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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
768170B6BD89-28B8-4A0F-A567-EFC2CFDA0FDCR01629Concerto for Four Horns and StringsMovements: I. Rollcall, II. Forest Chorales, III. Distrubed Mountains, IV. Epilogue. Duration ca. 20"4 Hn Soli: Str Orch (6.5.4.3.2)
768270B97C1A-41F1-442E-9BCF-825B08C3E4A8ST259Sonata No. 1 (back To Composer)Alto Sax
768370BB6FE2-89E7-4878-8246-D3AE2EA817F2SC39Who Has Seen the Wind?Satb
768470BC24CB-0232-4745-B221-1C4B7244567FSC616GnomesThis light-hearted depiction of forest-dwelling little people is available from the publisher in both SAB and SATB voicings.Sab
768570BDCA5A-4F1F-47EC-BBAF-E1B397E81051M987190Carnival Overture Op. 92(not set)Full Orchestra
768670C47B2A-7FBA-46E8-87D1-05CA571738D010200108Shepherd's Hey for OrchestraPercy Grainger began work on Shepherd’s Hey in 1908 for piano solo, published for the first time in 1911. Based on an English Morris Dance, the melody was collected by Cecil J. Sharp from the playing of the fiddler of the Bidford Morris Dancers in 1906, J. Mason. In January of 1949, conductor Leopold Stokowski wrote to Grainger suggesting the composer re-orchestrate some of his most popular pieces, including this one, for a recording to be produced featuring an orchestra comprised of the finest musicians New York City had to offer. Stokowski suggested certain scoring procedures that would feature a new color per entrance, thus showcasing the virtuosity of the star players. Five titles were recorded on May 5, 1950, of which Shepherd’s Hey was one. This edition by Dana Perna contains the entire piece as composed by Grainger, also describing the cuts Stokowski implemented in the program notes for conductors who wish to emulate the recorded. Detailed instrumentation: 2+Picc.2+EH.2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(4): Hp.Pno: Str.2+Picc.2+EH.2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(4): Hp.Pno: Str
768770C5849D-DAEE-4311-A658-B85734900FA9S953WWCHConcerto for Clarinet and Winds, Movement IMozart’s Concerto is the first masterpiece for the clarinet and is arguably the greatest work ever composed for the instrument. The work’s tortured history (first conceived for basset horn in G then transposed for basset clarinet in A) and lack of a surviving autograph score has not prevented the work from becoming a mainstay of the solo clarinet repertoire. Mark Rogers’ transcription of the first movement is the first part of a complete edition of the work that preserves the transparency of Mozart’s orchestration while transposing the accompaniment to B-flat for the convenience of band performances. The accompaniment may be used with any standard edition of the solo.
768870C83FAB-756A-4364-B1D5-682E76C720CAB162Adventures in Solo DrummingConsisting of twenty snare drum solos, each number has been dedicated to an outstanding percussionist, all of them well known in the drumming profession, who influenced William Schinstine's percussion development. Additionally, these percussionists provided the complete sticking to the piece dedicated to them. Titles: 1. Father and Son, 2. The New York Texan, 3. The Montrose Miracle, 4. Pratt's Taps, 5. "Dapper Dan", 6. Charlie's Horse, 7. Ship-A-Hoey, 8. Control Contortions, 9. Fennell's Flourishes, 10. Phil's Fill, 11. Swan's Song, 12. Slammin' Sam, 13. One Way Street, 14. The Other Street, 15. Owens Own, 16. Lloyd's Little Diddler, 17. Pascucci Punch, 18. Robertson's Radamacue, 19. Mutation, and 20. Hectic Hickorys.Snare Drum Unaccompanied
768970C8DC18-3E78-4709-AB02-9F1FCC675F29A187102Tales of Hoffmann, The (Les Contes d'Hoffmann): Intermezzo and Barcarolle (concert version, Guiraud)Les contes d'Hoffmann (The Tales of Hoffmann) was written betweem 1876 and 1880 and is the final work composed by Jacques Offenbach (1819-1880), who died four months before the premiere, a fear that Offenbach expressed from a premonition, writing to impressario Léon Carvalho, "Hurry up and stage my opera. I have not much time left, and my only wish is to attend the opening night." The opéra fantastique is in five acts (originally in four acts in the Ernest Guiraud completion), with a Prologue and an Epilogue acting as bookends and the stories' framing-device. The plot, based on a similarly named play by Jules Barbier and Michel Carré, tells of the poet Hoffmann and his love for a prima donna named Stella, while the poetry Muse, under the guise of Hoffmann's friend Nicklausse, attempts to regain his attention and abandon all other loves. An evil Nemesis named Councillor Lindorf, seeks to keep Hoffmann from the prima donna so that he can have her for himself, and asks Hoffmann to tell the crowd in a tavern the stories of his three great loves: Olympia, the automaton (Act 1); Antonia, the singer (Act 2); and Giulietta, the courtesan (Act 3). All three loves represent different aspects of Stella, the Nemesis plays a role in each as a different enemy to Hoffmann's love, and the Muse as Nicklausse tries to help Hoffmann in each. An abridged performance occurred at Offenbach's house on May 18, 1879, but the full premiere of the Guiraud four-act version took place on February 10, 1881, at the Opéra-Comique in Paris, Jules Danbé conducting. The five-act version most-performed today per Offenbach's intent was published finally in 1907. The Intermezzo and Barcarolle (Intermède et Barcarolle) occurs at the beginning of what is now considered Act 4, the Giulietta act, and is a duet for Giulietta and Nicklausse titled Belle nuit, ô nuit d'amour. This concert version for orchestra only was completed by Ernest Guiraud. Instrumentation: 2(2nd dPicc).2.2.2: 4.0+2Crnt.3.0: Perc(2-4): Hp: Str (9-8-7-6-5 in set).2(2nd dPicc).2.2.2: 4.0+2Crnt.3.0: Perc(2-4): Hp: Str (9-8-7-6-5 in set)
769070C9C1FF-9BCF-4611-B91F-1FF19260978EM164091Mazurka(not set)Violin and Keyboard
769170CBF64E-C6F1-4271-84EF-ED23589B503ESU187COCross Currents(not set)5M, 4P
769270CCB2B8-D2A1-48D2-BEF2-B86325435BCDMP131002Concerto for Clarinet
769370CF260C-E4E3-4576-A8BE-4B7EA70130A5X503020Equinox DancesPremiered by the Serafino Trio, Oct 2000.Piano Trio
769470E10A7A-EE12-4E2F-9466-6B95672F924AM371291Sicilienne and Burlesque(not set)Flute and Piano
769570E27E71-0947-44CA-89A8-425024A36DC252702144Wedding Album 1 - String TrioIncludes optional Violin 2 part for Viola.Contents: Bach, Jesu Joy of Man's Desiring, Air on the G String; Wagner, Bridal Chorus; Mendelssohn, Wedding March; Handel, selections from Royal Fireworks and Water Music, Entrance of the Queen of Sheba; Mouret, Rondeau; Pachelbel Canon; Schubert, Ave Maria; Vivaldi, Largo from Winter; Clarke, Trumpet Voluntary; Purcell, Trumpet Tune.String Trio: Violin 1, Viola/Violin 2, Cello
769670E3ABAE-C82D-4508-B2F8-2045C543B3EC53250109FireballOriginally composed for the television broadcast of the Tour de France for CBS Sports. The footage that inspired Mark Wood featured dozens of competitors at top speed racing their bikes down a mountain road. The stress and competition forces the riders into extremely dangerous situations reflected in the music.String Orchestra
769770E47F88-9116-4840-8BF4-B23159601F1E52702017Six String Trios: Trio IV in B-flat MajorThese trios cover a variety of friendly keys and now have full scores. Helpful, playable trio repertoire for concert or contest. Violin 1 gets most of the action, but other parts have moments to shine.Violin 1, Violin 2 /Viola and Cello
769870E8EE44-B321-444B-8658-97F89EDC5D27SU77Two Dollar Window2M, 4P
769970E9103D-FED1-4CCE-8D1D-5988605D93FAR111BSaga of a Pioneer: II. The Pioneers(not set)Concert Band
770070E92FCD-08DB-49CD-9C9F-EC7D5EAC39B316502120Counterpoint No. 5 for Violin, Trumpet and Trombone"The composer once again displays his contrapuntal mastery and knowledge of instrumental colors." (The Instrumentalist)Violin, Trumpet and Trombone