CB | Romeo and Juliet, Suite from the Ballet, mvts. 1-5 | Concert Band | ||
| 7612 | 6F850354-A7B0-4DFE-8E73-AED4081DC4D7 | SU494 | Six Trios, Op. 4 | The 19th century German bassoon prodigy and pedogogue is best known today for his bassoon tutors, likely written for his own students. This collection of six of his bassoon trios also show that he was a fine composer. These six pieces range from the most serious of compositional styles to works which show wit and a strong hint of parody. I. Serenade II. Der erste Ball mit der Geliebteh. Polonaise (The First Ball with the Beloved- Polonaise) III. The dansant im Landschlosschen. Polka (Tea-time Dance in the Little Country Manor- Polka) IV. Tanz in der Dorfschanke. Scherzo alla Mazurka (Dance in the Village Pub) V. Mitternachtliche Wachtparade. Turkischer Marsch (The Midnight Change of the Guard- Turkish March) VI. Eines Humoristen letzte Stunde. Trauermarsch. (The Last Hour of a Comedian- Funeral March) | Bassoon Trio | |
| 7613 | 6F8D8C9D-7BED-4033-A38D-47AC5FA237F0 | M907802 | 1812 Overture for Concert Band | Kenneth Singleton offers this simply spectacular transcription of one of Tchaikovsky's most famous works. This is an amazingly powerful and varied work, from the intense, subdued largo to the world-renowned allegro theme. It's a masterwork you simply won't want to miss. | Concert Band | |
| 7614 | 6F8E80EC-5D5F-49D0-AD74-A16195DB2A00 | 10450192 | Gypsy Love Song | GYPSY LOVE SONG (Slumber On, My Little Gypsy Sweetheart) was written by Victor Herbert (1859-1924) in 1898 for his three-act operetta, THE FORTUNE TELLER, a story of attempted force marriage, many romantic relationships, and mistaken identities, all of which end happily. The tranquil and melodic song has been arranged in multiple ways (all with piano accompaniment) by Floyd O. Harris, all of which are available from the publisher: Alto Saxophone solo, duo, and trio (3rd Alto Saxophone also includes a Tenor Saxophone substitute); Tenor Saxophone solo; Cornet/Trumpet solo, duo, and trio; Trombone/Euphonium/Baritone B.C. solo, duo, and trio. These arrangements are wonderful for developing students looking for a lyrical piece to take to contest or recital. | Alto Saxophone and Piano | |
| 7615 | 6F902414-6349-42E0-9CBF-2242F2776BCD | BSMCHM102 | Concert Piece for Eight Trumpets | Recorded by Philip Smith, Principal Trumpet of the New York Philharmonic, and other well-known NY musicians. An electrifying piece for advanced trumpet ensemble by the contemporary composer. | Trumpet Octet | |
| 7616 | 6F9CE0C1-4333-4476-B9F7-C47752408D15 | X205011 | Music for Brass (Sacred and Profane) | Commissioned by the Hans Kindler Foundation and premiered by the New York Brass Quintet, this work is composed of two arrangements of sacred organ works alternating with two "profane" dances. Recorded by the American Brass Quintet on the Albany Records album "George Walker: Chamber Music." Movements: I. Prelude II. Dance III. Chorale: Liebster Jesu, wir sind hier IV. Dance | Brass Quintet | |
| 7617 | 6F9CFBD4-2845-4209-9F5E-E142F48A014C | M906002 | The First Nowell: A Christmas Carol for Concert Band and Optional Chorus | The works in the Arthur Harris Christmas Series were originally written for orchestra, with several offering the option to add chorus. These transcriptions for band, both by William Silvester or Arthur Harris himself, retain the quality of the original orchestrations, offering bands the optional opportunity to perform with chorus during the Christmas season. Choral scores for each work are available separately. Band series with chorus includes: Silent Night, Joy to the World, Hark! The Herald Angels Sing, Adeste Fidelis (O Come All Ye Faithful), The First Nowell, O Tannenbaum, and Angels We Have Heard on High. Transcriptions for band alone includes: O Little Town of Bethlehem, God Rest Ye Merry Gentlemen, Joy to the World, Deck the Halls, and We Wish You a Merry Christmas. | SATB Chorus with Concert Band | |
| 7618 | 6F9E15EE-F35C-415E-A744-F81AA14D3097 | R00407 | EMERALD REFLECTIONS | 2(1d Piccolo).1+English Horn.2.2: 4.2.3.1: Percussion(2): Strings | ||
| 7619 | 6FA12C32-BED1-45BF-8DAA-68598DB622AB | A898502 | Romeo and Juliet: Air De La Coupe | (not set) | Full Orchestra | |
| 7620 | 6FA24250-CD1F-465D-AF81-4216C032EE9A | X304002 | Fantasy Quartet | Instrumentation: I. Pedal Timpani, Suspended Cymbals (high, medium, low), Snare Drum, Claves, 5 Wood Blocks (high to low), Finger Cymbal or Triangle, II. Vibraphone, Marimba, Chimes, Maracas, Bass Drum, Triangle, III. Tam-Tam (very deep), Snare Drum, Bass Drum, 5 Temple Blocks, 5 Drums (high to low- Tom-toms with soft sticks or congos and bongas), IV. Xylophone, Glockenspiel, Claves, Triangle, Tam-Tam (very deep), Piano (used for only 2 sound effects). | 4 Percussion |