Titles
Showing 7,541-7,560 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 7541 | 6EAFAB82-F310-4271-824D-5E0AD745717E | SS748 | Solo de Concours for Alto Saxophone and Piano | Rabaud's famous Solo de Concours was used for the Paris Conservatory clarinet competition between 1901, '08, and '37. Harry Gee has transcribed the work for alto saxophone and piano, and has also arranged it with both band and orchestra accompaniments. All these editions are available from the publisher. Grade 5. | Alto Saxophone, Piano | |
| 7542 | 6EB427F2-FEA9-47CC-90FE-86ABF96C45A4 | 50200046 | Dayenu | A traditional Jewish song that is over 1,000 years old, Dayenu is a theme and variations that requires a large orchestra and immense energy. The work explores several keys and styles before its climactic conclusion. Instrumentation: 4(4dPicc).3(3dEH).3(+Ecl+BCl).3(3dCtrBsn): 4.3.3.1: Timp.Perc(4): Str(9-8-7-6-5). | 4(4dPicc).3(3dEH).3(+Ecl+BCl).3(3dCtrBsn): 4.3.3.1: Timp.Perc(4): Str(9-8-7-6-5) | |
| 7543 | 6EB44AB4-B634-4A44-8E2D-391CD4771C0F | SU510 | Lyrical Concerto (serpent) | Proctor composed Lyrical Concerto for serpent enthusiast Craig Kridel. The work was later champoined by bass trombonist Douglas Yeo who ultimately performed it with the Boston Pops Orchestra conducted by John Williams. In three connected movements, the concerto explores in a clever and unpretentious way the full range of the performer's capabilities, and includes an optional part for medeival cupped bells inspired by Craig Kridel's performance. Although specifically composed for serpent, this cheerful and melodious music is also well-suited and has been transcribed for bassoon, baritone sax, bass clarinet, trombone/euphonium, and tuba. | Serpent, Piano | |
| 7544 | 6EBB3945-9E09-4CF3-8D45-5B394CDB6187 | ST975 | Laudate Dominum in Tympanis | (not set) | Flute Choir | |
| 7545 | 6EBCBD95-591C-450B-B31B-181728280681 | A240002 | Symphony No. 5 in C-sharp minor (3rd version) | Gustav Mahler (1860-1911) composed his SYMPHONY No. 5 in C-sharp minor in 1901 and 1902, mostly while staying at his vacation cottage at Maiernigg. The composer conducted the first performance in Cologne on October 18, 1904 with the Gurzenich Concert Orchestra. The work opens with a funeral march, introduced by a grim and dauntless trumpet solo which calls to mind the opening motif of Beethoven's 5th Symphony. The 4th movement, the well-known, elegiac Adagietto, is often performed apart from the rest of the piece. It appeared, memorably, at the funeral of Robert Kennedy in 1968 under the direction of Leonard Bernstein. Revised several times, the symphony is here presented in its 1910 version. Reprint edition. 4(3rd/4th dPicc).3(3rd dEH).3(3rd dBCl).3(3rd dCBsn): 6.4.3.1: Timp.Perc(3-4): Hp: Str (9-8-7-6-5 in set). | 4(3rd/4th dPicc).3(3rd dEH).3(3rd dBCl).3(3rd dCBsn): 6.4.3.1: Timp.Perc(3-4): Hp: Str (9-8-7-6-5 in set) | |
| 7546 | 6EC0F577-21E7-4A93-9A7E-736FCBF29591 | J27 | Music Of James Barnes, Vol. 1 | (not set) | Lp | |
| 7547 | 6EC1F837-C929-4F80-BAC7-984B2C7E1322 | A803202 | Concert Aria: Soll ein Schuh nicht druecken!, WoO 91/2 (Two Concert Arias from Ignaz Umlauf's Singspiel "Die Schoene Schusterin") | Written in 1795, Ludwig van Beethoven’s (1770-1827) Soll ein Schuh nicht drücken! for soprano and ensemble is a setting of the libretto from Austrian composer Ignaz Umlauf’s 1778 singspeil Die schöne Schusterin. This work is part of a two-movement set of arias written by Beethoven to be inserted into the 1795 revival of Umlauf's work. Instrumentation: 1.2.0.2: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Soprano (available separately). | 1.2.0.2: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Soprano (available separately) | |
| 7548 | 6EC541C9-FF2D-4193-B660-684042A496A0 | B107702 | High School Cadets March | (not set) | Concert Band | |
| 7549 | 6EC845D0-1F99-41F3-BC39-C6DECFF6F525 | POPMP632501 | Junctures | Commissioned by the Aeolian Chamber Players of Bowdoin College in 1966, Junctures explores a wide range of instrumental relationships, from strict unisons to loosely-controlled solo passages. Flutist Harvey Sollberger says: “Davidovsky’s music shows him as the creator of delicately jeweled, precise structures that function with no waste motion or superfluity–exemplified in Junctures in its economy (consider both its brevity and what is achieved within the ‘limitation’ of working with three treble instruments) as well as in its fineness of styling.” Recording originally released on Nonesuch HB-73028 (“20th Century Flute Music”) by Sollberger, Allen Blustine (cl) and Jeanne Benjamin (vn) | Flute, Clarinet, Violin | |
| 7550 | 6ED0DA43-D12F-476B-8E9B-B5E1309925C2 | S174CB | La Mandolinata (Trumpet or Euphonium solo) | Subtitled "Fantasia for Cornet", this version is a set of melodic and rhythmic variations by a writer known for his beautiful solo cornet writing, Bellstedt's piece is available with both piano and band accompaniment. | Trumpet or Euph solo, Concert Band | |
| 7551 | 6ED739D5-B22E-4B16-9BD4-415BDFF6E181 | SC432 | Lullaby Of an Infant Chief | (not set) | Ssa | |
| 7552 | 6ED82A67-9A84-4ABC-BC05-F519CC89BB62 | V102 | Three Songs: Art Songs by American Women Composers v. 7 | This series is the first published collection of art songs set to music exclusively by American women of the 20th century. All of the songs have been selected on the basis of poetic choice, strength in text-setting, and accessibility in performance. This collection includes reissues of two of Howe's finest settings of Elinor Wylie, plus a first publication of her dramatic setting of Goethe's "Trocknet nicht." | Vocal | |
| 7553 | 6ED987B3-7B0C-47C7-9C53-71AB94F07111 | A143202 | Romance in F minor, Op. 11, B. 39 | Antonin Dvo?ák (1841-1904) wrote this single-movement Romance in F minor for solo violin and orchestra (or piano) in 1877 at the request of Josef Markus, leader of the Provisional Theatre Orchestra in Prague to perform at the annual concert to take place at Žofín Palace, where it premiered on December 9th, 1877, Adolf ?ech conducting. The work originated from the slow movement, Andante con moto quasi allegretto, of Dvo?ák's String Quartet No. 5 in F minor, a work he composed in 1873, then subsequently abandoned. Only the graceful cantabile melody is shared by both the Romance and the string quartet, with the rest of the music from the quartet having no place in the newer, lyrical work. Instrumentation: 2.2.2.2: 2.0.0.0: Str (9-8-7-6-5 in set): Solo Violin in set. | 2.2.2.2: 2.0.0.0: Str (9-8-7-6-5 in set): Solo Violin in set | |
| 7554 | 6EE4B627-5AE9-41C9-B360-2CA221DE9B19 | M182491 | Fantaisie No. 1 in E-flat (1857) | Camille Saint-Saëns (1835-1921), while most well-known for his chamber and orchestral works, also composed much for the organ, having himself been appointed organist at both Saint Merri (1853-1857) and Madeleine (1857-1877), the latter post he held for 20 years. He is one of the 19th century's most important composers and performers for the organ, counted together with other greats such as Gigout, Guilmant, and Widor. A still youthful Saint-Saëns wrote the, at times, both warmly light-hearted and formally serious FANTAISIE No. 1 in E-flat Major for organ in 1857. | Organ | |
| 7555 | 6EE506AA-3853-4904-8594-E5D4BEB5F2FF | M213591 | Collected Songs, Vol. 8 (1915) | The Collected Songs by Jerome Kern are published in 16 volumes and include the master song-smith's best known tunes from his different eras. Volume 8 (1915) includes the following: 1. Best Sort of Mother, Best Sort of Child; 2. Can't You See I Mean You; 3. I'd Love to Dance Through Life With You; 4. I've Just Been Waiting for You; 5. A Little Love; 6. On the Sands of Wah-ki-ki; 7. Sing Trovatore; 8. Society; 9. Some Sort of Somebody; 10. Those "Come Hither" Eyes; 11. Two Heads Are Better Than One; 12. You Know and I Know. Reprint edition. | Voice and Piano | |
| 7556 | 6EE6610E-3F39-4501-ADA1-CFEC50FB3A77 | SC485 | Sweet Afton | (not set) | Ttb | |
| 7557 | 6EE6B431-4B61-4683-B64B-9B869A76FE43 | R00631 | Psalm Five for SATB Chorus, Brass Choir, Percussion and Harp | (not set) | SATB Chorus 4 Horn, 3 Trumpet, 3 Trombone, Tuba, Timpani, Percussion(2), Harp | |
| 7558 | 6EEAE420-A209-4DFD-A744-D74A493F40E2 | 50362006 | Competition Solos, Book 3 Mallet Percussion | The practical collection of competition solos that are included in this book were selected from state competition lists throughout the United States. While each selection is included on the list of at least one state, check with your director, private instructor or state music association to confirm that your desired solo is an approved selection in your state. The piano book includes alternate accompaniments for instruments of different pitch and therefore can be used for any instrument in the book three series. Codes to download audio are included on each solo book. Titles included: Brass Bangles; Caprice; Dancing Silhouettes; Evening in the Country; Ocean Beach (Valse); Polka from Bartered Bride; Viennese Sonata No. 4 (Rondo). | Mallet percussion | |
| 7559 | 6EEAE74B-D18B-4045-A83E-19E7A3EEA1C8 | A104202 | Holberg Suite, Op. 40 (Aus Holbergs Zeit) | Subtitled "Suite in olden style," this five-movement suite was written to celebrate the 200th anniversary of the birth of Dano-Norwegian humanist playwright Ludvig Holberg. Each movement is based on 18th-century dance forms and styles, but written from an 19th-century perspective, serving as a harbinger of the neoclassicism movement to follow. Originally written for piano, Grieg arranged the work for string orchestra only a year after originally composed. While not as well-known as his incidental music from PEER GYNT, many consider this work to be of equal quality. Study score. | String Orchestra (8-8-5-5-5 in set) | |
| 7560 | 6EEB827D-C0D9-4FB1-B39E-D2AB203C46F4 | B386202 | Divertissement for Double Wind Quintet, Op. 36 | Jean Émile Auguste Bernard (1843-1902) was a French Romantic composer and organist. His Divertissement for Doubled Wind Quintet, Op. 36 was first written for the Société des Instruments à Vent (Society of Wind Instruments) in Paris. First published by Durand around 1888, this melodic gem has been embraced in the woodwind chamber repertory. It is comprised of three movements: 1. Andante sostenuto - Allegro molto moderato, 2. Allegro vivace, and 3. Andante - Allegro non troppo. | Double Woodwind Quintet |