Titles
Showing 7,721-7,740 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 7721 | 712E3331-BB40-4946-A0C4-72729983B16B | TC929 | Surrexit Pastor Bonus | (not set) | Four-Part Chorus of Treble Voices with Keyboard | |
| 7722 | 7130DBBC-0C65-461F-9571-C144BB9FD2E8 | A133902 | Symphony No. 2 in D, Op. 73 | Johannes Brahms (1833-1897) composed his Symphony No. 2 in D Major, Op. 73 while on a retreat in Pörtschach am Wörthersee in the summer of 1877. With his first efforts in the symphonic form finally complete, following over fourteen years of labor, the next one appears to have come easily for him. Due to its sunny, often relaxed nature, it has been described as his "pastoral" symphony. Hans Richter conducted the first performance with the Vienna Philharmonic on December 30, 1877. Instrumentation: 2.2.2.2: 4.2.3.1: Timp: Str (9.8.7.6.5 in set). Reprint edition. | 2.2.2.2: 4.2.3.1: Timp: Str (9.8.7.6.5 in set) | |
| 7723 | 7135B707-9D7D-4557-A76F-455E5281CAEF | SC457 | Father Eternal | Satb | ||
| 7724 | 71367F51-F2B2-4F9D-AD04-A8F6477904AC | M136891 | Nine Fantasias | (not set) | Violin and Viola | |
| 7725 | 71397635-F3B6-4A38-AA01-67A8CACEA881 | M379491 | 12 Little Pieces | 2 Horns | ||
| 7726 | 713B7969-F006-42DF-B4F0-4C6BBD28A27B | A314702 | Church (Organ) Sonatas, Vol. III: Nos. 12 & 14 (K. 278 & 329) | Set Of Parts-22111 | ||
| 7727 | 713DA133-AFD7-4CCE-9A5C-852EDCA3FE67 | A679502 | Fantasy on Two Russian Themes, Op. 33 | (not set) | 2, 2, 2, 2 - 2, 2, 0, 0, timp, perc, str, solo violin in set | |
| 7728 | 714655BF-718E-4B51-83E9-F8BB6C101947 | S789CB | Concerto for Band | |||
| 7729 | 71474BCD-49AE-44A5-8E22-00C3734F2C13 | X503013 | Trio No. 2, Op. 75 | (not set) | Violin, Cello, Piano | |
| 7730 | 714B998E-31B0-4507-81B6-0935DC9A2AE6 | ST968 | Elegie and Ecossaise | Soprano Sax | ||
| 7731 | 714D94CA-F205-42E4-A8BB-43A12693636A | A891902 | Notre Dame: Entr'acte and Carnival Music | Notre Dame by Franz Schmidt (1874-1939) is a romantic opera, with libretto written by both the composer himself and Leopold Wilk, a professional chemist and amateur poet. Based loosely on the 1831 Victor Hugo novel The Hunchback of Notre-Dame, the opera was premiered in Vienna in 1914. Best known for its Intermezzo and Carnival Music (which were written before the opera and later incorporated), Notre Dame was popular until the early 1920s before it faded from public performance. It has since been revived in Vienna and Dresden. Instrumentation: 2+Picc(dFl).2.2.2+CBsn: 4.3.3.0: Timp.Perc(2): Hp(2): Str (9-8-7-6-5 in set). | 2+Picc(dFl).2.2.2+CBsn: 4.3.3.0: Timp.Perc(2): Hp(2): Str (9-8-7-6-5 in set) | |
| 7732 | 714F716E-0EE8-402B-87E0-6E0A41EDD5FD | D410003 | Piano Sonata No. 2, 2nd Edition | Piano Solo | ||
| 7733 | 71500745-F3C4-403D-877F-8B09ABD41439 | 52733053 | Water Music Selections for Cello Quartet | Lynne Latham arranged three selections from George Frideric Handel's WATER MUSIC - Bourree, Allegro, and Hornpipe for Cello Quartet. Cello I is advanced in treble clef. | Cello Quartet | |
| 7734 | 71530B2A-6F2A-4DFD-95B2-1EC47DAE7DD5 | R152.12 | Sketches of a Sunday: 12. Alexandra's Lullaby (Cancion de Cuna) | Alexandra's Lullaby (Cancion de Cuna) is excerpted from Jacob Datshkovsky's 14 movement suite entitled Sketches of a Sunday (Bosquejos de un Domingo). | 2+1.2+1.2+Bcl.2+1: 4.3.3.1: Timp.Perc(2).Hp: Str | |
| 7735 | 7154278D-E524-4AB5-82D5-6FBA7110B229 | SC752 | Song Of Prayer | The text of this octavo, inspired by the familiar "Now I lay me down to sleep" prayer, makes for a great addition to evening services. Versions voiced for SAB and SATB are available from the publisher. | Sab | |
| 7736 | 71547FCB-9F96-4059-8F50-B5B757A51970 | 52793005 | POP see 52793014 1, 2, 3, Play! - Viola Part with CD | This collection includes fifteen works in varying styles, keys, moods, and meters, from easy to intermediate level. One, two, or three players may join either a teacher accompaniment part or piano. Books for violin, viola and cello are available in addition to teacher scores and piano accompaniment for each instrument. | Viola Trio and Piano, Flexible Instrumentation | |
| 7737 | 716729AF-16F7-4FD0-AE5C-AAFFD19FE6C5 | 50100214 | Cotton Candy Lullaby | Conservative ranges, easy rhythms, and a beautiful melody make this work an ideal training piece for the young band. There are only two styles of articulation, the melody appears in every wind part, and harmonies are simple yet effective. | Concert Band | |
| 7738 | 717067CC-8C84-451B-9FC3-C1C53905258B | SC297 | Star of the East | (not set) | Tb | |
| 7739 | 7170FD95-3D1C-411A-823B-DE4B829C8CA6 | S926CB | Spoon River | (not set) | Band | |
| 7740 | 71710372-3DFC-457A-80AC-B1CA0873D24B | R51WE | Shadowcatcher for Brass Quintet and Band | Edward Curtis, the great American photographer, traveled the American West during the early decades of the 20th century, taking literally of tens of thousands of photographs of Native Americans, chronicling their ancient lifestyle - capturing a time and place destined to disappear in the onrush of the modern age. His mysterious, beautiful and powerful photographs had a distinctive play of light and dark, and the Native Americans dubbed him the "Shadowcatcher". Four of his photographs are the inspiration for this composition. I. Offering to the Sun (Tewa, 1925), II. Among the Aspens (Chippewa, 1926), The Vanishing Race (Navajo, 1904), IV. Dancing to Restore an Eclipsed Moon (Kwakiutl, 1914). Commissioned by the American Brass Quintet, the orchestral version was written for the Orquesta Sinfonica Carlos Chavez of Mexico City, the Wind Ensemble Version for Butler University, and recorded by the American Brass Quintet with the Juilliard Wind Ensemble for New World Records. A reduction for quintet and piano is also available from the publisher. | Brass Quintet: Band |